Carl Phillips – författare

An invaluable companion for any writer seeking to make the writing life a more complex and cooperative venture“Illuminating, deeply endearing essays.”—Ron Charles, Washington Post  “A lovely, loving letter to aspiring writers.”—Diego Báez, Booklist  In these intimate and eloquent meditations, the award-winning poet Carl Phillips shares lessons he has learned about the writing life, an “apprenticeship to what can never fully be mastered.” Drawing on forty years of teaching and mentoring emerging writers, he weaves his experiences as a poet with the necessary survival skills, including ambition, stamina, silence, politics, practice, audience, and community.  In the tradition of Anne Lamott’s Bird by Bird, Rainer Maria Rilke’s Letters to a Young Poet, and Marcus Aurelius’s Meditations, this is an invaluable companion for writers at every stage of their journey. Phillips’s book serves as a partner in speculation and an invitation to embrace mystery.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play.En route to fight the Trojan War, the Greek army has abandoned Philoctetes, after the smell of his festering wound made it unbearable to keep him on ship. Ten years later, an oracle makes it clear that the war cannot be won without the assistance of Philoctetes and his famous bow, inherited from Hercules himself. Philoctetes focuses on the attempt of the heroes Odysseus and Neoptolemus to persuade the bowman to sail with them to Troy. First, though, they must assuage his bitterness over having been abandoned, then win his trust. But how should they do this--through trickery, or with the truth? To what extent do the ends justify the means? To what degree should private interest be compromised for the sake of public duty? These are among the questions that Sophocles puts forward in this, one of his most morally complex and penetrating plays.

“What has restlessness been for?”In Wild Is the Wind, Carl Phillips reflects on love as depicted in the jazz standard for which the book is named - love that is at once restless, reckless, and yet desired for its potential to bring stability. In the process, he pitches estrangement against communion, examines the past as history versus the past as memory, and reflects on the past’s capacity both to teach and to mislead us - and also to make us hesitate in the face of love, given the loss and damage that are, often enough, love’s fallout. How “to say no to despair”? How to take perhaps that greatest risk, the risk of believing in what offers no guarantee? These poems that, in their wedding of the philosophical, meditative, and lyric modes, mark a new stage in his remarkable work, stand as further proof that “if Carl Phillips had not come onto the scene, we would have needed to invent him. His idiosyncratic style, his innovative method, and his unique voice are essential steps in the evolution of the craft” (Judith Kitchen, The Georgia Review).

An innovative roadmap to facing our past and present selvesHonest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and naïve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others.  In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.

Winner of the Pulitzer Prize for Poetry 2023 Then the War and Selected Poems, 2007–2020 is two books in one: a representative selection from seven of Carl Phillips's innovative earlier collections and a complete new book of poems, providing a powerful introduction to European readers. A seemingly gentle but resolute attention to the things of this world evokes the joyful and painful elements in the contemporary human condition, characterised by loneliness and an unquenchable thirst for love. He is a poet who knows the rules and bends or breaks them, a master of syntax and prosody, avoiding convention and pursuing the lines of desire.In a starred review of this book, Publishers Weekly said, 'These lyrically rich, insightful poems are full of palpable aching [...] and a human urge to understand. This remarkable compendium is a testament to the spirit of Phillips's work.'

Shortlisted for the Griffin Poetry Prize 2025Shortlisted for the T.S. Eliot Prize 2024Longlisted for the National Book Critics Circle Award 2024A New York Times Poetry Book of the Year 2024Carl Phillips's Scattered Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowledge that's rooted in (always unstable) human memory. If the poet's recent books have been engaged with the theme of power, this one focuses on vulnerability: the value of embracing it and thus of releasing ourselves from the compulsion to understand our past. If we remember a thing, did it really happen? If we believe it didn't, does that make our belief true? In Scattered Snows, to the North, Phillips looks through the window of the past in order to understand the essential sameness of the human condition - 'tears were tears', mistakes were made and regretted or not regretted, and it mattered until it didn't, the way people live until they don't. And there was also joy. And beauty. 'Yet the world's still so beautiful... Sometimes it is...' It was enough. And it still can be.Then the War: And Selected Poems 2007-2020, Phillips's first UK publication, won the 2023 Pulitzer Prize for Poetry. His most recent prose book is My Trade Is Mystery: Seven Meditations from a Life in Writing (Yale University Press, 2022). Phillips lives on Cape Cod, Massachusetts.