Mark Cirino – författare

Ernest Hemingway's groundbreaking prose style and examination of timeless themes made him one of the most important American writers of the twentieth century. Yet in Ernest Hemingway: Thought in Action, Mark Cirino observes, 'Literary criticism has accused Hemingway of many things but thinking too deeply is not one of them.' Although much has been written about the author's love of action--hunting, fishing, drinking, bullfighting, boxing, travel, and the moveable feast--Cirino looks at Hemingway's focus on the modern mind, paralleling the interest in consciousness of such predecessors and contemporaries as Proust, Joyce, Woolf, Faulkner, and Henry James. Hemmingway, Cirino demonstrates, probes the ways his character's minds respond when placed in urgent situations or when damaged by past traumas. In Cirino's analysis of Hemingway's work through this lens--including such celebrated classics as A Farewell to Arms, The Old Man and the Sea, and 'Big Two-Hearted River' and less-appreciated works including Islands in the Stream and 'Because I Think Deeper'--an entirely different Hemingway hero emerges: intelligent, introspective, and ruminative.

From his World War I service in Italy through his transformational return visits during the decades that followed, Ernest Hemingway’s Italian experiences were fundamental to his artistic development. Hemingway and Italy offers essays from top scholars, exciting new voices, and people who knew Hemingway during his Italian days, examining how his adopted homeland shaped his writing and his legacy.The collection addresses Hemingway’s many Italys?the terrain and people he encountered during his life and the country he transposed into his fiction. Contributors analyze Hemingway’s Italian works, including A Farewell to Arms, Across the River and into the Trees, lesser-known short stories, fables, and even a previously unpublished Hemingway sketch, “Torcello Piece.” The essays provide fresh insights on Hemingway’s Italian life, career, and imagination.

Exploring the importance of Ernest Hemingway''s time in Italy to his writing and legacy

From his World War I service in Italy through his transformational return visits during the decades that followed, Ernest Hemingway’s Italian experiences were fundamental to his artistic development. Hemingway and Italy offers essays from top scholars, exciting new voices, and people who knew Hemingway during his Italian days, examining how his adopted homeland shaped his writing and his legacy.The collection addresses Hemingway’s many Italys—the terrain and people he encountered during his life and the country he transposed into his fiction. 

Contributors analyze Hemingway’s Italian works, including A Farewell to Arms, Across the River and into the Trees,lesser-known short stories, fables, and even a previously unpublished Hemingway sketch, “Torcello Piece.” The essays provide fresh insights on Hemingway’s Italian life, career, and imagination. 

 Contributors: Giacomo Ivancich | Ruggero Caumo | Scott Donaldson | Sergio Perosa | Rosella Mamoli Zorzi | Davide Lorigliola | Alberto Lena | Miriam B. Mandel | Michael Kim Roos | John D. Schwetman | Adam Long | Marina Gradoli | Piero Ambrogio Pozzi | Kirk Curnutt | Cam Cobb | Kei Katsui

Exploring the importance of Ernest Hemingway's time in Italy to his writing and legacyFrom his World War I service in Italy through his transformational return visits during the decades that followed, Ernest Hemingway’s Italian experiences were fundamental to his artistic development. Hemingway and Italy offers essays from top scholars, exciting new voices, and people who knew Hemingway during his Italian days, examining how his adopted homeland shaped his writing and his legacy. The collection addresses Hemingway’s many Italys—the terrain and people he encountered during his life and the country he transposed into his fiction.Contributors analyze Hemingway’s Italian works, including A Farewell to Arms, Across the River and into the Trees,lesser-known short stories, fables, and even a previously unpublished Hemingway sketch, “Torcello Piece.” The essays provide fresh insights on Hemingway’s Italian life, career, and imagination. Contributors: Giacomo Ivancich Ruggero Caumo Scott Donaldson Sergio Perosa Rosella Mamoli Zorzi Davide Lorigliola Alberto Lena Miriam B. Mandel Michael Kim Roos John D. Schwetman Adam Long Marina Gradoli Piero Ambrogio Pozzi Kirk Curnutt Cam Cobb Kei Katsui

The Norton Library edition of A Farewell to Arms features the complete text of Hemingway’s 1929 novel. Mark Cirino provides an insightful introduction and targeted explanatory notes to help readers engage with the themes and achievements of the novel.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition .

A selection of the greatest sentences by the master, Ernest Hemingway. Sentences that can take a reader’s breath away and are not easily forgotten. Each sentence has been selected and examined by authors such as Elizabeth Strout, Sherman Alexie, Paula McLain, and Russell Banks; filmmakers Ken Burns and Lynn Novick; Seán Hemingway, A. Scott Berg, and many others in this celebration and conversation between Hemingway and some of his most perceptive and interesting readers.“All you have to do is write one true sentence,” Hemingway wrote in his memoir, A Moveable Feast. “Write the truest sentence that you know.” If that is the secret to Hemingway’s enduring power, what sentences continue to live in readers’ minds? And why do they resonant? The host and producer of the One True Podcast have gathered the best of their program (heard by thousands of listeners) and added entirely new material for this collection of conversations about Hemingway’s truest words.From the long, whole-story-in-a-sentence line, “I have seen the one-legged streetwalker who works the Boulevard Madeleine between the Rue Cambon and Bernheim Jeunes’ limping along the pavement through the crowd on a rainy night with a beefy red faced episcopal clergyman holding an umbrella over her.”, to the short, pithy line that closes The Sun Also Rises, “Isn't it pretty to think so?”, this is a collection full of delights, surprises, and insight.“All good books are alike in that they are truer than if they had really happened,” wrote Hemingway. “And after you're finished reading one, you will feel that all that happened to you and afterwards, it all belongs to you.” For readers of American literature, One True Sentence is full of remembrances—of words you read and the feelings they gave you. For writers, this is an inspiring view of an element of craft—a single sentence—that can make a good story come alive and become a great story.

A line-by-line examination of a neglected Hemingway gem In 1950, Ernest Hemingway was the most famous writer in the world, and he faced intense expectations for a masterwork to follow up his epic For Whom the Bell Tolls, published a decade earlier. The novel that emerged, Across the River and into the Trees, was a chronicle of the final days of the cantankerous American colonel Richard Cantwell, who spends his weekend leave in Venice hunting ducks, enjoying the city, and spending time with his beloved teenaged Italian contessa, Renata. This work elicited everything from full-throated praise to howls of derision and outrage. Sixty-five years later, it has been consigned to the margins of Hemingway's legendary career.Through this exhaustive reading of Across the River and into the Trees, Mark Cirino shows that we cannot disparage what we do not understand. With this novel, Hemingway is at his most allusive and opaque, and Cirino unpacks Hemingway's vaunted iceberg theory, in which the majority of a text's substance remains submerged, unspoken, and invisible. Hemingway makes constant references to his own life, friends, and families; other artistic works; the history, politics, and culture of Venice and America; and he draws from his more celebrated works of fiction. Cirino traces the complex web that left many of the novel's readers confused.In Across the River and into the Trees, the classic Hemingway themes emerge: the soldier after the war and the function of love amid the bloody twentieth century. We learn about the conflicting roles of the soldier and the artist in society and the way a man can struggle to be human and humane to those around him.Reading Hemingway's Across the River and into the Trees is the premier work devoted to the novel. Although Hemingway's book has been relegated to the corners of twentieth-century literature, Cirino's exegesis offers a new perspective on the work, at once reintroducing the novel to aficionados, introducing it to new readers, and deepening our understanding of Hemingway's more famous works.