David Lawton – författare

David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as ''public interiorities'') without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treattheir work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes hisemphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine''s Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney and Paul Valéry, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute thefoundation of a literary history of voice that extends to modernity. The book''s energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as ''public interiorities'') without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treattheir work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes hisemphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine''s Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney and Paul Valéry, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute thefoundation of a literary history of voice that extends to modernity. The book''s energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

This is a new critical edition of the most widely dispersed and popular Middle English alliterative poems apart from Piers Plowman. It contains a new critical text, based upon all the surviving manuscripts. There is full discussion of the textual relations, and the editorial methods best suited to presenting a text extant in many copies. There are full manuscript descriptions and the editors discuss sources and possible authorship.The Siege of Jerusalem was previously edited for the society by Eugen Köbling and Mabel Day (O.S. 188, 1932). The current editors present new material not then available and incorporate major recent developments in textual scholarship.

New Medieval Literatures is a new annual of work on medieval textural cultures. It will provide a regular venue for innovative essays that deploy diverse methodologies - theoretical, archival, philological, and historicist - with an awareness of postmodernism. As well as featuring challenging new articles, each issue will include an analytical survey by a leading international medievalist of recent work in an emerging or dominant critical discourse. The editors, active in three continents and supported by a distinguished multidisciplinary Advisory Board, aim to engage with intellectual and cultural pluralism in the Middle Ages and now. The first volume, New Medieval Literatures 1, presents essays that destabilize the medieval text as a critical category. Interrogating period and literary boundaries, the contributors invoke bordercountry narratives, performance texts, self-consuming writing, and post-medievalist readers as they explore some of the most crucial topics in contemporary literary studies. Subjects discussed include vernacularity and political agency, pedagogic discourses, the textualization of authority, and the literary construction of cultural and social space. The volume as a whole demonstrates the central contribution of medievalists to 'the production of the present'. Future issues will include essays by Susan Crane, Simon Gaunt, Kantik Ghosh, Steven Kruger, Anne Middleton, Larry Scanlon, Helen Solterer,Robert Stein Jane Taylor and survey articles by Louise Fradenburg and Sarah Kay. Submissions for Volume 3 and subsequent issues may be sent to any of the editors.

New Medieval Literatures is a new annual of work on medieval textual cultures. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies. The title announces an interest both in new writing about medieval culture and in new academic writing. As well as featuring challenging new articles, each issue will include an analytical survey by a leading international medievalist of recent work in an emerging or dominant critical discourse, in this volume Louise O. Fradenburg's study of psychoanalytical medievalism. The editors aim to engage with intellectual and cultural pluralism in the Middle Ages and now. Volume 2 features in particular work representing European continental traditions as well as Anglo-Norman and Anglo-Latin writings. The essays in this volume move from the streets of Paris, London, and English market towns to English monasteries, idealized pastoral spaces, Christian-Jewish-Muslim Spain, Rome, and fourteenth-century Oxford. Subjects discussed include the spectral Jew in the making of Christian history; Peter Damian's Liber Gomorrhianus and the sexual politics of papal reform; sexuality and the improper allegory of the Romance of the Rose; violence, gender, and states of siege in Christine de Pizan's Paris; metonymy, montage, and death in Villon's Testament; maytime in late medieval courts; the ideological context of the Vita Haroldi; John Wyclif and scriptural truth, and bill-casting and political discourse in late medieval England.The volume as a whole coheres around three important issues of cultural analysis: gender, space, and reading history. Volume 3 will feature the winning essay from the essay prize competition, a major new historiographical essay by David Wallace on Dante in England and medieval-renaissance periodization, and an analytical survey by Sarah Kay on romance literatures and the 'New Philology'. Other contributions will represent new approaches to canonical authors, including Aelfric, Caxton, and Christine de Pizan.

New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative essays that deploy diverse methodologies–theoretical, archival, philological and historicist. The editors, active in three continents and supported by a distinguished multidisciplinary Advisory Board, aim to engage with intellectual and cultural pluralism in the Middle Ages and now.

New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual cultures.

David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as 'public interiorities') without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney and Paul Valéry, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative research representing the diverse methodologies of medieval studies - theoretical, archival, philological, and historicist.Volume 5 is marked by a preoccupation with origins or beginnings: the return to some of the foundational texts of the 'modern', here Marx, Freud, and classical Marxist literary criticism; or how the Middle Ages thematized its own antecedents, in the founding myth of imperial Rome, the originary force of martyrdom, and the reformist foundations of monasticism.This volume features important new work from distinguished scholars. Christopher Baswell and D. Vance Smith both write about resurrecting the pagan past in the modern urban spaces of fourteenth-century England: Baswell's magisterial archival essay considers the political role of Virgil's Aeneid in the Uprising of 1381, and Smith uses the urban narrative of St Erkenwald as a departure for a profound meditation on death and melancholy. Jody Enders dramatically contrasts the intentionality implicit in two fatal accidents that were also theatrical spectacles, one in medieval Paris and one in modern Los Angeles. And Jocelyn Wogan-Browne's magnificant analytical survey of recent research on female reading communities takes a critical new look at the way in which we deploy the foundational concept of 'community' in histories of medieval reading and literacy. Essays by four leading younger scholars complete this volume with complementary yet highly distinctive perspectives on martyrdom, sainthood, and virginity. Robert Mills considers how the visualization of martyrs' suffering in words and image can be a signifier of erotic pleasure; Sarah Salih evaluates the particular eroticism of the sponsalia Christi; Catherine Sanok reads Pearl through the lens of hagiography and Marxist genre theory; and Nancy Warren's new research on Colette of Corbie looks at the reformist power of female monasticism in the Hundred Years War.

New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual studies. Volume VI deals in depth with one of the most important of medieval vernacular writers, Geoffrey Chaucer, his closest successor, Thomas Hoccleve, and his most important precursor in England, Marie de France. It proposes new models for thinking of medieval writing in terms of politics and geography. NML is famous for its analytical surveys, in which major, often younger, scholars review recent work across their entire fields. In keeping with the theme of the volume, Performing Dissent, NML 6 has three surveys: on heresy in Europe (by Mark Pegg) and Britain (by Fiona Somerset), and on medieval liturgy and performance (by Bruce Holsinger).

New Medieval Literatures Volume 7 spotlights methodologies and practices in medieval textual studies. Ten challenging new essays together explore contemporary medievalist practices in and beyond the academy; review and critique disciplinary cultures in medieval studies past and present; and experiment with new paradigms. As usual, the volume showcases work by leading scholars together with work by striking new voices. In this volume's analytical survey 'Actually existing Anglo-Saxon Studies', Clare Lees imagines alternatives to current disciplinary culture. Other essays are Wendy Scase, 'The Medievalist's Tale' (introduction); Stephanie Trigg, 'Walking through Cathedrals: Scholars, Pilgrims, and Medieval Tourists'; Steve Ellis, 'Framing the Father: Chaucer and Virginia Woolf'; Daniel Wakelin, 'William Worcester writes a History of his Reading'; Mishtooni Bose, 'Vernacular Philosophy and the Making of Orthodoxy in the Fifteenth Century'; Melissa Raine, '"Fals Flesch": Food and the Embodied Piety of Margery Kempe'; Lisa H. Cooper, 'Urban Utterances: Merchants, Artisans, and the Alphabet in Caxton's Dialogues in French and English'; Seeta Chaganti, '"A Form as Grecian Goldsmiths make": Enshrining Narrative in Chrétien de Troyes's Cligés and the Stavelot Triptych'; and Christopher Cannon, 'Between the Old and the Middle of English'.

Both an enhanced digital edition and a handsome print volume, The Norton Chaucer provides the complete poetry and prose, meticulously glossed and annotated specifically for undergraduate readers, with apparatus reflecting current scholarship—all at an unmatched value.

Available as both a portable paperback volume and an enhanced digital edition, this complete collection of The Norton Chaucer: Canterbury Tales is meticulously glossed and annotated. With access to the ground-breaking Reading Chaucer Tutorial included in every new copy, this volume delivers unmatched support and value.

The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures - now published by Boydell and Brewer - is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe.Topics in this volume include the political ecology of Havelok the Dane: Thomas Hoccleve and the making of "Chaucer"; and Britain and the Welsh Marches in Fouke le Fitz Waryn.Contributors: Alexis Kellner Becker, Emily Dolmans, Marcel Elias, PhilipKnox, Sebastian Langdell, Jonathan Morton, Marco Nievergelt, George Younge.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe.Essays in this volume engage with the relations between humans and nonhumans; the power of inanimate objects to animate humans and texts; literary deployments of medical, aesthetic, and economic discourses; the language of friendship; and the surprising value of early readers' casual annotations. Texts discussed include Beowulf, works by Rolle, Chaucer, Langland, Gower, and Lydgate; lyrics of the Occitan troubadour Marcabru and the French poet Richard de Fournival; and the Anglo-Saxon versions of Boethius's De Consolatione Philosophiae and Augustine's Soliloquia.Wendy Scase is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; David Lawton is Professor of English at Washington University, StLouis; Laura Ashe is Associate Professor of English at Worcester College, Oxford.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe.Essays in this volume engage with real and metaphorical relations between humans and nonhumans, with particular focus on spiders, hawks, and demons; discuss some of the earliest Middle English musical and, it is argued, liturgical compositions; describe the generic flexibility and literariness of medical discourse;consider strategies of affective and practical devotion, and their roles in building a community; and offer an example of the creativity of fifteenth-century vernacular religious literature. Texts discussed include the Old English riddles and Alfredian translations of the psalms; the lives of saints Dunstan, Godric, and Juliana, in Latin and English; Piers Plowman, in fascinating juxtaposition with Hugh of Fouilloy's Aviarium; medical remedybooks and uroscopies, many from unedited manuscripts; and the fifteenth-century English Life of Job.LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX is University Lecturer in English and Fellow of Trinity College, Cambridge; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; DAVID LAWTON is Professor of English at Washington University in St Louis.Contributors: Jenny C. Bledsoe, Heather Blurton, Hannah Bower, Megan Cavell, Cathy Hume, Hilary Powell, Isabella Wheater