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Redemption and Regret presents two previously unpublished typescripts of James Scarth Gale, a Canadian missionary to Korea for four decades (1888–1927). During his time in Korea, Gale developed into the foremost Western scholar of Korean history, language, and literature, completing the first translation of Korean literature into a Western language, the first translation of English literature into Korean, and the first comprehensive Korean-English dictionary. In addition to these translations, the typescripts entitled Pen Pictures of Old Korea (ca. 1910) and Old Corea (ca. 1925), each presented here with introductory essays, contain Gale’s observations of various cultural artifacts, behaviours, and practices.Gale lived in Korea during a tumultuous and transformative period that witnessed the transition of the country from a "hermit" suzerain kingdom to an independent empire, and finally to a colonial possession of Japan. Pen Pictures of Old Korea and Old Corea preserve what Gale viewed as inevitably fated for extinction. This realization imbues his writings with a sense of ambivalence towards the "passing" of traditional Korea – owing to the conflict between his profound admiration for pre-modern Korean culture and his Western missionary identity, which demanded that the country adapt to a modern, Christian world.
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Amid the global rise of Korean popular culture, interest in learning the Korean language has surged – but few understand the complex history behind its modern form. This book traces the emergence of vernacular Korean as a distinct subject of study in the late nineteenth and early twentieth centuries, illuminating a transformative period in Korea’s linguistic and national development. Through a sociolinguistic lens, it examines how Korean writing transitioned from the elite “Sinographic Cosmopolis” of literary Sinitic to a vernacular language shaped by modernist and nationalist ideologies. Centering on school textbooks as key sites of change, Daniel Pieper reveals how language education became instrumental in forging modern Korean literacy and identity. The book situates this process within broader global patterns of vernacularization and nation-building across East Asia, Europe, and South Asia. Introducing the concept of “transformative bilingualism,” it argues that Korea’s language modernization – while catalyzed by colonial influence – ultimately reshaped both Korean and Japanese literacies. By exploring this dynamic interplay between colonialism, modernity, and linguistic identity, Cosmopolitan Memories, Vernacular Visions offers a vital new understanding of how Korea’s language and nation were written into being.