Deanna P. Koretsky – författare

'I am in a strange state of mind. I am alone—quite alone—in the world—the blight of misfortune has passed over me and withered me; I know that I am about to die and I feel happy—joyous—'The eponymous heroine of Mathilda narrates a tale of incestuous love from her deathbed. Her father's suicide by drowning, and her relationship with a gifted young poet, both contribute to her emotional withdrawal and lonely demise. This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often read as biographical, but this edition also highlights the issues of justice, gender, and rights. Illuminating Shelley's evolving views on activism and social reform, sexual fluidity, and the racial implications of her feminist politics, Koretsky uncovers Shelley's deep skepticism about the capacity of English society to adapt to changing demographics and bring about a more just world.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I am in a strange state of mind. I am alonea "e;quite alonea "e;in the worlda "e;the blight of misfortune has passed over me and withered me; I know that I am about to die and I feel happya "e;joyousa "e;'The eponymous heroine of Mathilda narrates a tale of incestuous love from her deathbed. Her father's suicide by drowning, and her relationship with a gifted young poet, both contribute to her emotional withdrawal and lonely demise. This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often read as biographical, but this edition also highlights the issues of justice, gender, and rights. Illuminating Shelley's evolving views on activism and social reform, sexual fluidity, and the racial implications of her feminist politics, Koretsky uncovers Shelley's deep skepticism about the capacity of English society to adapt to changing demographics and bring about a more just world.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I am in a strange state of mind. I am alonea "e;quite alonea "e;in the worlda "e;the blight of misfortune has passed over me and withered me; I know that I am about to die and I feel happya "e;joyousa "e;'The eponymous heroine of Mathilda narrates a tale of incestuous love from her deathbed. Her father's suicide by drowning, and her relationship with a gifted young poet, both contribute to her emotional withdrawal and lonely demise. This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often read as biographical, but this edition also highlights the issues of justice, gender, and rights. Illuminating Shelley's evolving views on activism and social reform, sexual fluidity, and the racial implications of her feminist politics, Koretsky uncovers Shelley's deep skepticism about the capacity of English society to adapt to changing demographics and bring about a more just world.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Analyzes how literary representations of suicide have reinforced antiblackness in the modern world.Death Rights presents an antiracist critique of British romanticism by deconstructing one of its organizing tropes-the suicidal creative "genius." Putting texts by Olaudah Equiano, Mary Shelley, John Keats, and others into critical conversation with African American literature, black studies, and feminist theory, Deanna P. Koretsky argues that romanticism is part and parcel of the legal and philosophical discourses underwriting liberal modernity's antiblack foundations. Read in this context, the trope of romantic suicide serves a distinct political function, indexing the limits of liberal subjectivity and (re)inscribing the rights and freedoms promised by liberalism as the exclusive province of white men.The first book-length study of suicide in British romanticism, Death Rights also points to the enduring legacy of romantic ideals in the academy and contemporary culture more broadly. Koretsky challenges scholars working in historically Eurocentric fields to rethink their identification with epistemes rooted in antiblackness. And, through discussions of recent cultural touchstones such as Kurt Cobain's resurgence in hip-hop and Victor LaValle's comic book sequel to Frankenstein, Koretsky provides all readers with a trenchant analysis of how eighteenth-century ideas about suicide continue to routinize antiblackness in the modern world.This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience.

Analyzes how literary representations of suicide have reinforced antiblackness in the modern world.Death Rights presents an antiracist critique of British romanticism by deconstructing one of its organizing tropes-the suicidal creative "genius." Putting texts by Olaudah Equiano, Mary Shelley, John Keats, and others into critical conversation with African American literature, black studies, and feminist theory, Deanna P. Koretsky argues that romanticism is part and parcel of the legal and philosophical discourses underwriting liberal modernity's antiblack foundations. Read in this context, the trope of romantic suicide serves a distinct political function, indexing the limits of liberal subjectivity and (re)inscribing the rights and freedoms promised by liberalism as the exclusive province of white men.The first book-length study of suicide in British romanticism, Death Rights also points to the enduring legacy of romantic ideals in the academy and contemporary culture more broadly. Koretsky challenges scholars working in historically Eurocentric fields to rethink their identification with epistemes rooted in antiblackness. And, through discussions of recent cultural touchstones such as Kurt Cobain's resurgence in hip-hop and Victor LaValle's comic book sequel to Frankenstein, Koretsky provides all readers with a trenchant analysis of how eighteenth-century ideas about suicide continue to routinize antiblackness in the modern world.This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience.