Barbara Wood – författare

When a massive earthquake strikes California no one could have predicted the astonishing discoveries that were to follow: as a swimming pool sinks into the earth, it reveals the entrance to a previously unknown cave.Archaelogist Erica Tyler knows this could be one of the finds of the century, and when she arrives at the scene her instincts are proved right: she finds an age-old cave painting, whose vibrant colours and symbols mark the world of the shaman; a pair of spectacles that predate known European colonisation; and further strange and astonishing artefacts. But most astonishing of all are the human remains of someone known only as the 'First Mother', dating back almost 2000 years...However, angry local homeowners want the cave filled in and their lives back to normal as soon as possible and Jared Black, formidable campaigner for the Native American Heritage Commission, wants the site claimed for the relevant tribe. Erica refuses to back down as a childhood of foster homes meant she grew up never knowing her real identity and she won't let the First Mother be consigned to history in the same manner...

Heritage, Authority and Power - Understanding Theory Through Practice examines who holds power and authority in heritage, the connection with specialist knowledge and what the shifting nature of these attributes means for concepts of authenticity.Drawing on interviews with practitioners working across the heritage sector, Wood explores why in some organisations staff feel disempowered, but in others they thrive. In exploring the worked experience of practitioners, a new model emerges for understanding the sector that recognises the differences between the activity of heritage and the work of professional practice. The model demonstrates that the sector is unknowingly operating with two different purposes, The activity of heritage, generated by and from, the collections of the past, is inventive, creative and entertaining, but operates for contemporary need and interest. The work of professional practice, meanwhile, although itself creative and supporting and enabling the work of heritage, is fundamentally concerned with long-term collection development, research and conservation. In recognising and embracing these differences, the function of specialist practice in relation to curatorship can be appreciated, but so too can the contribution of supporting specialisms, such as education, outreach, community engagement and design. The model presented within the book subsequently offers a more efficient and effective, forward-looking way to think about funding, organising and managing these two areas separately – but also in active partnership.Heritage, Authority and Power is situated in the space between academia and practice and is useful for students, practitioners and for anyone interested, managing or working in heritage. It will be particularly relevant to academics and students engaged in the study of heritage, museums, tourism and visitor experience, and public history.

Heritage, Authority and Power - Understanding Theory Through Practice examines who holds power and authority in heritage, the connection with specialist knowledge and what the shifting nature of these attributes means for concepts of authenticity.Drawing on interviews with practitioners working across the heritage sector, Wood explores why in some organisations staff feel disempowered, but in others they thrive. In exploring the worked experience of practitioners, a new model emerges for understanding the sector that recognises the differences between the activity of heritage and the work of professional practice. The model demonstrates that the sector is unknowingly operating with two different purposes, The activity of heritage, generated by and from, the collections of the past, is inventive, creative and entertaining, but operates for contemporary need and interest. The work of professional practice, meanwhile, although itself creative and supporting and enabling the work of heritage, is fundamentally concerned with long-term collection development, research and conservation. In recognising and embracing these differences, the function of specialist practice in relation to curatorship can be appreciated, but so too can the contribution of supporting specialisms, such as education, outreach, community engagement and design. The model presented within the book subsequently offers a more efficient and effective, forward-looking way to think about funding, organising and managing these two areas separately – but also in active partnership.Heritage, Authority and Power is situated in the space between academia and practice and is useful for students, practitioners and for anyone interested, managing or working in heritage. It will be particularly relevant to academics and students engaged in the study of heritage, museums, tourism and visitor experience, and public history.

An exciting thriller teeming with adventure and suspense about two sisters caught in a deadly international game.It's been four years since Lydia Harris last spoke to her elder sister, Adele. When Adele telephones from Rome and interrupts Lydia's work as a nurse at the Santa Monica Emergency Hospital, she's more than a little surprised—and curious. Adele explains that she sent a parcel to Lydia, and after Lydia receives it, she must come to Rome at once. Disturbed by her sister's cryptic message, Lydia is further puzzled when the parcel arrives containing a beautiful Egyptian gaming piece in the form of a jackal. When Lydia's apartment is suddenly burglarized, she's astonished that the only thing stolen is the wrapping paper in which the jackal was mailed. Deeply concerned about her sister's fate, Lydia determines to track her down, flying first to Rome and then to Cairo. But the deeper she becomes involved in her search, the further she leaves behind the comfortable world of her hospital and the undeclared love of a handsome doctor. Drawn into a lethal battle of wits, Lydia confronts murder, mysterious strangers, and death threats. But in a final confrontation in the Valley of the Kings, Lydia just might face her worst nightmare.