Chris William Martin – författare
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3 produkter
3 produkter
1 958 kr
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Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice.Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.
481 kr
Skickas inom 10-15 vardagar
Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice.Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.
1 608 kr
Kommande
This book examines the language of the varied types of graffiti and street art while uncovering the contemporary uses and purpose behind our need to tag out our existence through letters and images on buildings and city blocks. Graffiti is as much about our need for art as expression—providing voice for the voiceless—as it is our need for beauty, social criticism, or civil disruption in our environments. This book takes an approach to understanding the ways in which graffiti and street art has changed the way we look at our environments, our social institutions, and ourselves.The book is informed by an immersive literature review, research at the Museum of Graffiti in Miami, Florida, research, and conversations with local street artists practicing in genres like stickers/slaps, lettering, murals, miniatures/installations, culture jamming and ad busting. It is also informed by fieldnotes of street art tours around the world to explore the semiotic landscape of locales and the impact on the local street art cultures. Through the polysemy of the word “graffiti” we see cultural history and modern-day actors, graffiti becomes a thing and a practice. It is human and it is historical.