Catherine E. Ingrassia – författare

Throughout the eighteenth century, shifts in political power and social structures were making their way across Europe and into the New World. In this volume of Studies in Eighteenth-Century Culture, editors Ourida Mostefai and Catherine Ingrassia have brought together four clusters of related essays that explore the complexities of national and international identity in light of these changes, integrating such diverse fields of scholarship as women's studies, literary theory, and art history. Topics addressed range from gambling and the relationship between money and power to the way that portrayals of peasantry in art and literature helped to shape the French national identity. Contents:James E. Evans, "'A Sceane of Uttmost Vanity': The Spectacle of Gambling in Late Stuart Culture" Beth Kowaleski Wallace, "A Modest Defense of Gaming Women"Catherine Keohane, "'Spare from your Luxuries': Women, Charity, and Spending in the Eighteenth Century" Brijraj Singh, "'One Soul, tho' not one Soyl': International Protestantism and Ecumenism at the Beginning of the Eighteenth Century"Daniel J.Ennis, "Poetry and American Revolutionary Identity: The Case of Phillis Wheatley and John Paul Jones"Leanne Maunu, "Quelling the French Threat in Frances Burney's Evelina Reginald McGinnis: "The Critique of Originality in French Letters"John R. Iverson, "The First French Literary Centenary: National Sentiment and the Moliere Celebration of 1773"Joe Johnson, "Philosophical Reflection, Happiness and Male Friendship in Prevost's Manon Lescaut"J. David Macey, Jr., " Et in Arcadia Ego?: Thomas Amory, Mary Hamilton, and the (Re)Construction of Arcadia"Howard Irving, "John Marsh and the Ancient-Modern Polemic"Amy Wyngaard, "Revising Rousseau: Young Legrand d'Aussy and the Challenge to Enlightenment Constructions of the Peasantry, 1787-1794"

With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge.Essays include:Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of Methodism Tili Boon Cuille, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic Fiction Simon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of Adams Lynn Festa, Cosmetic Differences: The Changing Faces of England and France Blake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888 Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery Poetry Mary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic World Leslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body Politic Sandra Sherman, The Wealth of Nations in the 1790s Alan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato Singer Rivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject

This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of life; and by the poems' more specific focus on the women's experiences as writers. Backscheider and Ingrassia have selected poems that represent the best work of skilled poets, creating a wonderful mix of canonical and little-known pieces. They include the complete texts of longer poems that are abridged or omitted in other collections.Their substantial part introductions, textual notes, bibliographical information, and biographical sketches situate the poets and their writings within the cultural and political milieu in which they appeared. To generate further scholarship on this subject, this essential anthology puts primary texts in front of students, scholars, and general readers. It fills the persistent need to document women's poetic expression during the long eighteenth century and to rewrite the literary history of the period, a history from which women have largely been excluded.

This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of life; and by the poems' more specific focus on the women's experiences as writers. Backscheider and Ingrassia have selected poems that represent the best work of skilled poets, creating a wonderful mix of canonical and little-known pieces. They include the complete texts of longer poems that are abridged or omitted in other collections.Their substantial part introductions, textual notes, bibliographical information, and biographical sketches situate the poets and their writings within the cultural and political milieu in which they appeared. To generate further scholarship on this subject, this essential anthology puts primary texts in front of students, scholars, and general readers. It fills the persistent need to document women's poetic expression during the long eighteenth century and to rewrite the literary history of the period, a history from which women have largely been excluded.

This volume of Studies in Eighteenth-Century Culture explores the revolutions in culture, politics, and art that took place throughout the eighteenth century. The first section of the book focuses on the role that women played in both the formation and the expression of culture, whether as manufacturers or consumers. The second group of essays studies images of the body in popular drama, literature, and art, while the third is devoted to politics and religion, dealing specifically with the questions of ethnicity and loyalty brought up by rebellion and revolution. The book concludes with two essays about landscape art and its implications for legitimizing slavery and constructing the colonial fantasy.Contents:Franca Barricelli, "Imperial Mythologies: Ethnicity and Rebellion on the Eighteenth-Century Venetian Stage"Jennie Batchelor, "Fashion and Frugality: Eighteenth-Century Pocket Books for Women"William Chew, "Yankees Caught in the Crossfire: The Trials and Travails of Americans in Revolutionary and Napoleonic France"John Crowley, "Picturing the Caribbean in the Global British Landscape"Paola Giuli, "Women Poets and Improvisers: Cultural Assumptions and Literary Values in Arcadia"D. B. Haley, "Was Dryden a 'Cryptopapist' in 1681?"Joyce MacDonald, "Public Wounds: Sexual Bodies and the Origins of State in Nathaniel Lee's Lucius Junius Brutus"Rebecca Messbarger, "Re-membering a Body of Work: Master Anatomist Anna Morandi Manzolini"Johann Reusch, "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich and Gotthard Ludwig Kosegarten"Leslie Richardson, "'Who Shall Restore My Lost Credit': Rape, Reputation, and the Marriage Market"Betty Schellenberg, "Making Good Use of History: Sarah Robinson Scott in the Republic of Letters"Geraldine Sheridan, "Views of Women at Work by the Royal Academicians: The Collection Descriptions des arts et metiers"Joanna Stalnaker, "Painting Life, Describing Death: Epistemology and Poetics of Description in Buffon's Histoire Naturelle"Candace Ward, "'Cruel Disorder': Female Bodies, Eighteenth-Century Fever Narratives, and the Novel of Sensibility"