Benjamin Fagan – författare

The Black Newspaper and the Chosen Nation shows how antebellum African Americans used the newspaper as a means for translating their belief in black “chosenness” into plans and programs for black liberation. During the decades leading up the Civil War, the idea that God had marked black Americans as his chosen people on earth became a central article of faith in northern black communities, with black newspaper editors articulating it in their journals. Benjamin Fagan shows how the early black press helped shape the relationship between black chosenness and the struggles for black freedom and equality in America, in the process transforming the very notion of a chosen American nation. Exploring how cultures of print helped antebellum black Americans apply their faith to struggles grand and small, The Black Newspaper and the Chosen Nation uses the vast and neglected archive of the early black press to shed new light on many of the central figures and questions of African American studies.

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child’s hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period.The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

The Black Newspaper and the Chosen Nation shows how antebellum African Americans used the newspaper as a means for translating their belief in black “chosenness” into plans and programs for black liberation. During the decades leading up the Civil War, the idea that God had marked black Americans as his chosen people on earth became a central article of faith in northern black communities, with black newspaper editors articulating it in their journals. Benjamin Fagan shows how the early black press helped shape the relationship between black chosenness and the struggles for black freedom and equality in America, in the process transforming the very notion of a chosen American nation. Exploring how cultures of print helped antebellum black Americans apply their faith to struggles grand and small, The Black Newspaper and the Chosen Nation uses the vast and neglected archive of the early black press to shed new light on many of the central figures and questions of African American studies.