Diane Rubenstein - Böcker

In this study, the author connects pedagogical and literary institutions to issues of writing, political position and power. She suggests that the leftist caricature of the Ecole Normale Superieure (ENS), the training ground for French intellectuals, is inaccurate because it represses the role of writing. By deconstructing the ENS as one would a text, she garners from the writing of the ""normaliens"" a picture of an institution that reinforces superiority, exclusivity and hierarchy. Towards the end of the book, Rubenstein relates the irony of the post-World War II trials of ""normaliens"" in which authors become victims of their own writing. She also turns the tables on the ENS, calling upon its own writings to reveal its rightist ideological positions.

The story of the civil rights movement is well-known, popularized by both the media and the academy. Yet the version of the story recounted time and again by both history books and PBS documentaries is a simplified one, reduced to an inspirational but ultimately facile narrative framed around Dr. King, the Kennedys, and the redemptive days of Montgomery and Memphis, in which black individuals become the rescued survivors. This story renders the mass of black people invisible, refusing to take seriously everyday people whose years of persistent struggle often made the big events possible.Time Longer than Rope unearths the ordinary roots of extraordinary change, demonstrating the depth and breadth of black oppositional spirit and activity that preceded the civil rights movement. The diversity of activism covered by this collection extends from tenant farmers' labor reform campaign in the 1919 Elaine, Arkansas massacre to Harry T. Moore's leadership of a movement that registered 100,000 black Floridians years before Montgomery, and from women's participation in the Garvey movement to the changing meaning of the Lincoln Memorial. Concentrating on activist efforts in the South, key themes emerge, including the under appreciated importance of historical memory and community building, the divisive impact of class and sexism, and the shifting interplay between individual initiative and structural constraints.More than simply illuminating a hitherto marginalized fragment of American history, Time Longer than Rope provides a crucial pre-history of the modern civil rights movement. In the process, it alters our entire understanding of African American activism and the very meaning of "civil rights."

Read The Chronicle of Higher Ed Author InterviewIn This Is Not a President, Diane Rubenstein looks at the postmodern presidency — from Reagan and George H. W. Bush, through the current administration, and including Hillary. Focusing on those seemingly inexplicable gaps or blind spots in recent American presidential politics, Rubenstein interrogates symptomatic moments in political rhetoric, popular culture, and presidential behavior to elucidate profound and disturbing changes in the American presidency and the way it embodies a national imaginary.In a series of essays written in real time over the past four presidential administrations, Rubenstein traces the vernacular use of the American presidency (as currency, as grist for popular biography, as fictional TV material) to explore the ways in which the American presidency functions as a "transitional object" that allows the American citizen to meet or discover the president while going about her everyday life. The book argues that it is French theory — primarily Lacanian psychoanalysis and the radical semiotic theories of Jean Baudrillard — that best accounts for American political life today. Through episodes as diverse as Iran Contra, George H. W. Bush vomiting in Japan, the 1992 Republican convention, the failed nomination of Lani Guinier, and the Iraq War, This Is Not a President brilliantly situates our collective investment in American political culture.

Read The Chronicle of Higher Ed Author InterviewIn This Is Not a President, Diane Rubenstein looks at the postmodern presidency — from Reagan and George H. W. Bush, through the current administration, and including Hillary. Focusing on those seemingly inexplicable gaps or blind spots in recent American presidential politics, Rubenstein interrogates symptomatic moments in political rhetoric, popular culture, and presidential behavior to elucidate profound and disturbing changes in the American presidency and the way it embodies a national imaginary.In a series of essays written in real time over the past four presidential administrations, Rubenstein traces the vernacular use of the American presidency (as currency, as grist for popular biography, as fictional TV material) to explore the ways in which the American presidency functions as a "transitional object" that allows the American citizen to meet or discover the president while going about her everyday life. The book argues that it is French theory — primarily Lacanian psychoanalysis and the radical semiotic theories of Jean Baudrillard — that best accounts for American political life today. Through episodes as diverse as Iran Contra, George H. W. Bush vomiting in Japan, the 1992 Republican convention, the failed nomination of Lani Guinier, and the Iraq War, This Is Not a President brilliantly situates our collective investment in American political culture.

This book is a major reassessment of Michael Weinstein’s political philosophy. It situates his singular contribution, designated as "critical vitalism," in the context of both canonical American and contemporary continental theory. Weinstein is presented as a philosopher of life and as an American Nietzsche. Yet the contributors also persuasively argue for this form of thinking as a prescient prophecy addressing contemporary society’s concern over the management of life as well as the technological changes that both threaten and sustain intimacy. This is the first full scale study of Weinstein’s work which reveals surprising aspects of a philosophic journey that has encompassed most of the major American (pragmatic or vitalist) or Continental (phenomenological or existential) traditions. Weinstein is read as a comparative political theorist, a precursor to post-structuralism, and as a post-colonial border theorist. A different aspect of his oeuvre is highlighted in each of the book’s three sections. The opening essays comprising the "Action" diptych contrasts meditative versus extrapolative approaches; "Contemplation" stages a series of encounters between Weinstein and his philosophic interlocutors; "Vitalism" presents Weinstein as a teacher, media analyst, musician, and performance artist. The book contains an epilogue written by Weinstein in response to the contributors.