Charlie English – författare

‘An exemplary work of investigative journalism that is also a wonderfully colourful book of history and travel’ Observer, Book of the Year ‘A piece of postmodern historiography of quite extraordinary sophistication and ingenuity… [written with] exceptional delicacy and restraint’ TLS The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this ‘African El Dorado’ cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been a centre of learning since medieval times.When jihadists invaded Mali in 2012 threatening destruction to Timbuktu’s libraries, a remarkable thing happened. A team of librarians and archivists joined forces to spirit the precious manuscripts into hiding. Based on new research and first-hand reporting, Charlie English expertly tells this story set in one of the world’s most fascinating places, and the myths from which it has become inseparable.

A Book of the Year in the Daily Telegraph and Economist LONGLISTED for the CWA ALCS Gold Dagger for Non-Fiction 2026 'This book reads like a spy novel' FINANICAL TIMES'Entertaining and vivid' OBSERVER–––––––––––––––––––––––––––––––––––- The astonishing story of the ten million books that were smuggled across the Iron Curtain during the Cold War. For almost five decades after the Second World War, Europe was divided by the longest and most heavily guarded border on earth. The Iron Curtain, a near-impenetrable barrier of wire and wall, tank traps, minefields, watchtowers and men with dogs, stretched for 4,300 miles from the Arctic to the Black Sea. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the conflict would be fought in the psychological sphere. It was a battle for hearts, minds and intellects.No one understood this more clearly than George Minden, the head of a covert intelligence operation known as the ‘CIA books programme’, which aimed to win the Cold War with literature.From its Manhattan headquarters, Minden’s global CIA ‘book club’ would infiltrate millions of banned titles into the Eastern Bloc, written by a vast and eclectic list of authors, including Hannah Arendt and Aleksandr Solzhenitsyn, George Orwell and Agatha Christie. Volumes were smuggled on trucks and aboard yachts, dropped from balloons, and hidden in the luggage of hundreds of thousands of individual travellers. Once inside Soviet bloc, each book would circulate secretly among dozens of like-minded readers, quietly turning them into dissidents. Latterly, underground print shops began to reproduce the books, too. By the late 1980s, illicit literature in Poland was so pervasive that the system of communist censorship broke down, and the Iron Curtain soon followed.Charlie English tells this true story of spycraft, smuggling and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who risked their lives to stand up to the intellectual strait-jacket Stalin created. People like Miroslaw Chojecki, an underground Polish publisher who endured beatings, force-feeding and exile in service of this mission. And Minden, the CIA’s mastermind, who didn’t waver in his belief that truth, culture, and diversity of thought could help free the ‘captive nations’ of Eastern Europe. This is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

A Book of the Year in the Daily Telegraph and Economist LONGLISTED for the CWA ALCS Gold Dagger for Non-Fiction 2026 'This book reads like a spy novel' FINANICAL TIMES'Entertaining and vivid' OBSERVER–––––––––––––––––––––––––––––––––––- The astonishing story of the ten million books that were smuggled across the Iron Curtain during the Cold War. For almost five decades after the Second World War, Europe was divided by the longest and most heavily guarded border on earth. The Iron Curtain, a near-impenetrable barrier of wire and wall, tank traps, minefields, watchtowers and men with dogs, stretched for 4,300 miles from the Arctic to the Black Sea. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the conflict would be fought in the psychological sphere. It was a battle for hearts, minds and intellects.No one understood this more clearly than George Minden, the head of a covert intelligence operation known as the ‘CIA books programme’, which aimed to win the Cold War with literature.From its Manhattan headquarters, Minden’s global CIA ‘book club’ would infiltrate millions of banned titles into the Eastern Bloc, written by a vast and eclectic list of authors, including Hannah Arendt and Aleksandr Solzhenitsyn, George Orwell and Agatha Christie. Volumes were smuggled on trucks and aboard yachts, dropped from balloons, and hidden in the luggage of hundreds of thousands of individual travellers. Once inside Soviet bloc, each book would circulate secretly among dozens of like-minded readers, quietly turning them into dissidents. Latterly, underground print shops began to reproduce the books, too. By the late 1980s, illicit literature in Poland was so pervasive that the system of communist censorship broke down, and the Iron Curtain soon followed.Charlie English tells this true story of spycraft, smuggling and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who risked their lives to stand up to the intellectual strait-jacket Stalin created. People like Miroslaw Chojecki, an underground Polish publisher who endured beatings, force-feeding and exile in service of this mission. And Minden, the CIA’s mastermind, who didn’t waver in his belief that truth, culture, and diversity of thought could help free the ‘captive nations’ of Eastern Europe. This is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

A Book of the Year in the Daily Telegraph and Economist LONGLISTED for the CWA ALCS Gold Dagger for Non-Fiction 2026 'This book reads like a spy novel' FINANICAL TIMES'Entertaining and vivid' OBSERVER–––––––––––––––––––––––––––––––––––- The astonishing story of the ten million books that were smuggled across the Iron Curtain during the Cold War. For almost five decades after the Second World War, Europe was divided by the longest and most heavily guarded border on earth. The Iron Curtain, a near-impenetrable barrier of wire and wall, tank traps, minefields, watchtowers and men with dogs, stretched for 4,300 miles from the Arctic to the Black Sea. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the conflict would be fought in the psychological sphere. It was a battle for hearts, minds and intellects.No one understood this more clearly than George Minden, the head of a covert intelligence operation known as the ‘CIA books programme’, which aimed to win the Cold War with literature.From its Manhattan headquarters, Minden’s global CIA ‘book club’ would infiltrate millions of banned titles into the Eastern Bloc, written by a vast and eclectic list of authors, including Hannah Arendt and Aleksandr Solzhenitsyn, George Orwell and Agatha Christie. Volumes were smuggled on trucks and aboard yachts, dropped from balloons, and hidden in the luggage of hundreds of thousands of individual travellers. Once inside Soviet bloc, each book would circulate secretly among dozens of like-minded readers, quietly turning them into dissidents. Latterly, underground print shops began to reproduce the books, too. By the late 1980s, illicit literature in Poland was so pervasive that the system of communist censorship broke down, and the Iron Curtain soon followed.Charlie English tells this true story of spycraft, smuggling and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who risked their lives to stand up to the intellectual strait-jacket Stalin created. People like Miroslaw Chojecki, an underground Polish publisher who endured beatings, force-feeding and exile in service of this mission. And Minden, the CIA’s mastermind, who didn’t waver in his belief that truth, culture, and diversity of thought could help free the ‘captive nations’ of Eastern Europe. This is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

‘An exemplary work of investigative journalism that is also a wonderfully colourful book of history and travel’ Observer, Books of the Year ‘A piece of postmodern historiography of quite extraordinary sophistication and ingenuity… [written with] exceptional delicacy and restraint’ TLS To Westerners, the name ‘Timbuktu’ long conjured a tantalising paradise, an African El Dorado where even the slaves wore gold. Beginning in the late eighteenth century, a series of explorers gripped by the fever for discovery tried repeatedly to reach the fabled city. But one expedition after another went disastrously awry, succumbing to attack, climate, and disease.Timbuktu was rich in another way too. A medieval centre of learning, it was home to tens – according to some, hundreds – of thousands of ancient manuscripts, on subjects ranging from religion to poetry, law to history, pharmacology, and astronomy. When al-Qaeda-linked jihadists surged across Mali in 2012, threatening the existence of these precious documents, a remarkable thing happened: a team of librarians and archivists joined forces to spirit the manuscripts into hiding.Relying on extensive research and firsthand reporting, Charlie English expertly twines these two suspenseful strands into a fascinating account of one of the planet's extraordinary places, and the myths from which it has become inseparable.

‘An exemplary work of investigative journalism that is also a wonderfully colourful book of history and travel’ Observer, Books of the Year‘A piece of postmodern historiography of quite extraordinary sophistication and ingenuity… [written with] exceptional delicacy and restraint’ TLSThe fabled city of Timbuktu has captured the Western imagination for centuries. The search for this ‘African El Dorado’ cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been a centre of learning since medieval times.When jihadists invaded Mali in 2012 threatening destruction to Timbuktu’s libraries, a remarkable thing happened. A team of librarians and archivists joined forces to spirit the precious manuscripts into hiding. Based on new research and first-hand reporting, Charlie English expertly tells this story set in one of the world’s most fascinating places, and the myths from which it has become inseparable.

‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

‘A riveting tale, brilliantly told'' Philippe SandsThe little-known story of Hitler’s war on modern art and the mentally ill.In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany''s modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn''s artists were caught up in both.Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler''s first extermination programme, the psychiatric Holocaust.

A Book of the Year in the Daily Telegraph and Economist LONGLISTED for the CWA ALCS Gold Dagger for Non-Fiction 2026 'This book reads like a spy novel' FINANICAL TIMES'Entertaining and vivid' OBSERVER–––––––––––––––––––––––––––––––––––- The astonishing story of the ten million books that were smuggled across the Iron Curtain during the Cold War. For almost five decades after the Second World War, Europe was divided by the longest and most heavily guarded border on earth. The Iron Curtain, a near-impenetrable barrier of wire and wall, tank traps, minefields, watchtowers and men with dogs, stretched for 4,300 miles from the Arctic to the Black Sea. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the conflict would be fought in the psychological sphere. It was a battle for hearts, minds and intellects.No one understood this more clearly than George Minden, the head of a covert intelligence operation known as the ‘CIA books programme’, which aimed to win the Cold War with literature.From its Manhattan headquarters, Minden’s global CIA ‘book club’ would infiltrate millions of banned titles into the Eastern Bloc, written by a vast and eclectic list of authors, including Hannah Arendt and Aleksandr Solzhenitsyn, George Orwell and Agatha Christie. Volumes were smuggled on trucks and aboard yachts, dropped from balloons, and hidden in the luggage of hundreds of thousands of individual travellers. Once inside Soviet bloc, each book would circulate secretly among dozens of like-minded readers, quietly turning them into dissidents. Latterly, underground print shops began to reproduce the books, too. By the late 1980s, illicit literature in Poland was so pervasive that the system of communist censorship broke down, and the Iron Curtain soon followed.Charlie English tells this true story of spycraft, smuggling and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who risked their lives to stand up to the intellectual strait-jacket Stalin created. People like Miroslaw Chojecki, an underground Polish publisher who endured beatings, force-feeding and exile in service of this mission. And Minden, the CIA’s mastermind, who didn’t waver in his belief that truth, culture, and diversity of thought could help free the ‘captive nations’ of Eastern Europe. This is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

''Entertaining and vivid… This is a gripping account of an intriguing and little-known Cold War moment'' OBSERVER''Reads like a thriller'' THE SUNThe astonishing story of the ten million books that were smuggled across the Iron Curtain during the Cold War.For almost five decades after the Second World War, Europe was divided by the longest and most heavily guarded border on earth. The Iron Curtain, a near-impenetrable barrier of wire and wall, tank traps, minefields, watchtowers and men with dogs, stretched for 4,300 miles from the Arctic to the Black Sea. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the conflict would be fought in the psychological sphere. It was a battle for hearts, minds and intellects.No one understood this more clearly than George Minden, the head of a covert intelligence operation known as the ‘CIA books programme’, which aimed to win the Cold War with literature.From its Manhattan headquarters, Minden’s global CIA ‘book club’ would infiltrate millions of banned titles into the Eastern Bloc, written by a vast and eclectic list of authors, including Hannah Arendt and Aleksandr Solzhenitsyn, George Orwell and Agatha Christie. Volumes were smuggled on trucks and aboard yachts, dropped from balloons, and hidden in the luggage of hundreds of thousands of individual travellers. Once inside Soviet bloc, each book would circulate secretly among dozens of like-minded readers, quietly turning them into dissidents. Latterly, underground print shops began to reproduce the books, too. By the late 1980s, illicit literature in Poland was so pervasive that the system of communist censorship broke down, and the Iron Curtain soon followed.Charlie English tells this true story of spycraft, smuggling and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who risked their lives to stand up to the intellectual strait-jacket Stalin created. People like Miroslaw Chojecki, an underground Polish publisher who endured beatings, force-feeding and exile in service of this mission. And Minden, the CIA’s mastermind, who didn’t waver in his belief that truth, culture, and diversity of thought could help free the ‘captive nations’ of Eastern Europe. This is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution.” “A penetrating chronicle . . . deftly links art history, psychiatry, and Hitler’s ideology to devastating effect.”—The Wall Street Journal As a veteran of the First World War, and an expert in art history and medicine, Hans Prinzhorn was uniquely placed to explore the connection between art and madness. The work he collected—ranging from expressive paintings to life-size rag dolls and fragile sculptures made from chewed bread—contained a raw, emotional power, and the book he published about the material inspired a new generation of modern artists, Max Ernst, André Breton, and Salvador Dalí among them. By the mid-1930s, however, Prinzhorn’s collection had begun to attract the attention of a far more sinister group. Modernism was in full swing when Adolf Hitler arrived in Vienna in 1907, hoping to forge a career as a painter. Rejected from art school, this troubled young man became convinced that modern art was degrading the Aryan soul, and once he had risen to power he ordered that modern works be seized and publicly shamed in “degenerate art” exhibitions, which became wildly popular. But this culture war was a mere curtain-raiser for Hitler’s next campaign, against allegedly “degenerate” humans, and Prinzhorn’s artist-patients were caught up in both. By 1941, the Nazis had murdered 70,000 psychiatric patients in killing centers that would serve as prototypes for the death camps of the Final Solution. Dozens of Prinzhorn artists were among the victims. The Gallery of Miracles and Madness is a spellbinding, emotionally resonant tale of this complex and troubling history that uncovers Hitler’s wars on modern art and the mentally ill and how they paved the way for the Holocaust. Charlie English tells an eerie story of genius, madness, and dehumanization that offers readers a fresh perspective on the brutal ideology of the Nazi regime.