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4 produkter
4 produkter
237 kr
Skickas inom 7-10 vardagar
A Fierce Green Place: New and Selected Poems brings together, across the span of thirty-plus years, the rebellious, innovative work of the Jamaican-born Canadian writer Pamela Mordecai. From her acclaimed first collection Journey Poem published in 1989, to the moving elegy for her murdered brother in the true blue of islands, to the stories of freed slaves told in subversive sonnets, and on to her dazzling reimaginings of biblical stories, A Fierce Green Place highlights the astounding range and depths of a poet who mixes Jamaican Creole with standard English, profanity and reverence with dub and blues, the oral and vernacular with metrical virtuosity. Mordecai’s words, written out of a “womb-space” of sound and power, shine through neo-colonial violence and patriarchy with such lines as: “Women together / in one place will / bleed in solidarity / till every last body / turn super bitch at once."
384 kr
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Writing the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos-that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife, the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.
1 815 kr
Skickas inom 7-10 vardagar
Writing the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos-that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife, the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.
Poetics of Performance
The Oral-Scribal Aesthetics in Anglophone Caribbean Fiction
Häftad, Engelska, 2014
415 kr
Skickas inom 10-15 vardagar
A Poetics of Performance: The Oral-Scribal Aesthetics in Anglophone Caribbean Fiction explores the impact of orature-performance on Caribbean prose fiction. Arguing that orature-performance is the structuring device for many contemporary novels and short stories, this work extends the critical consensus that Caribbean oral modes infuse all genres of literature from the region. This book also examines how the formal and thematic synergies between Caribbean orature and literature constitute an inter-performative relationship between the region’s literary and performance cultures. Beginning with a retrospective analysis of New Day and The Lonely Londoners, two harbingers of an aesthetic of orality, A Poetics of Performance reads fictions by post-1950s writers Earl Lovelace, Merle Collins, Marie-Elena John, Marlon James and Collin Channer alongside calypso, reggae, and different modes of Caribbean oral storytelling. The analyses elucidate what may be termed the most consequential aspect of Caribbean literary self-fashioning: an “inward turn” to the expressive resources and discursive tools of folk and popular culture. This recuperation has in turn forged a literary tradition grounded, not only in the folk and urban working-class performance cultures, but inevitably in a “woman”-centered poetics.