Dorothy Roberts – författare

Modern science and ideas of race have long been entangled, sharing notions of order, classification, and hierarchy. Ordering the Human presents cutting-edge interdisciplinary scholarship that examines the racialization of science in various global contexts, illuminating how racial logics have been deployed to classify, marginalize, and oppress.These wide-ranging essays—written by experts in genetics, forensics, public health, history, sociology, and anthropology—investigate the influence of racial concepts in scientific knowledge production across regions and eras. Chapters excavate the mechanisms by which racialized science serves projects of power and domination, and they explore different forms of resistance. Topics range from skull collecting by eighteenth-century German and Dutch scientists to the use of biology to reinforce notions of purity in present-day South Korea and Brazil. The authors investigate the colonial legacies of the pathologization of weight for the Maori people, the scientific presumption of coronary artery disease risk among South Asians, and the role of racial categories in COVID-19 statistics and responses, among many other cases. Tracing the pernicious consequences of the racialization of science, Ordering the Human shines a light on how the naturalization of racial categories continues to shape health and inequality today.

Modern science and ideas of race have long been entangled, sharing notions of order, classification, and hierarchy. Ordering the Human presents cutting-edge interdisciplinary scholarship that examines the racialization of science in various global contexts, illuminating how racial logics have been deployed to classify, marginalize, and oppress.These wide-ranging essays—written by experts in genetics, forensics, public health, history, sociology, and anthropology—investigate the influence of racial concepts in scientific knowledge production across regions and eras. Chapters excavate the mechanisms by which racialized science serves projects of power and domination, and they explore different forms of resistance. Topics range from skull collecting by eighteenth-century German and Dutch scientists to the use of biology to reinforce notions of purity in present-day South Korea and Brazil. The authors investigate the colonial legacies of the pathologization of weight for the Maori people, the scientific presumption of coronary artery disease risk among South Asians, and the role of racial categories in COVID-19 statistics and responses, among many other cases. Tracing the pernicious consequences of the racialization of science, Ordering the Human shines a light on how the naturalization of racial categories continues to shape health and inequality today.

This is a no-holds-barred response to the liberal and conservative retreat from an assertive, activist, and socially transformative civil rights agenda of recent years--using a black feminist lens and the issue of  the impact of recent legislation, social policy, and welfare "reform" on black women''s--especially poor black women''s--control over their bodies'' autonomy and their freedom to bear and raise children with respect and dignity in a society whose white mainstream is determined to demonize, even criminalize their lives.   It gives its readers a cogent  legal and historical argument for a radically new , and socially transformative, definition of  "liberty" and "equality" for the American polity from a black feminist perspective.

Joshua, Timmy, Angel, and Amira work together to find the missing fairy dust and save the town from the Glum. The Glum are fairies that were banished to the underground. They are small grayish green creatures with red eyes.The Glum are very selfish and angry. If they steal the fairy dust, chaos will take over and magic will disappear.

An incisive, groundbreaking book that examines how a biological concept of race is a myth that promotes inequality in a supposedly “post-racial” era.   Though the Human Genome Project proved that human beings are not naturally divided by race, the emerging fields of personalized medicine, reproductive technologies, genetic genealogy, and DNA databanks are attempting to resuscitate race as a biological category written in our genes.   This groundbreaking book by legal scholar and social critic Dorothy Roberts examines how the myth of race as a biological concept—revived by purportedly cutting-edge science, race-specific drugs, genetic testing, and DNA databases—continues to undermine a just society and promote inequality in a supposedly “post-racial” era. Named one of the ten best black nonfiction books 2011 by AFRO.com, Fatal Invention offers a timely and “provocative analysis” (Nature) of race, science, and politics that “is consistently lucid . . . alarming but not alarmist, controversial but evidential, impassioned but rational” (Publishers Weekly, starred review).   “Everyone concerned about social justice in America should read this powerful book.” —Anthony D. Romero, executive director, American Civil Liberties Union   “A terribly important book on how the ‘fatal invention’ has terrifying effects in the post-genomic, ‘post-racial’ era.” —Eduardo Bonilla-Silva, professor of sociology, Duke University, and author of Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States   “Fatal Invention is a triumph! Race has always been an ill-defined amalgam of medical and cultural bias, thinly overlaid with the trappings of contemporary scientific thought. And no one has peeled back the layers of assumption and deception as lucidly as Dorothy Roberts.” —Harriet A. Washington, author of and Deadly Monopolies: The Shocking Corporate Takeover of Life Itself  

A decade after the Human Genome Project proved that human beings are not naturally divided by race, scientists are attempting to resuscitate race as a biological category. In this provocative analysis, leading legal scholar and social critic Dorothy Roberts argues that America is once again at the brink of a virulent outbreak of classifying population by race. By searching for differences at the molecular level, a new race-based science is obscuring racism in society and legitimising state brutality against communities at a time when America claims to be post-racial.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life. As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality. Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own. Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

From Dorothy Roberts, author of Killing the Black Body and a writer who has brilliantly illuminated the Black experience in America for decades (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughters journey to understand her parents marriageand her own identity.Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the colorline. Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasnt just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriagesa project he never finished but shaped every aspect of their family life. As a twenty-one-year-old graduate student, Dorothys father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over five hundred couples and assembled stunning stories about interracial marriages that took place as early as the 1880sstudying, but also living, championing, and believing in their power to advance social equality. Decades later, while sorting through her fathers papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her fathers research didnt begin with her parents love storyit came long before it. This discovery forces her to wrestle with her fathers intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own. Though grounded in her parents research, its Robertss captivating storytelling that drives this memoir. In following the arc of her parents interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of todays most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

From Dorothy Roberts, author of Killing the Black Body and a writer who has brilliantly illuminated the Black experience in America for decades (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughters journey to understand her parents marriageand her own identity.Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the colorline. Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasnt just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriagesa project he never finished but shaped every aspect of their family life. As a twenty-one-year-old graduate student, Dorothys father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over five hundred couples and assembled stunning stories about interracial marriages that took place as early as the 1880sstudying, but also living, championing, and believing in their power to advance social equality. Decades later, while sorting through her fathers papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her fathers research didnt begin with her parents love storyit came long before it. This discovery forces her to wrestle with her fathers intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own. Though grounded in her parents research, its Robertss captivating storytelling that drives this memoir. In following the arc of her parents interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of todays most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.