Robert K. Elder – författare

Some beg for forgiveness. Others claim innocence. At least three cheer for their favorite football teams.

Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney.

The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there.

Last Words of the Executed is not a political book. Rather, Elder simply asks readers to listen closely to these voices that echo history. The result is a riveting, moving testament from the darkest corners of society.

Did Ernest Hemingway kill 122 Nazis during World War II? Did he really fight champion Gene Tunney? Did he have very particular thoughts about hair? Mythbusting Hemingway answers these longstanding questions and more. It’s fitting treatment for an author who won both the Pulitzer and Nobel prizes, survived back-to back plane crashes, and played the cello. He really was “The Most Interesting Man in the World,” who once shot himself in the leg (while hunting sharks), and brawled with Orson Welles. In this book, Hemingway legends—both true and debunked—are informed by detective work the authors did for the Paris Review, Chicago Tribune, and Huffington Post. For this volume, the authors conducted fresh interviews and scholarship that shed new light on the man, his work, and legacy. The authors have also unearthed an original essay--never before published in a book--from Frances Elizabeth Coates, Hemingway's high school crush and classmate, about growing up in Oak Park with the young man who would become the legend.

The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors’ love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently.

Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.”

In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today’s directors and, in turn, cinema history.

The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors'' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently.

Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.”

In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today''s directors and, in turn, cinema history.

In this book, 35 directors champion their favorite overlooked or critically savaged gems. Among these guilty pleasures, almost-masterpieces, and undeniable classics in need of revival are unsung noirs (Murder by Contract), famous flops (Can’t Stop the Music, Joe Versus the Volcano), art films (L’ange), theatrical adaptations (The Iceman Cometh), B-movies (Killer Klowns from Outer Space), and even a few Oscar-winners (Some Came Running).

In these conversations, the filmmakers defend their choices. These films, they argue, deserve a larger audience and for their place in movie history to be reconsidered. But the conversations’ tangents, diversions, and side trips provide as much insight into the directors’ own approach to moviemaking as into the film they’re discussing. The filmmakers are the perfect hosts, often setting the tone, managing expectations, and giving advice about how you should watch each movie. They’re often brutally honest about a film’s shortcomings or the reasons why it was lost in the first place.

The Best Film You’ve Never Seen is not only a guide to some badly overlooked movies but a bold attempt to rewrite film history.

Revealing a festival of guilty pleasures, almost-masterpieces, and undeniable classics in need of revival, 35 directors champion their favorite overlooked or critically savaged gems in this guide. The list includes unsung noir films The Chase and Murder by Contract, famous flops Can''t Stop the Music and Joe Versus the Volcano, art films L''ange and WR: Mysteries of the Organism, theatrical adaptations The Iceman Cometh and The Homecoming, B-movies Killer Klowns from Outer Space and The Honeymoon Killers, and even Oscar-winners Breaking Away and Some Came Running. The filmmakers, including Guillermo del Toro, John Waters, John Woo, Edgar Wright, and Danny Boyle, defend their choices, wanting these films to be loved, admired, and swooned over, arguing the films deserve a larger audience and their place in movie history be reconsidered. Some were well-loved but are now faded or forgotten, others ran afoul of critics or were just buried after a dismal opening run, and still others never even got proper distribution. A few of these titles qualify as bona fide obscurata, but now most can be found on DVD or streaming from Netflix or Amazon. The filmmakers are the perfect hosts, setting the tone, managing expectations, and often being brutally honest about a film''s shortcomings or the reasons why it was lost in the first place.

Thinking of Ernest Hemingway often brings to mind his travels around the world, documenting war and engaging in thrilling ad- ventures. However, fully understanding this outsized international author means returning to his place of birth. Hidden Hemingway presents highlights from the extraordinary collection of the Ernest Hemingway Foundation of Oak Park. Thoroughly researched, and illustrated with more than 300 color images, this impressive volume includes never-before-published photos; letters between Heming- way and Agnes Von Kurowsky, his World War I love; bullfighting memorabilia; high school assignments; adolescent diaries; Heming- way’s earliest published work, such as the “Class Prophecy” that appeared in his high school yearbook; and even a dental X-ray. Hidden Hemingway also includes one of the final letters Hemingway wrote, as he was undergoing electroshock treatment at the Mayo Clinic. These documents, photographs, and ephemera trace the trajectory of the life of an American literary legend.

The items showcased in Hidden Hemingway are more than stagedressing for a literary life, more than marginalia. They provide definition—and, in some cases, documentation—of Hemingway’s ambition, heartbreak, literary triumphs and trials, and joys and tragedies. It’s Hemingway’s stature as a Pulitzer Prize– and Nobel Prize–winning author that draws so many biographers and historians to his work. It is also the wealth of material he left behind that makes him such a compelling, engaging, and often polarizing figure.

For Hemingway, the material he saved was both autobiography and research. He gathered data and details that made the life lived in his books more authentic. The authors of Hidden Hemingway have done the same, telling a life story through items that illuminate Hemingway’s legacy. Some of the material contradicts the public image that Hemingway built for himself, and some supports his larger-than-life myth. In all, Hidden Hemingway celebrates the Ernest Hemingway archives and Oak Park’s most famous author.

Thinking of Ernest Hemingway often brings to mind his travels around the world, documenting war and engaging in thrilling ad- ventures. However, fully understanding this outsized international author means returning to his place of birth. Hidden Hemingway presents highlights from the extraordinary collection of the Ernest Hemingway Foundation of Oak Park. Thoroughly researched, and illustrated with more than 300 color images, this impressive volume includes never-before-published photos; letters between Heming- way and Agnes Von Kurowsky, his World War I love; bullfighting memorabilia; high school assignments; adolescent diaries; Heming- way’s earliest published work, such as the “Class Prophecy” that appeared in his high school yearbook; and even a dental X-ray. Hidden Hemingway also includes one of the final letters Hemingway wrote, as he was undergoing electroshock treatment at the Mayo Clinic. These documents, photographs, and ephemera trace the trajectory of the life of an American literary legend.

The items showcased in Hidden Hemingway are more than stagedressing for a literary life, more than marginalia. They provide definition—and, in some cases, documentation—of Hemingway’s ambition, heartbreak, literary triumphs and trials, and joys and tragedies. It’s Hemingway’s stature as a Pulitzer Prize– and Nobel Prize–winning author that draws so many biographers and historians to his work. It is also the wealth of material he left behind that makes him such a compelling, engaging, and often polarizing figure.

For Hemingway, the material he saved was both autobiography and research. He gathered data and details that made the life lived in his books more authentic. The authors of Hidden Hemingway have done the same, telling a life story through items that illuminate Hemingway’s legacy. Some of the material contradicts the public image that Hemingway built for himself, and some supports his larger-than-life myth. In all, Hidden Hemingway celebrates the Ernest Hemingway archives and Oak Park’s most famous author.

Ernest Hemingway casts a long shadow in literature—reaching beyond his status as a giant of 20th-century fiction and a Nobel Prize winner—extending even into comic books. Appearing variously with Superman, Mickey Mouse, Captain Marvel, and Cerebus, he has even battled fascists alongside Wolverine in Spain and teamed up with Shade to battle adversaries in the Area of Madness.

Robert K. Elder’s research into Hemingway’s comic presence demonstrates the truly international reach of Hemingway as a pop culture icon. In more than 120 appearances across multiple languages, Hemingway is often portrayed as the hypermasculine legend: bearded, boozed up, and ready to throw a punch. But just as often, comic book writers see past the bravado to the sensitive artist looking for validation. Hemingway’s role in these comics ranges from the divine to the ridiculous, as his image is recorded, distorted, lampooned, and whittled down to its essential parts.

As Elder notes, comic book creators and Hemingway share a natural kinship. The comic book page demands an economy of words, much like Hemingway’s less-is-more “iceberg theory,” only in graphic form. In addition, he turned out to be the perfect avatar for comic book artists wanting to tell history-rich stories, as he experienced beautiful places during the most chaotic times: Paris in the 1920s, Spain during the Spanish Civil War, Cuba on the brink of revolution, France during World War I and during World War II just after the Allies landed in Normandy.

Hemingway in Comics provides a unique lens for considering one of our most influential authors. Not only for the dedicated Hemingway fan, this book will appeal to all those with an appreciation for comics, pop culture, and the absurd.

Ernest Hemingway casts a long shadow in literature—reaching beyond his status as a giant of 20th-century fiction and a Nobel Prize winner—extending even into comic books. Appearing variously with Superman, Mickey Mouse, Captain Marvel, and Cerebus, he has even battled fascists alongside Wolverine in Spain and teamed up with Shade to battle adversaries in the Area of Madness.

Robert K. Elder’s research into Hemingway’s comic presence demonstrates the truly international reach of Hemingway as a pop culture icon. In more than 120 appearances across multiple languages, Hemingway is often portrayed as the hypermasculine legend: bearded, boozed up, and ready to throw a punch. But just as often, comic book writers see past the bravado to the sensitive artist looking for validation. Hemingway’s role in these comics ranges from the divine to the ridiculous, as his image is recorded, distorted, lampooned, and whittled down to its essential parts.

As Elder notes, comic book creators and Hemingway share a natural kinship. The comic book page demands an economy of words, much like Hemingway’s less-is-more “iceberg theory,” only in graphic form. In addition, he turned out to be the perfect avatar for comic book artists wanting to tell history-rich stories, as he experienced beautiful places during the most chaotic times: Paris in the 1920s, Spain during the Spanish Civil War, Cuba on the brink of revolution, France during World War I and during World War II just after the Allies landed in Normandy.

Hemingway in Comics provides a unique lens for considering one of our most influential authors. Not only for the dedicated Hemingway fan, this book will appeal to all those with an appreciation for comics, pop culture, and the absurd.