Carl A. Wade – författare
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Eric Walrond is one of the great underexamined figures of the Harlem Renaissance and the Caribbean diaspora. Very little of his later work has been subsequently published or made readily available to American scholars. His writings, set in the Caribbean, the United States, and Europe, discuss imperialism, racism, the role of the black writer, black identity, and immigration-all topics of vital concern today.Born in British Guiana (now Guyana), Walrond moved to New York City in 1918 where he worked briefly for Marcus Garvey and became a protégé of Charles S. Johnson. During that time, he wrote short fiction as well as nonfiction and gained a measure of fame for his 1926 collection, Tropic Death.In Search of Asylum compiles Walrond’s European journalism and later fiction, as well as the pieces he wrote during the 1950s at Roundway Hospital in Wiltshire, England, where he was a voluntary patient. Louis Parascandola and Carl Wade have assembled a collection that at last fills in the biographical gaps in Walrond’s life, providing insights into the contours of his later work and the cultural climates in which he functioned between 1928 and his death in 1966.
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Eric Walrond (1898–1966), author of Tropic Death (1926), remains a seminal but elusive figure in Harlem Renaissance and Caribbean diasporic literature. Although this collection remains his only major text, Walrond was in fact quite prolific, penning several more fictions and journalistic writings. Born in British Guiana (Guyana), he endured a peripatetic existence, beleaguered at every turn by those colonial crises and conflicts that constitute the central concerns of his fiction and journalism. Despite the enduring popularity of Tropic Death, there has been little sustained critical examination of Walrond’s achievement. In Eric Walrond: The Critical Heritage, Louis J. Parascandola and Carl A. Wade address this deficiency, fashioning the first critical anthology on Walrond. The ten essays in this volume employ a variety of literary, cultural and sociological approaches to illuminate the art and imagination of a writer celebrated as one of the most complex authors of the Harlem Renaissance. Included in the collection are two early commentaries by noted West Indian critic Kenneth Ramchand (his article is revised for this volume) and the late American scholar Robert Bone, as well as contributions by more contemporary voices. This comprehensive dissection of Walrond’s life and writings reveals an oeuvre that still has much to contribute to discussions about modern black literary and cultural studies.