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681 kr
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774 kr
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Heritage, Authority and Power - Understanding Theory Through Practice examines who holds power and authority in heritage, the connection with specialist knowledge and what the shifting nature of these attributes means for concepts of authenticity.
Drawing on interviews with practitioners working across the heritage sector, Wood explores why in some organisations staff feel disempowered, but in others they thrive. In exploring the worked experience of practitioners, a new model emerges for understanding the sector that recognises the differences between the activity of heritage and the work of professional practice. The model demonstrates that the sector is unknowingly operating with two different purposes, The activity of heritage, generated by and from, the collections of the past, is inventive, creative and entertaining, but operates for contemporary need and interest. The work of professional practice, meanwhile, although itself creative and supporting and enabling the work of heritage, is fundamentally concerned with long-term collection development, research and conservation. In recognising and embracing these differences, the function of specialist practice in relation to curatorship can be appreciated, but so too can the contribution of supporting specialisms, such as education, outreach, community engagement and design. The model presented within the book subsequently offers a more efficient and effective, forward-looking way to think about funding, organising and managing these two areas separately – but also in active partnership.
Heritage, Authority and Power is situated in the space between academia and practice and is useful for students, practitioners and for anyone interested, managing or working in heritage. It will be particularly relevant to academics and students engaged in the study of heritage, museums, tourism and visitor experience, and public history.
805 kr
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Heritage, Authority and Power - Understanding Theory Through Practice examines who holds power and authority in heritage, the connection with specialist knowledge and what the shifting nature of these attributes means for concepts of authenticity.
Drawing on interviews with practitioners working across the heritage sector, Wood explores why in some organisations staff feel disempowered, but in others they thrive. In exploring the worked experience of practitioners, a new model emerges for understanding the sector that recognises the differences between the activity of heritage and the work of professional practice. The model demonstrates that the sector is unknowingly operating with two different purposes, The activity of heritage, generated by and from, the collections of the past, is inventive, creative and entertaining, but operates for contemporary need and interest. The work of professional practice, meanwhile, although itself creative and supporting and enabling the work of heritage, is fundamentally concerned with long-term collection development, research and conservation. In recognising and embracing these differences, the function of specialist practice in relation to curatorship can be appreciated, but so too can the contribution of supporting specialisms, such as education, outreach, community engagement and design. The model presented within the book subsequently offers a more efficient and effective, forward-looking way to think about funding, organising and managing these two areas separately – but also in active partnership.
Heritage, Authority and Power is situated in the space between academia and practice and is useful for students, practitioners and for anyone interested, managing or working in heritage. It will be particularly relevant to academics and students engaged in the study of heritage, museums, tourism and visitor experience, and public history.
238 kr
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The time is December 1999. Millennial fever holds the world in its grip - stirring ancient and terrible fears that the apocalypse is at hand. In the Sinai desert, archeologist Catherine Alexander just unearthed a cache of six ancient papyrus scrolls that point to the millennium''s most transforming secret. Discovered inside the legendary Well of Miriam, a site named after the ancient prophetess who was the sister of Moses, the scrolls reveal a hidden history of the world and its religions—a series of shattering revelations that governments will do anything to suppress, and that an enigmatic billionaire named Miles Havers will do anything to possess.
But there is more: a seventh scroll that contains a secret of almost unimaginable power. It is a secret that may cost Catherine her life as she dodges government agents, Vatican operatives, and cyberspace perils in her race to translate the scrolls and release their powers to the world. Aided by two very different and compelling men, Dr. Julius Voss and Father Michael Garibaldi, Catherine finds herself caught up in the adventure of a lifetime and a struggle that she must win.
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A sweeping historical saga of Australia and a love story of one determined young woman who must choose between the two devoted men she loves.
Eighteen-year-old Hannah Conroy has always dreamed of following in her father''s footsteps as a healer. But in 19th-century England, the medical profession is closed to women. She sees midwifery as a back door into that world, but her fledgling career is crushed by personal tragedy. Seeking to escape a possible murder conviction in England, Hannah''s world is turned upside down as she boards a boat bound for Melbourne. Young and naïve, with some laboratory notes and a handful of medical instruments, she hopes Australia is a place of a new beginning and a fresh start, a place where she can begin a midwife practice. Arriving during a period of enormous change in Australia, Hannah faces a myriad of challenges.
Not only must she fight for acceptance as a medical professional, but she also falls in love with and must decide between two men: an American photographer seeking a new life in Australia, and a rowdy outlaw fleeing arrest. This Golden Land presents a love story that neither time nor distance can erase.
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