Dorian Lynskey - Böcker

A brilliantly original exploration of our obsession with the end of the world, from Mary Shelley’s The Last Man to the HBO’s The Last of Us.'Will make you happy to be alive and reading – until the lights go out . . . Brilliant' – The Spectator'Clever and voluminous . . . So engagingly plotted and written’ – The GuardianWe have always told ourselves stories about the end of the world. Long before we watched superintelligent AI wage war on humanity in The Terminator, or read about a catastrophic deluge in J. G. Ballard’s The Drowned World, art, literature and politics were all haunted by recurring visions of apocalypse.In Everything Must Go – a colourful, witty and stirring cultural history of the modern world that weaves in politics, history and science – Dorian Lynskey explores the endings that we have read, listened to, or watched with morbid fascination, from the sci-fi terrors of H. G. Wells and John Wyndham to the apocalyptic ballads of Bob Dylan and planet-shattering movie blockbusters.Whether we’re fantasizing about nuclear holocaust or a collision with an asteroid, a devastating pandemic or a robot revolution, why do we like to scare ourselves, and why do we keep coming back for more? And how do fictional premonitions of the end play into real-life responses to existential threats?Deeply illuminating about our past and our present, and surprisingly hopeful about our future, Everything Must Go will grip you from beginning to, well, end.'I was blown away by this book' – Sathnam Sanghera, author of Empireland'Impossibly epic, brain-expanding, life-affirming and profound' – Ian Dunt, author of How Westminster Works . . . and Why It Doesn't

33 Revolutions Per Minute tracks the turbulent relationship between popular music and politics, through 33 pivotal songs that span seven decades and four continents, from Billie Holiday singing 'Strange Fruit' to Green Day raging against the Iraq war. Dorian Lynskey explores the individuals, ideas and events behind each song, showing how protest music has soundtracked and informed social change since the 1930s. Through the work of such artists as Woody Guthrie, Bob Dylan, Stevie Wonder, Fela Kuti, The Clash, Public Enemy and Gil Scott Heron, Lynskey examines how music has engaged with racial unrest, nuclear paranoia, apartheid, war, poverty and oppression, offering hope, stirring anger, inciting action and producing songs which continue to resonate years down the line.

AN ORIGIN STORY BOOK'Provides clarity, scholarship, wit and essential insight into why our world is the way it is' Adam Rutherford'I wish I could make Ian and Dorian's work mandatory' Sathnam SangheraWhat makes people believe in conspiracy theories? Why have they taken over our political sphere? And how do we counter them before it's too late?The world has always had conspiracy theories. From the Illuminati to the deep state, the JFK assassination to the death of Princess Diana - there have always been those who believe that events are manipulated by shadowy forces with sinister intent. But in recent years, conspiracism has colonised the mainstream. These days, it is a booming industry, a political strategy and a pseudo-religion - and it's threatening the foundations of liberal democracy.Where once political battles were fought over ideas and values, it now feels as though we're arguing over the nature of reality itself. The problem is bigger than lizard people or UFOs: left unchecked, conspiracy theories have the power to warp the fabric of society and justify unspeakable crimes.In Conspiracy Theory: The Story of an Idea, Ian Dunt and Dorian Lynskey pull back the curtain on conspiracy theories: where they come from, who promotes them, how they work and what they're doing to us. From biblical myth to online hysteria, this book explains what happens when the human gift for storytelling goes wrong - and how we might restore our common reality.

AN ORIGIN STORY BOOK'Provides clarity, scholarship, wit and essential insight into why our world is the way it is' Adam Rutherford'I wish I could make Ian and Dorian's work mandatory' Sathnam SangheraA coherent political philosophy or a vacuous cop-out? A pragmatic middle way between the extremes of left and right or a cynical strategy to secure power and neuter debate?Politicians have long invoked centrism as both a term of abuse (Margaret Thatcher) and a badge of pride (Tony Blair). Figures as important as John Maynard Keynes, Roy Jenkins, Bill Clinton and Emmanuel Macron have all had different ideas about how to make sure the centre holds. But for a term that purports to describe consensus, it's ironic just how little agreement there is over what 'centrism' actually means.In Centrism: The Story of an Idea, Ian Dunt and Dorian Lynskey trace the evolution of centrism from ancient Greece to the French Revolution, the Second World War to the 2024 elections. They find a story that is much bigger than the sum of its parts - and that raises some uncomfortable questions about tribalism and compromise.

AN ORIGIN STORY BOOK'Provides clarity, scholarship, wit and essential insight into why our world is the way it is' Adam Rutherford'I wish I could make Ian and Dorian's work mandatory' Sathnam SangheraWhy is 'fascist' used to describe everyone from dictators to parking wardens? Does the word 'fascism' describe a historical movement or an enduring ideology? And could we see it rise again today, in an age of populism?Unlike most major political ideologies, fascism has no clear-cut intellectual foundation. It appeals to some of the very darkest instincts in human nature: the hatred of difference, the desire to control, the delight in violence. The story of fascism shows us what happens when these instincts consume entire nations.In Fascism: The Story of an Idea, Ian Dunt and Dorian Lynskey lay out in clear and accessible terms the origins of fascism: what happened, how it happened and why. It is only by understanding fascism's beginnings that we can start to understand what it means today - and guard against those who seek its return.

Longlisted for the Baillie Gifford Prize for Non-FictionLonglisted for the Orwell Prize for Political Writing'If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' - John Carey, The Sunday TimesGeorge Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother' to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts'.The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaids Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd’s V for Vendetta to David Bowie's Diamond Dogs – and from the launch of Apple Mac to the reality TV landmark, Big Brother.In this remarkable and original book. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since.2019 marks the seventieth anniversary of the publication of what is arguably Orwell’s masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature. It describes how history can inform fiction and how fiction can influence history.

Longlisted for the Baillie Gifford Prize for Non-FictionLonglisted for the Orwell Prize for Political WritingThe Ministry of Truth charts the life of George Orwell's 1984, one of the most influential books of the twentieth century and a work that is ever more relevant in this tumultuous era of 'fake news' and 'alternative facts'. 'Fascinating . . . If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' – John Carey, The Sunday TimesGeorge Orwell's 1984 has become a defining narrative of the modern world. Its cultural influence can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid's Tale to the reality TV landmark Big Brother, while ideas such as 'thought police', 'doublethink', and 'Newspeak' are ingrained in our language.In the first book to fully examine the origin and legacy of Orwell's final masterpiece, Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and in wartime London to his fascination with utopian and dystopian fiction. Lynskey explores the phenomenon the novel became when it was first published in 1949 and the changing ways in which it has been read over the decades since, revealing how history can inform fiction and how fiction can influence history.'Everything you wanted to know about 1984 but were too busy misusing the word "Orwellian" to ask.' – Caitlin Moran

A brilliantly original exploration of our obsession with the end of the world, from Mary Shelley’s The Last Man to the HBO’s The Last of Us.'Will make you happy to be alive and reading – until the lights go out . . . Brilliant' – The Spectator'Clever and voluminous . . . So engagingly plotted and written’ – The GuardianWe have always told ourselves stories about the end of the world. Long before we watched superintelligent AI wage war on humanity in The Terminator, or read about a catastrophic deluge in J. G. Ballard’s The Drowned World, art, literature and politics were all haunted by recurring visions of apocalypse.In Everything Must Go – a colourful, witty and stirring cultural history of the modern world that weaves in politics, history and science – Dorian Lynskey explores the endings that we have read, listened to, or watched with morbid fascination, from the sci-fi terrors of H. G. Wells and John Wyndham to the apocalyptic ballads of Bob Dylan and planet-shattering movie blockbusters.Whether we’re fantasizing about nuclear holocaust or a collision with an asteroid, a devastating pandemic or a robot revolution, why do we like to scare ourselves, and why do we keep coming back for more? And how do fictional premonitions of the end play into real-life responses to existential threats?Deeply illuminating about our past and our present, and surprisingly hopeful about our future, Everything Must Go will grip you from beginning to, well, end.'I was blown away by this book' – Sathnam Sanghera, author of Empireland'Impossibly epic, brain-expanding, life-affirming and profound' – Ian Dunt, author of How Westminster Works . . . and Why It Doesn't