Delia Ungureanu – författare
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10 produkter
10 produkter
Inbunden, Engelska, 2017
2 211 kr
Skickas inom 10-15 vardagar
Best International Debut in 2017 (awarded by Romanian General and Comparative Literature Association) Most Prestigious Publication in the Humanities (awarded by the Senate of the University of Bucharest)Surrealism began as a movement in poetry and visual art, but it turned out to have its widest impact worldwide in fiction—including in major world writers who denied any connection to surrealism at all. At the heart of this book are discoveries Delia Ungureanu has made in the archives of Harvard’s Widener and Houghton libraries, where she has found that Jorge Luis Borges and Vladimir Nabokov were greatly indebted to surrealism for the creation of the pivotal characters who brought them world fame: Pierre Menard and Lolita. In From Paris to Tlön: Surrealism as World Literature, Ungureanu explores the networks of transmission and transformation that turned an avant-garde Parisian movement into a global literary phenomenon.From Paris to Tlön gives a fresh account of surrealism’s surprising success, exploring the process of artistic transfer by which the surrealist object rapidly evolved from a purely poetic conception to a mainstay of surrealist visual art and then a key element in late modernist and postmodern fiction, from Borges and Nabokov to such disparate writers as Gabriel García Márquez, Haruki Murakami, and Orhan Pamuk in the 21st century.
E-bok
Engelska, 2017625 kr
Läs direkt efter köp
Best International Debut in 2017 (awarded by Romanian General and Comparative Literature Association) Most Prestigious Publication in the Humanities (awarded by the Senate of the University of Bucharest)Surrealism began as a movement in poetry and visual art, but it turned out to have its widest impact worldwide in fiction-including in major world writers who denied any connection to surrealism at all. At the heart of this book are discoveries Delia Ungureanu has made in the archives of Harvard's Widener and Houghton libraries, where she has found that Jorge Luis Borges and Vladimir Nabokov were greatly indebted to surrealism for the creation of the pivotal characters who brought them world fame: Pierre Menard and Lolita. In From Paris to Tlön: Surrealism as World Literature, Ungureanu explores the networks of transmission and transformation that turned an avant-garde Parisian movement into a global literary phenomenon.From Paris to Tlön gives a fresh account of surrealism's surprising success, exploring the process of artistic transfer by which the surrealist object rapidly evolved from a purely poetic conception to a mainstay of surrealist visual art and then a key element in late modernist and postmodern fiction, from Borges and Nabokov to such disparate writers as Gabriel García Márquez, Haruki Murakami, and Orhan Pamuk in the 21st century.
E-bok
PDF, Engelska, 2017627 kr
Läs direkt efter köp
Best International Debut in 2017 (awarded by Romanian General and Comparative Literature Association) Most Prestigious Publication in the Humanities (awarded by the Senate of the University of Bucharest)Surrealism began as a movement in poetry and visual art, but it turned out to have its widest impact worldwide in fiction-including in major world writers who denied any connection to surrealism at all. At the heart of this book are discoveries Delia Ungureanu has made in the archives of Harvard's Widener and Houghton libraries, where she has found that Jorge Luis Borges and Vladimir Nabokov were greatly indebted to surrealism for the creation of the pivotal characters who brought them world fame: Pierre Menard and Lolita. In From Paris to Tlön: Surrealism as World Literature, Ungureanu explores the networks of transmission and transformation that turned an avant-garde Parisian movement into a global literary phenomenon.From Paris to Tlön gives a fresh account of surrealism's surprising success, exploring the process of artistic transfer by which the surrealist object rapidly evolved from a purely poetic conception to a mainstay of surrealist visual art and then a key element in late modernist and postmodern fiction, from Borges and Nabokov to such disparate writers as Gabriel García Márquez, Haruki Murakami, and Orhan Pamuk in the 21st century.
Häftad, Engelska, 2017
574 kr
Skickas inom 10-15 vardagar
Best International Debut in 2017 (awarded by Romanian General and Comparative Literature Association) Most Prestigious Publication in the Humanities (awarded by the Senate of the University of Bucharest)Surrealism began as a movement in poetry and visual art, but it turned out to have its widest impact worldwide in fiction—including in major world writers who denied any connection to surrealism at all. At the heart of this book are discoveries Delia Ungureanu has made in the archives of Harvard’s Widener and Houghton libraries, where she has found that Jorge Luis Borges and Vladimir Nabokov were greatly indebted to surrealism for the creation of the pivotal characters who brought them world fame: Pierre Menard and Lolita. In From Paris to Tlön: Surrealism as World Literature, Ungureanu explores the networks of transmission and transformation that turned an avant-garde Parisian movement into a global literary phenomenon.From Paris to Tlön gives a fresh account of surrealism’s surprising success, exploring the process of artistic transfer by which the surrealist object rapidly evolved from a purely poetic conception to a mainstay of surrealist visual art and then a key element in late modernist and postmodern fiction, from Borges and Nabokov to such disparate writers as Gabriel García Márquez, Haruki Murakami, and Orhan Pamuk in the 21st century.
Inbunden, Engelska, 2021
1 582 kr
Skickas inom 10-15 vardagar
Awarded the Tudor Vianu Prize for Literary and Cultural Theory by the National Museum of Romanian Literature. Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn’t have been able to achieve with its own instruments.Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality.
E-bok
Engelska, 2021453 kr
Läs direkt efter köp
Awarded the Tudor Vianu Prize for Literary and Cultural Theory by the National Museum of Romanian Literature. Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn't have been able to achieve with its own instruments.Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality.
E-bok
PDF, Engelska, 2021451 kr
Läs direkt efter köp
Awarded the Tudor Vianu Prize for Literary and Cultural Theory by the National Museum of Romanian Literature. Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn't have been able to achieve with its own instruments.Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality.
Häftad, Engelska, 2023
380 kr
Skickas inom 5-8 vardagar
Awarded the Tudor Vianu Prize for Literary and Cultural Theory by the National Museum of Romanian Literature. Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn’t have been able to achieve with its own instruments.Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality.
Inbunden, Engelska, 2026
1 356 kr
Skickas inom 10-15 vardagar
Global in scope, this volume uncovers the deep history of the short story as an "impure" genre by challenging the commonplace understanding in contemporary literary studies that the short story is primarily a product of Western modernity.Genres do not have rigid, timeless, once-and-for-all definitions, and the short story is no exception. Short Story as World Literature invites the reader to reflect on the historical becoming of this impure genre, analyzing various forms of the short story throughout its deep history. It also challenges established ideas about the genre that limit its history to the prose form practiced by Edgar Allan Poe and canonized in Western Europe following Charles Baudelaire’s influential translation.The story of the short story presented here goes into a much deeper history throughout time and space: its earliest forms include dreams and visions in ancient religious texts, parables, poems, maxims, but also more recently poem-objects and films. The authors examine how the short story evolves, sometimes almost beyond recognition, across different forms of art, genres, and media, as well as through translation and circulation – with effects on institutions, educational politics, and the construction of a moral system of values.An international team of established and emerging scholars in the fields of comparative and world literature – including David Damrosch, Paulo Horta, Dominique Jullien, and Mads Rosendahl Thomsen, as well as Maria Dabija, Sophus Helle, and Michael Makarovsky – untangle this complex and complicated (hi)story.
E-bok
Engelska, 20261 492 kr
Läs direkt efter köp
Global in scope, this volume uncovers the deep history of the short story as an "e;impure"e; genre by challenging the commonplace understanding in contemporary literary studies that the short story is primarily a product of Western modernity.Genres do not have rigid, timeless, once-and-for-all definitions, and the short story is no exception. Short Story as World Literature invites the reader to reflect on the historical becoming of this impure genre, analyzing various forms of the short story throughout its deep history. It also challenges established ideas about the genre that limit its history to the prose form practiced by Edgar Allan Poe and canonized in Western Europe following Charles Baudelaire's influential translation. The story of the short story presented here goes into a much deeper history throughout time and space: its earliest forms include dreams and visions in ancient religious texts, parables, poems, maxims, but also more recently poem-objects and films. The authors examine how the short story evolves, sometimes almost beyond recognition, across different forms of art, genres, and media, as well as through translation and circulation - with effects on institutions, educational politics, and the construction of a moral system of values. An international team of established and emerging scholars in the fields of comparative and world literature - including David Damrosch, Paulo Horta, Dominique Jullien, and Mads Rosendahl Thomsen, as well as Maria Dabija, Sophus Helle, and Michael Makarovsky - untangle this complex and complicated (hi)story.