Ed Sanders – författare

This edited volume brings together eighteen articles which examine the role of erôs as an emotion in ancient Greek culture. Arising out of a conference held at University College London in 2009, the volume ranges from Archaic epic and lyric poetry, through tragedy and comedy, to philosophical and technical treatises and more, and includes contributions from a variety of international scholars well published in the field of ancient Greek emotions.Taking into account all important thinking about the nature of erôs from the eighth century BCE to the third century CE, and covering a very broad range of sources and theoretical approaches, both in the chronological and the generic sense, it considers the phenomenology, psychology, and physiology of erôs; its associated language, metaphors, and imagery; the overlap of erôs with other emotions (jealousy, madness, philia, pothos); its role in political society; and the relationship between the human emotion and Eros the god. These topics build on recent advances in the understanding of ancient Greek homo- and heterosexual customs and practices, visual and textual erotica, and philosophical approaches to erôs as manageable appetite or passion. However, the principal aim of the volume is to apply to the study of erôs the theoretical insights offered by the rapidly expanding field of emotion studies, both in ancient cultures and elsewhere in the humanities and social sciences, thus maintaining throughout the focus on erôs as emotion.

Emotions vary between cultures, especially in their eliciting conditions, social acceptability, forms of expression, and co-extent of terminology. Envy and Jealousy in Classical Athens examines the sensation, expression, and literary representation of envy and jealousy in Classical Athens. Previous scholarship has primarily taken a lexical approach, focusing on usage of the Greek words phthonos (envy, begrudging, jealousy, spite) and zêlos (emulative rivalry). This has value, but also limitations, for two reasons: the discreditable nature of phthonos renders its ascription or disclamation suspect, and there is no Classical Greek label for sexual jealousy. A complementary approach is therefore required, which reads the expressed values and actions of entire situations. Building on recent developments in reading emotion "scripts" in classical texts, this book applies to Athenian culture and literature insights on the contexts, conscious and subconscious motivations, subjective manifestations, and indicative behaviors of envy, jealousy, and related emotions, derived from modern philosophical, psychological, psychoanalytical, sociological, and anthropological scholarship. This enables an exploration of both the explicit theorization and evaluation of envy and jealousy, and also the more oblique ways in which they find expression across different genres--in particular philosophy, oratory, comedy, and tragedy.

Emotions vary extensively between cultures, especially in their eliciting conditions, social acceptability, forms of expression, and co-extent of terminology. Envy and Jealousy in Classical Athens examines the sensation, expression, and literary representation of these major emotions in Athens. Previous scholarship has primarily taken a lexical approach, focusing on usage of the Greek words phthonos and z?los. This has value, but also limitations, for two reasons: the discreditable nature of phthonos renders its ascription or disclamation suspect, and there is no Classical Greek label for sexual jealousy. A complementary approach is therefore required, one which reads the expressed values and actions of entire situations. Building on recent developments in reading emotion "scripts" in classical texts, this book applies to Athenian culture and literature insights on the contexts, conscious and subconscious motivations, subjective manifestations, and indicative behaviors of envy, jealousy, and related emotions. These critical insights are derived from modern philosophical, psychological, psychoanalytical, sociological, and anthropological scholarship, thus enabling an exploration of both the explicit theorization and evaluation of envy and jealousy, and also the more oblique ways in which they find expression across different genres-in particular philosophy, oratory, comedy, and tragedy. By employing this new methodology, Ed Sanders illuminates a significant and underexplored aspect of Classical Athenian culture and literature.

Ed Sanders gave readers their clearest insight yet into the disturbing world of Charles Manson and his followers when he published The Family in 1971. Continuing that journalistic tradition, Sanders presents the most thorough look ever into the heartbreaking story of Sharon Tate, the iconic actress who found love, fame, and ultimately tragedy during her all-too-brief life. Sharon Tate: A Life traces Sharon's path from beauty queen to budding young actress: her early love affairs, her romance with and marriage to director Roman Polanski, and the excitement of the glamorous life she had always sought- all set against the background of the turbulent 1960s. This sympathetic account tells the powerful story of her determined rise through the ranks of Hollywood and to the brink of stardom before her name became forever linked with the shocking murder spree that took her life.In 1969, the Polanski house was targeted by the followers of cultist Charles Manson. Why the Manson clan focused its gaze on Sharon remains unclear, but the world was soon shocked to its core as it learned of the brutal murders of a pregnant Sharon Tate and her friends at her idyllic home in Los Angeles. Sanders once again examines this horrific crime and its aftermath, expounding on what may have led the killers to that particular house on that particular evening. Sharon Tate takes readers on a sometimes joyous yet inevitably heart-wrenching tour of the'60s as seen through the eyes of someone who lived it, survived it, and remembers it all too well. Brilliant illustrations by noted artist Rick Veitch lend character to this riveting narrative of the life and times of a beloved actress whose image and whose fate still haunt us to this day.

Bobby Kennedy''s last campaign—an homage to a leader who might have changed history and a reconstruction of the conspiracy to stop him, in a magisterial feat of epic investigative poetry. June 5, 2018, is the fiftieth anniversary of the assassination of Robert F. Kennedy, and there are still unanswered questions about whether his murder was the result of a conspiracy. Broken Glory is a graphic history told in epic verse of Bobby Kennedy''s life and times leading up to the fateful 1968 election campaign, with 100 illustrations by artist Rick Veitch. It encompasses the story of his convicted killer, Sirhan Sirhan, as well as a large cast of characters that includes Lyndon Johnson, J. Edgar Hoover, Richard Nixon, and Eugene McCarthy, who was the first to challenge the sitting president of his own party in the 1968 election, and it recalls the major events that made 1968 a turning point in American history: the Tet offensive and battle of Hue, followed soon after by the My Lai massacre, the assassination of Martin Luther King, and the riots that ensued. The authors illuminate the evidence for a conspiracy, fostered perhaps by elements of the CIA, that fielded a second shooter and made of Sirhan Sirhan a patsy, mirroring the part played by Lee Harvey Oswald in the assassination of John F. Kennedy, an event that haunted JFK’s younger brother until his dying day.