Caroline D. Eckhardt – författare

Castleford's Chronicle is a long verse chronicle, written in a Northern English dialect, which recounts the traditional history of Britain from its foundation year to 1327. It is one of the earliest compendia in English of the events and legends of British history as then understood, and includes, for example, one of the earliest English language versions of the story of King Lear. Although the great majority of its historical episodes are conventional, the chronicle also offers some surprises, such as a version of the Norman Conquest in which Harold is said to marry William's sister, Elaine. The title Castleford's Chronicle, is conventional: although the name `Thomas Castelford' appears in the sole surviving manuscript, there is no conclusive evidence that a person of this name was the author. The work, which refers to itself at one point as The Book of Brut, has never before been edited in its entirety.The text survives in a single fifteenth-century manuscript. It has not hitherto been published. Volume 1 contains a short introduction and half of the text; volume 2 contains the remainder of the text. A third volume will be forthcoming at some future date containing a full Introduction, Notes,and Glossary.

The General Prologue to Chaucer's Canterbury Tales is one of the most enduring works of English literature. Beloved by scholars, teachers, students, and general readers, it has been given a great many different interpretations. This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue. The extensive annotations provide uniquely convenient access to many publications that are otherwise difficult to obtain.In her introduction, Caroline Eckhardt provides a careful and comprehensive overview of modern trends in criticism, trends which can be traced through the bibliography. At the beginning of the century, for example, Chaucer's Prologue was often described as a 'portrait gallery' and praised for its realism - social, psychological, and dramatic. Later in the century came emphases on irony, rhetoric, Freudian interpretations, elaborate allegories, and stylistic complexities. At present, the Prologue is often interpreted as a system of signs and symbols in which realism, if it exists at all, serves purposes beyond itself. The smiling and serene poet of the earlier period has been replaced by a self-conscious ironist, sometimes with a split personality. The portrait gallery of the beginning of the century is still there, though the spectator who walks along it tends to see something less fixed textually (the Prologue is now commonly discussed as work-in-progress) and more complicated structurally, generically, and thematically. It is the spectator, of course, who has changed.