Carl P. Eby – författare

Ernest Hemingway famously called Spain “the country that I loved more than any other except my own,” and his forty-year love affair with it provided an inspiration and setting for major works from each decade of his career: The Sun Also Rises, Death in the Afternoon, For Whom the Bell Tolls, The Dangerous Summer, and The Garden of Eden; his only full-length play, The Fifth Column; the Civil War documentary The Spanish Earth; and some of his finest short fiction, including “Hills Like White Elephants” and “A Clean, Well-Lighted Place.”

In Hemingway’s Spain, Carl P. Eby and Mark Cirino collect thirteen penetrating and innovative essays by scholars of different nationalities, generations, and perspectives who explore Hemingway’s writing about Spain and his relationship to Spanish culture and ask us in a myriad of ways to rethink how Hemingway imagined Spain—whether through a modernist mythologization of the Spanish soil, his fascination with the bullfight, his interrogation of the relationship between travel and tourism, his involvement with Spanish politics, his dialog with Spanish writers, or his appreciation of the subtleties of Spanish values. In addition to fresh critical responses to some of Hemingway’s most famous novels and stories, a particular strength of Hemingway’s Spain is its consideration of neglected works, such as Hemingway’s Spanish Civil War stories and The Dangerous Summer. The collection is noteworthy for its attention to how Hemingway’s post–World War II fiction revisits and reimagines his earlier Spanish works, and it brings new light both to Hemingway’s Spanish Civil War politics and his reception in Spain during the Franco years. 

Hemingway’s lifelong engagement with Spain is central to under­standing and appreciating his work, and Hemingway’s Spain is an indispensable exploration of Hemingway’s home away from home.

Ernest Hemingway famously called Spain “the country that I loved more than any other except my own,” and his forty-year love affair with it provided an inspiration and setting for major works from each decade of his career: The Sun Also Rises, Death in the Afternoon, For Whom the Bell Tolls, The Dangerous Summer, and The Garden of Eden; his only full-length play, The Fifth Column; the Civil War documentary The Spanish Earth; and some of his finest short fiction, including “Hills Like White Elephants” and “A Clean, Well-Lighted Place.”

In Hemingway’s Spain, Carl P. Eby and Mark Cirino collect thirteen penetrating and innovative essays by scholars of different nationalities, generations, and perspectives who explore Hemingway’s writing about Spain and his relationship to Spanish culture and ask us in a myriad of ways to rethink how Hemingway imagined Spain—whether through a modernist mythologization of the Spanish soil, his fascination with the bullfight, his interrogation of the relationship between travel and tourism, his involvement with Spanish politics, his dialog with Spanish writers, or his appreciation of the subtleties of Spanish values. In addition to fresh critical responses to some of Hemingway’s most famous novels and stories, a particular strength of Hemingway’s Spain is its consideration of neglected works, such as Hemingway’s Spanish Civil War stories and The Dangerous Summer. The collection is noteworthy for its attention to how Hemingway’s post–World War II fiction revisits and reimagines his earlier Spanish works, and it brings new light both to Hemingway’s Spanish Civil War politics and his reception in Spain during the Franco years. 

Hemingway’s lifelong engagement with Spain is central to under­standing and appreciating his work, and Hemingway’s Spain is an indispensable exploration of Hemingway’s home away from home.

Close reading and analysis of Hemingway’s most ambitious posthumous novel

Published in 1986, Ernest Hemingway’s novel The Garden of Eden is a literary landmark. Hemingway periodically worked on the novel from 1946 until his death in 1961, and the result is a complex novel that explores the origins and uses of creativity and grapples with issues of gender, sexuality, and race. Set in the 1920s, a young American writer, David Bourne, and his wife, Catherine, test the heteronormative expectations of their time through nighttime experiments with gender identity and when they both fall in love with the same woman.

In Reading Hemingway’s The Garden of Eden, Carl P. Eby examines Hemingway’s original unrevised manuscript in relation to Scribner’s highly edited edition. The product of 30 years of research, this volume is the first to clarify for readers which parts of the original work had been retained, altered, and discarded in the publisher’s text. No other treatment of the text has been so thorough in its analysis and annotations. This volume gives the Scribner’s edition and the original manuscript equal consideration, helping readers to better understand the relationship between both versions of the novel.

Reading Hemingway’s The Garden of Eden will be an essential text in Hemingway criticism, offering new, exciting insights into how the book was written, edited, and received by audiences.

Close reading and analysis of Hemingway’s most ambitious posthumous novel

Published in 1986, Ernest Hemingway’s novel The Garden of Eden is a literary landmark. Hemingway periodically worked on the novel from 1946 until his death in 1961, and the result is a complex novel that explores the origins and uses of creativity and grapples with issues of gender, sexuality, and race. Set in the 1920s, a young American writer, David Bourne, and his wife, Catherine, test the heteronormative expectations of their time through nighttime experiments with gender identity and when they both fall in love with the same woman.

In Reading Hemingway’s The Garden of Eden, Carl P. Eby examines Hemingway’s original unrevised manuscript in relation to Scribner’s highly edited edition. The product of 30 years of research, this volume is the first to clarify for readers which parts of the original work had been retained, altered, and discarded in the publisher’s text. No other treatment of the text has been so thorough in its analysis and annotations. This volume gives the Scribner’s edition and the original manuscript equal consideration, helping readers to better understand the relationship between both versions of the novel.

Reading Hemingway’s The Garden of Eden will be an essential text in Hemingway criticism, offering new, exciting insights into how the book was written, edited, and received by audiences.