Chiara Thumiger - Böcker

This edited volume brings together eighteen articles which examine the role of erôs as an emotion in ancient Greek culture. Arising out of a conference held at University College London in 2009, the volume ranges from Archaic epic and lyric poetry, through tragedy and comedy, to philosophical and technical treatises and more, and includes contributions from a variety of international scholars well published in the field of ancient Greek emotions.Taking into account all important thinking about the nature of erôs from the eighth century BCE to the third century CE, and covering a very broad range of sources and theoretical approaches, both in the chronological and the generic sense, it considers the phenomenology, psychology, and physiology of erôs; its associated language, metaphors, and imagery; the overlap of erôs with other emotions (jealousy, madness, philia, pothos); its role in political society; and the relationship between the human emotion and Eros the god. These topics build on recent advances in the understanding of ancient Greek homo- and heterosexual customs and practices, visual and textual erotica, and philosophical approaches to erôs as manageable appetite or passion. However, the principal aim of the volume is to apply to the study of erôs the theoretical insights offered by the rapidly expanding field of emotion studies, both in ancient cultures and elsewhere in the humanities and social sciences, thus maintaining throughout the focus on erôs as emotion.

Phrenitis is ubiquitous in ancient medicine and philosophy. Galen mentions the disease innumerable times, patristic authors take it as a favourite allegory of human flaws, and no ancient doctor fails to diagnose it and attempt its cure. Yet the nature of this once famous disease has not been understood properly by scholars. This book provides the first full history of phrenitis. In doing so, it surveys ancient ideas about the interactions between body and soul, both in health and in disease. It also addresses ancient ideas about bodily health, mental soundness and moral 'goodness', and their heritage in contemporary psychiatric ideas. Readers will encounter an exciting narrative about health, illness and care as embedded in ancient 'life', but will also be forced to reflect critically on our contemporary ideas of what it means to be 'insane'. This title is also available as open access on Cambridge Core.

Phrenitis is ubiquitous in ancient medicine and philosophy. Galen mentions the disease innumerable times, patristic authors take it as a favourite allegory of human flaws, and no ancient doctor fails to diagnose it and attempt its cure. Yet the nature of this once famous disease has not been understood properly by scholars. This book provides the first full history of phrenitis. In doing so, it surveys ancient ideas about the interactions between body and soul, both in health and in disease. It also addresses ancient ideas about bodily health, mental soundness and moral 'goodness', and their heritage in contemporary psychiatric ideas. Readers will encounter an exciting narrative about health, illness and care as embedded in ancient 'life', but will also be forced to reflect critically on our contemporary ideas of what it means to be 'insane'. This title is also available as open access on Cambridge Core.

The Hippocratic texts and other contemporary medical sources have often been overlooked in discussions of ancient psychology. They have been considered to be more mechanical and less detailed than poetic and philosophical representations, as well as later medical texts such as those of Galen. This book does justice to these early medical accounts by demonstrating their richness and sophistication, their many connections with other contemporary cultural products and the indebtedness of later medicine to their observations. In addition, it reads these sources not only as archaeological documents but also in the light of methodological discussions that are fundamental to the histories of psychiatry and psychology. As a result of this approach, the book will be important for scholars of these disciplines as well as those of Greek literature and philosophy, strongly advocating the relevance of ancient ideas to modern debates.

This open-access volume is the first to explore systematically and comprehensively the concept and category of ‘horror’ in antiquity. The contributors retrieve the ancient grammar of horror by paying equal attention to its affective and cognitive dimensions, and by looking at it as an embodied, enactive and full-rounded existential experience. They explore how horrifying experiences in antiquity are construed as embodied events while being conceptually rooted in cultural frameworks. They also showcase the ways in which the body itself can turn into a source of deep horror, be it in literary or medical texts and traditions in the Greek and Roman world, from the classical period to late antiquity.While maintaining a firm awareness of the fact that ‘horror’, a largely post-Romantic concept, is not unproblematic when applied to Graeco-Roman antiquity, this collection of studies shows that our Graeco-Roman past can shed substantial light on the ways in which the horrific is understood today, as a category of art but also of life itself.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Exzellenzcluster ROOTS, Christian-Albrechts-Universität zu Kiel (Germany).

This open-access volume is the first to explore systematically and comprehensively the concept and category of ‘horror’ in antiquity. The contributors retrieve the ancient grammar of horror by paying equal attention to its affective and cognitive dimensions, and by looking at it as an embodied, enactive and full-rounded existential experience. They explore how horrifying experiences in antiquity are construed as embodied events while being conceptually rooted in cultural frameworks. They also showcase the ways in which the body itself can turn into a source of deep horror, be it in literary or medical texts and traditions in the Greek and Roman world, from the classical period to late antiquity.While maintaining a firm awareness of the fact that ‘horror’, a largely post-Romantic concept, is not unproblematic when applied to Graeco-Roman antiquity, this collection of studies shows that our Graeco-Roman past can shed substantial light on the ways in which the horrific is understood today, as a category of art but also of life itself.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Exzellenzcluster ROOTS, Christian-Albrechts-Universität zu Kiel (Germany).