James Scarth Gale – författare

Composed in vernacular Korean by Powŏl, P’alsangnok, or Record of the Eight Marks, is an influential pre-modern fictional biography of the Buddha that chronicles the life of Śākyamuni through eight transformative stages, from his celestial origins to his final moments.Life of the Buddha illuminates the rich tapestry of Chosŏn Buddhism as translated by Canadian missionary James Scarth Gale in 1915. With nearly four decades of immersion in Korean culture, Gale’s expertise ensures that this translation retains the essence of the original, while highlighting unique local teachings alongside the broader Buddhist biographical tradition. The book offers a comprehensive introduction to P’alsangnok and compiles an extensive list of Buddha biographies published in European languages from the mid-nineteenth to mid-twentieth centuries, aiming to evaluate Gale’s impact on the discursive formation of Buddhism in the West.Edited by Hyangsoon Yi, this groundbreaking volume examines the dynamic interplay between popular Buddhist practice and literature during the Chosŏn era, offering a vital opportunity to explore intercultural and interreligious dialogues and the enduring relevance of Buddhist teachings.

Redemption and Regret presents two previously unpublished typescripts of James Scarth Gale, a Canadian missionary to Korea for four decades (1888–1927). During his time in Korea, Gale developed into the foremost Western scholar of Korean history, language, and literature, completing the first translation of Korean literature into a Western language, the first translation of English literature into Korean, and the first comprehensive Korean-English dictionary. In addition to these translations, the typescripts entitled Pen Pictures of Old Korea (ca. 1910) and Old Corea (ca. 1925), each presented here with introductory essays, contain Gale’s observations of various cultural artifacts, behaviours, and practices.Gale lived in Korea during a tumultuous and transformative period that witnessed the transition of the country from a "hermit" suzerain kingdom to an independent empire, and finally to a colonial possession of Japan. Pen Pictures of Old Korea and Old Corea preserve what Gale viewed as inevitably fated for extinction. This realization imbues his writings with a sense of ambivalence towards the "passing" of traditional Korea – owing to the conflict between his profound admiration for pre-modern Korean culture and his Western missionary identity, which demanded that the country adapt to a modern, Christian world.