Barry Lopez – författare

"The wolf exerts a powerful influence on the human imagination. It takes your stare and turns it back on you."In this astonishing classic, Barry Lopez draws upon an impressive range of natural history, scientific fieldwork, and traditional folklore—along with his own personal experience living among captive and free-ranging wolves—to reveal the curious, controversial nature of Canis lupus. Now with a new preface by bestselling author Nate Blakeslee, Of Wolves and Men is wildlife literature at its finest.

**AS HEARD ON BBC RADIO 4**'A master nature writer' (New York Times) provides the ultimate natural, social and cultural history of the Arctic landscape.The author of Horizon's classic work explores the Arctic landscape and the hold it continues to exert on our imagination.WITH AN INTRODUCTION BY ROBERT MACFARLANELopez's journey across our frozen planet is a celebration of the Arctic in all its guises. A hostile landscape of ice, freezing oceans and dazzling skyscapes. Home to millions of diverse animals and people. The stage to massive migrations by land, sea and air. The setting of epic exploratory voyages. In crystalline prose, Lopez captures the magic of the Arctic: the essential mystery and beauty of a continent that has enchanted man's imagination and ambition for centuries.'The Arctic dreamland seen and described by a writer of rare perception and poetic descriptive power... The pages sparkle with Arctic light' Scotsman

Originally published in 1978, this special twenty-fifth-anniversary edition of the National Book Award finalist includes an entirely new afterword in which the author considers the current state of knowledge about wolves and recent efforts to reintroduce wolves to their former habitats in American wilderness areas. Humankind's relationship with the wolf is based on a spectrum of responses running from fear to admiration and affection. Lopez's classic, careful study won praise from a wide range of reviewers and went on to improve the way books about wild animals are written. Of Wolves and Men reveals the uneasy interaction between wolves and civilization over the centuries, and the wolf's prominence in our thoughts about wild creatures. Drawing on an astonishing array of literature, history, science, and mythology as well as considerable personal experience with captive and free-ranging wolves, Lopez argues for the necessity of the wolf's preservation and envelops the reader in its sensory world, creating a compelling picture of the wolf both as real animal and as imagined by man. A scientist might perceive the wolf as defined by research data, while an Eskimo hunter sees a family provider much like himself. For many Native Americans the wolf is also a spiritual symbol, a respected animal that can make both the individual and the community stronger. With irresistible charm and elegance, Of Wolves and Men celebrates scientific fieldwork, dispels folklore that has enabled the Western mind to demonize wolves, explains myths, and honors indigenous traditions, allowing us to further understand how this incredible animal has come to live so strongly in the human heart.

" The Spanish incursion into the New World, with its brutal destruction of indigenous peoples and their cultures and its material exploitation of much of two continents, reverberates in our history down to the present century. So contends prize-winning writer Barry Lopez in this beautifully written book. "The quest for personal possessions," he observes, "was to be, from the outset, a series of raids, irresponsible and criminal, a spree, in which an end to it was never visible... in which an end to it had no meaning." In this luminous essay, written five hundred years after the Spanish conquest, Lopez reexamines the attitudes that informed that event and that have underlain the entire European settlement of America. "The assumption of an imperial right conferred by God, sanctioned by the state, and enforced by the militia, the assumption that one is due wealth in North America," he writes, is apparent in the journals of people on the Oregon Trail, in the pronouncements of nineteenth-century industrialists, and in the political rhetoric of our own day. But, for Lopez, coming to grips with this terrible legacy opens new possibilities. "This violent corruption needn't define us. We can take the measure of the horror and assert that we will not be bound by it." We can "rediscover" our continent -- not as a source of income but as a home, a place in which we are to find our strength and character, and in which certain moral courtesies and obligations obtain. We can develop a philosophy of place will enable us, finally, to take up a true residence in our homeland. Here is a voice for our time.

'Horizon is magnificent; a contemporary epic' Robert Macfarlane, author of UnderlandFrom the author of the classic Arctic Dreams comes a vivid recollection of his travels around the world and the encounters that shaped an extraordinary life.Taking us nearly from pole to pole - from modern megacities to some of the earth's most remote regions - Barry Lopez gives us his most far-ranging and personal work. Spanning decades of travel, Horizon describes journeys to six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to finally, unforgettably, the ice shelves of Antarctica.Lopez also probes the history of humanity's quests and explorations, from prehistoric expeditions to today's ecotourism. He takes us to some of the hottest, coldest, and most desolate places on the globe, via friendships with scientists, archaeologists, artists and local residents, in a book that makes us see the world differently. It is the crowning achievement of one of the world's best travel writers. 'The greatest nature writer in the world ... He is also the greatest travel writer ... [an] astounding new memoir' Sunday Times

Hailed by book reviewers as a "masterpiece," "gorgeous and fascinating," and "sheer pleasure," Home Ground: Language for an American Landscape was published in fall 2006 in hardcover. It was met with outstanding reviews and strong sales, going into three printings. A language-lover's dream, this visionary reference revitalized a descriptive language for the American landscape by combining geography, literature, and folklore in one volume. This is a totally redesigned, near-pocket-sized field guide edition of the best-selling hardcover. Home Ground brings together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. The writers draw from careful research and their own distinctive stylistic, personal, and regional diversity to portray in bright, precise prose the striking complexity of the landscapes we inhabit. Includes an introductory essay by Barry Lopez. At the heart of the book is a community of writers in service to their country, emphasizing a language suggesting the vastness and mystery that lie beyond our everyday words.

The six stories in Outside showcase Barry Lopez's majestic talent as a fiction writer. Lopez writes in spare prose, but his narratives resonate with an uncanny power. With a reverence for our exterior and interior landscapes, these stories offer profound insight into the relationships between humans and animals, creativity and beauty, and, ultimately, life and death. Again and again, whether describing a Navajo rug possessing the essence of its maker, a boy who can change places with his half-coyote dog (named Leaves), or a teacher whose presence brings into question the meaning of friendship, Lopez portrays elemental and sacred places. His prose transcends its simplicity to enter spaces of wonder and mystery. As James Perrin Warren says in his compelling introduction, "Lopez's narrators bear witness to extraordinary patterns and purposes ...The storyteller is vital to the community and to a healthy landscape, but the vital relationship is also reciprocal...We participate, along with Lopez, in the long history of storytelling. We become part of the atmosphere in which wisdom shows itself."

The six stories in Outside showcase Barry Lopez’s majestic talent as a fiction writer. Lopez writes in spare prose, but his narratives resonate with an uncanny power. With a reverence for our exterior and interior landscapes, these stories offer profound insight into the relationships between humans and animals, creativity and beauty, and, ultimately, life and death. Again and again, whether describing a Navajo rug possessing the essence of its maker, a boy who can change places with his half-coyote dog (named Leaves), or a teacher whose presence brings into question the meaning of friendship, Lopez portrays elemental and sacred places. His prose transcends its simplicity to enter spaces of wonder and mystery. As James Perrin Warren says in his compelling introduction, “Lopez’s narrators bear witness to extraordinary patterns and purposes . . . The storyteller is vital to the community and to a healthy landscape, but the vital relationship is also reciprocal. . . . We participate, along with Lopez, in the long history of storytelling. We become part of the atmosphere in which wisdom shows itself.”

Barry Lopez had no illusions about the seriousness of our global crisis, yet he also felt a deep conviction about the power of hope and the sources of renewal in the living world. Syntax of the River is an extended conversation spanning three days between Lopez and Julia Martin in which he explores what this juxtaposition means for him as a writer.On the first day Lopez reflects on years watching the McKenzie River near his home in Oregon. He describes the quality of attention he learned from intimacy with the place itself: a very fine distinction between silence and stillness, the rich complexities of the present moment, and the syntax of interrelationships between living things. The second day is concerned with craft: the work of making sentences and books. Lopez shares his practical strategies for writing and revising a manuscript and goes on to speak about vulnerability. He says he often experienced a deep sense of doubt about his capacity to achieve whatever he was trying to do in a particular project. Over time, though, this characteristic experience of not-knowing became a kind of fuel for his work, and even a weapon at times.On the final day, Lopez ponders the idea of writing as a praxis, a way of life, even a prayer for the earth, while concurrently being terrified by the portents of its destruction. Here, the experience of being an attentive participant emerges as his core teaching. Over the decades he developed a practice of attention that was endlessly curious and enthralled by the living world, what he calls its pattern or syntax. Despite acclaim as a celebrated writer, throughout his career Lopez humbly tasked himself with making a combination of wonder and horror work together to effectively communicate a life journey of contemplation, exploration, and discovery.