Cecil Foster – författare

In Blackness and Modernity Foster traces the main philosophical, anthropological, sociological, and mythological arguments that support views of modernity as a failed quest for whiteness. He outlines how these views were implemented as part of a "world history" and shows how Canada became the first country to officially reject this approach by adopting multiculturalism.

While many modern societies are noted for their diversity, the resulting challenge is to determine how citizens from different backgrounds and cultures can see themselves and each other as equals, and be treated equally. In Genuine Multiculturalism, Cecil Foster shows that a society''s failure to bridge these differences is the tragedy of modern living and that pretending it is possible to mechanically develop fraternity and solidarity among diverse groups is akin to seeking out comedy. Arguing that genuine multiculturalism is the search for social justice by individuals who have been trapped by ascribed identities or newcomers who have been shut out of perceived ethnic homelands, Foster details how this process, in essence, is the story of the Americas. Reconceptionalizing the terms of multiculturalism, he offers an intervention into Canada''s claim that its definition and practice are based on recognizing equality of citizenship. Identifying genuine multiculturalism as an ongoing work in progress, rather than a tightly defined policy position, Foster challenges readers to imagine a greater and more harmonious ideal. A necessary theoretical reconsideration of diversity within society, Genuine Multiculturalism refocuses the debate about ideals and practices in modern societies.

While many modern societies are noted for their diversity, the resulting challenge is to determine how citizens from different backgrounds and cultures can see themselves and each other as equals, and be treated equally. In Genuine Multiculturalism, Cecil Foster shows that a society''s failure to bridge these differences is the tragedy of modern living and that pretending it is possible to mechanically develop fraternity and solidarity among diverse groups is akin to seeking out comedy. Arguing that genuine multiculturalism is the search for social justice by individuals who have been trapped by ascribed identities or newcomers who have been shut out of perceived ethnic homelands, Foster details how this process, in essence, is the story of the Americas. Reconceptionalizing the terms of multiculturalism, he offers an intervention into Canada''s claim that its definition and practice are based on recognizing equality of citizenship. Identifying genuine multiculturalism as an ongoing work in progress, rather than a tightly defined policy position, Foster challenges readers to imagine a greater and more harmonious ideal. A necessary theoretical reconsideration of diversity within society, Genuine Multiculturalism refocuses the debate about ideals and practices in modern societies.

The last time he saw his father, Henderson Freeman was bolting from his family home in Halifax, swearing that he’d never return. But no matter where he ran or who he became — a soldier in World War II, a political activist in New York, a rail porter on transcontinental trains — Henderson can’t shake his father’s voice, advising, arguing ― calling him to service for his community.When this voice goes silent, Henderson knows that his father is dead. He returns home to deliver a eulogy, the highest duty of a Black son to his father, but how can he find the right words to describe Anthony Freeman, the enigmatic archbishop of the Abyssinia Church?As Henderson tries to understand his father, he comes to understand himself, the rich history of Black lives in North America, and his father’s commitment to Canada as the place to live out his hopes and dreams.

A CBC BOOKS MUST-READ NONFICTION BOOK FOR BLACK HISTORY MONTHNominated for the Toronto Book AwardSmartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger—yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Subjected to grueling shifts and unreasonable standards—a passenger missing his stop was a dismissible offense—the so-called Pullmen of the country’s rail lines were denied secure positions and prohibited from bringing their families to Canada, and it was their struggle against the racist Dominion that laid the groundwork for the multicultural nation we know today. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.