Donald J. Cosentino – författare
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3 produkter
3 produkter
Del 4 - Cambridge Studies in Oral and Literate Culture
Defiant Maids and Stubborn Farmers
Tradition and Invention in Mende Story Performance
Häftad, Engelska, 2009
448 kr
Skickas inom 7-10 vardagar
The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he collected them in dramatic performance on the verandahs and around the cooking fires of a Mende village. The domei is told to please, and Dr Cosentino details the various elements that constitute the pleasure of an oral performance. But beneath the surface glitter of these ironic, horrifying, bawdy and haunting narrative performances, there is an intellectual hardness of argument and debate which shines through the domeisia included here. Dominating these performances, and emblematic of the entire artistic tradition, are the 'everywoman' figure of the Defiant Maid, Yombo, and the 'everyman' Stubborn Farmer, Kpana.
Häftad, Engelska, 2012
455 kr
Skickas inom 5-8 vardagar
Focusing on artistic evocations of the irrepressible Gedes - an increasingly dominant family of trickster dieties - In Extremis examines the striking disjunction between social collapse and artistic flourescence in twenty-first century Haiti. It brings together the work of 34 artists, most of them living in Port-au-Prince, where they produce remarkable and controversial bodies of work in a variety of media while confronting on a daily basis the realities of Haiti's frustratingly slow recovery from the earthquake of 2010. Some of these artists have achieved acclaim on the international stage, but many receive new attention or reexamination here.
Inbunden, Engelska, 1998
340 kr
Skickas inom 5-8 vardagar
Pierrot Barra and his wife Marie Cassaise are the most astonishing artists that the author of this fascinating book has encountered in more than a decade of researching Vodou in Haiti. He discovered them deep in the ramshackle Iron Market of downtown Port-au-Prince where they make and sell what he considers to be the most original Vodou art in the world. In the glitter and bustle of the market Barra and Cassaise discern the lurking forms of divinities they serve as both priests and artists. From rubber dolls, sunglasses, holy cards, barbecue forks, goats' horns, speedometers, rosaries, junk jewelry, compact mirrors, Christmas ornaments, crucifixes, sequins, and velour they assemble fantastic sculptures that portray the fiery and potent gods of Haiti. Inspired through dreams sent by his divine mentor Ogou - generalissimo of the Vodou pantheon - Pierrot tears apart these random commodities and brings them back to new life with pop-it beads and tinselcord. Displaying the power of a magician, he transforms heaps of rubble into glamorous repositories for the capricious and demanding gods who rule his life and guide his work. This volume focuses on how Barra and Cassaise redefine ancient African-American traditions of sacred art, even as they push those traditions in directions the author views as ""postmodern"" or ""outsider art."" The author warns, however, that no matter how their appreciators may choose to label their art, Pierrot Barra and Marie Cassaise remain deeply Haitian and profoundly Vodou. Their sculptures capture the cultural history of a country sustained by distant memories of Africa, haunted by the imagery of Catholic saints and Masonic regalia, and bewitched by imported Hollywood kitsch. For them, lithographs of the Virgin Mary nestle easily with plastic figurines of Bugs Bunny. Yet even within a tradition open to these sorts of commercial pentecosts, the liberties taken by the artists are breathtaking. Donald J. Cosentino is chair of the folklore program at UCLA and editor of African Arts magazine.