Häftad, Engelska, 2015
290 kr
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Dominika Oramus – författare
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11 produkter
11 produkter
- Inbunden, Engelska, 2015
335 kr
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- E-bokPDF, Engelska, 2023
30 kr
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(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.
- E-bokEngelska, 2023
752 kr
Läs direkt efter köp
(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.
- Inbunden, Engelska, 2023
2 824 kr
Skickas inom 10-15 vardagar
(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. - Häftad, Engelska, 2024
712 kr
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(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. - E-bokPDF, Engelska, 2025
926 kr
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Reading the Environment: Olga Tokarczuk's Fiction aims at analysing the dynamics of reading fiction in the context of accelerating climate change. This volume proposes an environment-oriented model of reading and applies it to a well-defined corpus-all existing English translations of Olga Tokarczuk's fiction. These are: Primeval and Other Times, House of Day, House of Night, Drive Your Plow Over the Bones of the Dead, Flights, The Books of Jacob and The Empusium, removed from the immediate cultural context of a single author, these novels give a representative sample of contemporary literature read by Anglophone people of diverse national backgrounds who live in different localities, but share one endangered planet, whether they realise it or not. The book charts five ways in which our reading protocols have shifted: the way of interconnectedness, the way of naturecultures, the way of sympoiesis, the way of Earth Island, and the way of the beginning of the Anthropocene. This book is written for an academic audience (postgraduates, researchers and academics) specialising in Environmental Humanities, Ecocriticism, World Literature, Postmodern Literature and Climate Fiction. - E-bokEngelska, 2025
926 kr
Läs direkt efter köp
Reading the Environment: Olga Tokarczuk's Fiction aims at analysing the dynamics of reading fiction in the context of accelerating climate change. This volume proposes an environment-oriented model of reading and applies it to a well-defined corpus-all existing English translations of Olga Tokarczuk's fiction. These are: Primeval and Other Times, House of Day, House of Night, Drive Your Plow Over the Bones of the Dead, Flights, The Books of Jacob and The Empusium, removed from the immediate cultural context of a single author, these novels give a representative sample of contemporary literature read by Anglophone people of diverse national backgrounds who live in different localities, but share one endangered planet, whether they realise it or not. The book charts five ways in which our reading protocols have shifted: the way of interconnectedness, the way of naturecultures, the way of sympoiesis, the way of Earth Island, and the way of the beginning of the Anthropocene. This book is written for an academic audience (postgraduates, researchers and academics) specialising in Environmental Humanities, Ecocriticism, World Literature, Postmodern Literature and Climate Fiction. - Inbunden, Engelska, 2025
2 824 kr
Skickas inom 10-15 vardagar
Reading the Environment: Olga Tokarczuk’s Fiction aims at analysing the dynamics of reading fiction in the context of accelerating climate change. This volume proposes an environment-oriented model of reading and applies it to a well-defined corpus—all existing English translations of Olga Tokarczuk’s fiction. These are: Primeval and Other Times, House of Day, House of Night, Drive Your Plow Over the Bones of the Dead, Flights, The Books of Jacob and The Empusium, removed from the immediate cultural context of a single author, these novels give a representative sample of contemporary literature read by Anglophone people of diverse national backgrounds who live in different localities, but share one endangered planet, whether they realise it or not. The book charts five ways in which our reading protocols have shifted: the way of interconnectedness, the way of naturecultures, the way of sympoiesis, the way of Earth Island, and the way of the beginning of the Anthropocene. This book is written for an academic audience (postgraduates, researchers and academics) specialising in Environmental Humanities, Ecocriticism, World Literature, Postmodern Literature and Climate Fiction. - Del 11 - Transatlantic Studies in British and North American Culture
Charles Darwin’s Looking Glass
The Theory of Evolution and the Life of its Author in Contemporary British Fiction and Non-Fiction
Inbunden, Engelska, 2015583 kr
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The book offers a comparative analysis of diverse Darwinism-inspired discourses such as post-modern novels, science fiction, popular science and nature films. Analysing the uses of the evolutionary discourse in recent literature and films, the study demonstrates how natural science influences the contemporary humanities and how literary conventions are used to make scientific and popular-science texts intelligible and attractive. Charles Darwin’s Looking Glass shows how and why today’s culture gazes upon the myth of Darwin, his theory, and his life in order to find its own reflection. - Del 19 - Transatlantic Studies in British and North American Culture
Ways of Pleasure
Angela Carter's 'Discourse of Delight' in her Fiction and Non-Fiction
Inbunden, Engelska, 2016805 kr
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The book demonstrates the thematic unity underlying Angela Carter's fiction and non-fiction. The author analyzes their interdependence and demonstrates how Carter's texts persistently examine existing theories of pleasure from many different angles. In this way, Carter’s works enter into dialogue with numerous pleasure connoisseurs, theorists as well as writers. The author determines the notion of ‘pleasure’ is both the key to accounting for the heterogeneity of Carter’s output, as well as the common denominator of all her diverse fascinations. This is an issue that remains unaccounted for in criticism to date.
