Callum Innes – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2024
272 kr
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For over thirty years, celebrated painter Callum Innes (b. 1962, Scotland) has created his lushly painted and subtly nuanced abstractions in a rectilinear format. In 2022, he added a striking new element to his repertoire: the tondo. To do so required mastering an entirely new set of technical and aesthetic challenges, confronting a form with abundant, historical resonances. This striking volume, richly illustrated with carefully selected images of Innes’s Tondos, and installation views of key exhibitions, explores how Innes has challenged traditional perceptions of shape and form to create dynamic and immersive visual experiences. A pivotal essay by art historian Éric de Chassey traces the artist’s encounters with this form and its progenitors in the history of art, firmly cementing Innes’s breakthrough in the pantheon of significant works rendered in this distinctive formation.Callum Innes was born in Edinburgh in 1962\. He lives and works in Edinburgh, Scotland, and Oslo, Norway. He studied drawing and painting at Gray’s School of Art from 1980–84 and completed a post-graduate degree at Edinburgh College of Art in 1985\. In 1992, Innes had major exhibitions at the ICA London, and the Scottish National Gallery of Modern Art, Edinburgh. In 1995, he was shortlisted for the Turner Prize and was awarded the NatWest Prize in 1998 and the Jerwood Prize for Painting in 2002\. His critically acclaimed museum exhibition, From Memory, travelled throughout Europe and Australia from 2006–08\. In 2012, Innes was commissioned by the Edinburgh Arts Festival to transform the Scottish capital’s Regent Bridge with a changing sequence of coloured light, and in 2016, he was the subject of a major retrospective survey exhibition and accompanying monograph, I’ll Close My Eyes, at the De Pont Museum in Tilburg, the Netherlands. In 2018, his first major solo exhibition in France, In Position, took place at Chateau la Coste in Provence, with an accompanying publication. Innes debuted his new series of Tondo paintings at Sean Kelly Gallery, New York, in 2022; this was followed by exhibitions of the Tondo series at Frith Street Gallery, London; Parra & Romero, Ibiza; Galerie Tschudi, Zurich; and Kerlin Gallery, Dublin in 2023\. He will have exhibitions at Sean Kelly, Los Angeles, and Kode – Lysverket Museum, Bergen, Norway, in 2024.
Inbunden, Engelska, 2021
312 kr
Skickas inom 7-10 vardagar
Callum Innes is one of the few artists working in abstraction to include watercolour as a major part of his practice. As with many painters, his explorations in this medium form a parallel body of work, an activity taken on as a kind of ‘break’ from his other painting, with different circumstances, conditions and intentions.Innes has been making watercolours for more than 25 years. He began to explore the medium when he was asked to do a show at the Kunsthaus, in Zurich. He says: "I blithely said yes to an exhibition without ever having made a watercolour before. It caused a lot of stress at the time, but I gradually developed a way of working with paper and pigment. I am still making watercolours, although they have changed over the years, and now I realise that they inform the oil paintings more and more. When you place two pigments together, either opposite or complementary, and then dissolve them in water you achieve a completely new colour which only reveals itself on the paper. I am often surprised and disappointed in the same hour."It has been a couple of years since I last spent time with watercolours. When lockdown occurred, in March 2020, I was setting up a new studio, overlooking a fjord in Oslo. It was unfamiliar, and I had no reference to earlier works as I do in Edinburgh. I started to work on a new watercolour series, focusing on them for a week at a time, always starting the day with a black and white one, just to get my hand in … the black and white ones are the most elusive. "This new body of 50 watercolours feels stronger and more luminous than previous ones. I have kept them sequential in the book, to show how each work informs the next and so on."