Édouard Glissant – författare

Relationens filosofi blev det sista stora verket i Édouard Glissants långa och eklektiska författarskap. Boken utgör den andra delen i den estetikserie som inleddes med Une nouvelle région du monde och dess titel återspeglar tredje delen i den föregående poetikserien, Poétique de la relation. I Glissants värld är poetiken, estetiken och filosofin sammanvävda, men övergången dem emellan sker ändå inte obemärkt. Att kulmen kom att nås inom det filosofiska, i Relationens filosofi, är inte endast en slump utan vittnar också om författarens ansats att samla och syntetisera tankar ur hela sitt livsverk. I Relationens filosofi ryms alla de viktigaste begreppen i Glissants tankevärld; termer som kreolisering, arkipelagiskt tänkande, opacitet, relation, spår och kringflackande utvecklas och relateras till varandra. Snarare än att försöka återföra begreppen till någon förment ursprunglig definition och låsa fast dem i ett system, låter Glissant ordens och tankens rotlöshet bli en förutsättning för en filosofi i fullkomligt vardande. Det sällsamma tänkande som här växer fram hämtar ytterst sin kraft ur erfarenheterna från de karibiska öarna: det koloniala arvet och den kreolska kulturen. I den bemärkelsen är den poetiska och estetiska Relationens filosofi även omedelbart politisk. Det rör sig om en filosofi som varken förtränger eller söker försoning med den smärtsamma historien de sjunkna slavskeppen och de tystade ursprungen utan som istället gör den till sitt eget predikament och i kraft därav förmår driva vidare in i framtiden. Édouard Glissant föddes på Martinique 1928 och var en av det franskspråkiga Karibiens största och mest säregna poeter och filosofer. När han avled i februari i år lämnade han ett oerhört rikt och omfattande verk efter sig, ett verk vars inflytande över samtida teori och skönlitteratur ännu är oöverskådligt. Under sin livstid hann Glissant skriva femton essäsamlingar, åtta romaner, lika många diktsamlingar och en pjäs. Han är översatt till fler än tio språk, har tilldelats en rad litterära priser och hans verk har varit föremål för ett flertal internationella konferenser. Relationens filosofi är det första av Glissants filosofiska verk som ges ut på svenska.

Selected essays from the rich and complex collection of Edouard Glissant, one of the most prominent writers and intellectuals of the Caribbean, examine the psychological, sociological, and philosophical implications of cultural dependency.Edouard Glissant's Caribbean Discourse is an unflaggingly ambitious attempt to read the Caribbean and the New World experience, not as a response to fixed, univocal meaning imposed by the past, but as an infinitely varied, dauntingly inexhaustible text.

This marks the publication of the first English-language translation of Poetic Intention, Glissant's classic meditation on poetry and art. In this wide-ranging book, Glissant discusses poets, including Stéphane Mallarmé and Saint-John Perse, and visual artists, such as the Surrealist painters Matta and Wilfredo Lam, arguing for the importance of the global position of art. He states that a poem, in its intention, must never deny the "way of the world." Capacious, inventive, and unique, Glissant's Poetic Intention creates a new landscape for understanding the relationship between aesthetics and politics.

‘One of the most important writers of the French Caribbean’ GuardianÉdouard Glissant’s most celebrated, scintillating philosophical work – which sets out a new poetic vision for the world‘We cry our cry of poetry. Our boats are open, and we sail them for everyone’In Poetics of Relation, Édouard Glissant turns the Caribbean of his birth into an energetic, multi-layered vision of a world in transformation. We come to see that relation in all its senses – telling, listening, connecting, and the parallel consciousness of self and surroundings – is the key to revolutionising mentalities and societies. We are not rooted, but ever-changing; we have a right to difference, wherever we are. Blending dreamlike prose with philosophical brilliance, this unique exploration of language, colonialism, slavery and freedom narrates an Antillean identity, but also that of the whole world, where ‘the poetics of Relation senses, assumes, opens, gathers, scatters, continues, and transforms.’Translated by Betsy Wing

This book is the first major study of French Caribbean literature in light of the concept of postcoloniality. Postcolonial theory debates have developed in the anglophone domain, and have not as yet referred prominently to francophone literature. Jeannie Suk investigates how the literature of Martinique and Guadeloupe provides a kaleidescopic view of the paradoxes at the heart of postcoloniality. Through subtle and provocative readings of Aimé Césaire, Edouard Glissant, Maryse Condé, Baudelaire, Freud, and others, she illuminates how the development of French Caribbean literature and debates about négritude, antillanité, and creolité contribute to theories of in-betweenness and incompleteness central to postcolonial modes. In each chapter, lively and detailed analyses of literary and critical texts reveal connections between key thematic, conceptual, rhetorical, and psychic issues that form the interface of Caribbean and postcolonial concerns. The first part paves theoretical ground, focusing on readings of two seminal texts, Césaire's Cahier d'un retour au pays natal and Glissant's Discours antillais; the second part concentrates on Maryse Condé's exemplary work. Lucidly articulating the overlap and interplay of the distance of oceanic crossing, the discontinuities of allegorical signification, and the gap at the heart of trauma, Suk probes the paradoxical dynamic of impossible yet inevitable returns in space, time, and the psyche. She shows how literal and metaphorical "crossings" both produce and impede history and representation. The result is a new framework for understanding the intersection of postcolonial, psychoanalytic, deconstructive, and French Caribbean problems in a language attentive to improbable recurrences across theories and registers. Postcolonial Paradoxes is a major contribution to criticism and theory, of interest to scholars and students of postcolonialism, Caribbean and African diaspora literature, French literature, and psychoanalysis.

In 1989, the Caribbean writer Edouard Glissant visited Rowan Oak, William Faulkner's home in Oxford, Mississippi. His visit spurred him to write a revelatory book about the work of one of our greatest but still least-understood American writers."A fascinating way to read Faulkner. . . .[Glissant's] case is nothing less than that, no matter how Faulkner's personal Furies twisted his public speech, Faulkner was a great, world-beating multiculturalist."—Jonathan Levi, Los Angeles Times Book Review"A sharp, challenging, and wholly unique tour of Yoknapatawpha County." —Kirkus Reviews"Passionate. . . . Glissant's prose sometimes vies with Faulkner's for intricacy and evocative nuance." —Scott McLemee, Newsday"Glissant tries to engage Faulkner on many fronts simultaneously, positioning himself as a critic, a fellow artist and as a descendant of slaves. . . He makes a convincing case that Faulkner is not just another 'dead white male author.'"—Scott Yarbrough, Raleigh News & Observer"[An] ambitious and, at times, rambunctious expedition into Yoknapatawpha County." —Christine Schwartz Hartley, New York Times Book Review

Édouard Glissant, long recognized in the French and francophone world as one of the greatest writers and thinkers of our times, is increasingly attracting attention from English-speaking readers. Born in Martinique in 1928, Glissant earned a doctorate from the Sorbonne. When he returned to his native land in the mid-sixties, his writing began to focus on the idea of a "relational poetics," which laid the groundwork for the "créolité" movement, fueled by the understanding that Caribbean culture and identity are the positive products of a complex and multiple set of local historical circumstances. Some of the metaphors of local identity Glissant favored--the hinterland (or lack of it), the maroon (or runaway slave), the creole language--proved lasting and influential. In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"--both aesthetic and political--as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses--telling, listening, connecting, and the parallel consciousness of self and surroundings--is the key to transforming mentalities and reshaping societies.This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English. "The most important theoretician from the Caribbean writing today. . . . He is central not only to the burgeoning field of Caribbean studies, but also to the newly flourishing literary scene in the French West Indies." --Judith Graves Miller, University of Wisconsin, MadisonÉdouard Glissant is Distinguished Professor of French at City University of New York, Graduate Center. Betsy Wing's recent translations include Lucie Aubrac's Outwitting the Gestapo (with Konrad Bieber), Didier Eribon's Michel Foucault and Hélêne Cixous's The Book of Promethea.

With Édouard Glissant's The Fourth Century, the Village Voice observed, "we get the full effect of his overarching project: a literary exorcism of Martinique's scarred psyche and past, a lingering cry against the 'black hole of time and forgetting.'" Glissant, "one of the most significant figures in Caribbean literature" (Washington Post), continues that project in The Overseer's Cabin, conjuring in one woman's story centuries knotted together by unknown blood, voiceless suffering, and death without echo.Beginning with the birth in 1928 of Mycea, the last of the intertwining ancestral families introduced in The Fourth Century, and ending with her release from an asylum in 1978, the novel moves back and forth across a framework that weaves the story of Mycea's family against the legacy of Martinique as an island whose history and indigenous people have all but been erased. From the beginnings of Mycea's family in the tale of two blood brothers, both named Odono, to its ending with the fate of her two sons, the novel encapsulates the island's destiny in one Martinican woman's plight. With the past irretrievable and the future in doubt, Mycea journeys inward, finding in her connection to the land of Martinique, and to the seafloor littered with drowned slaves, a reality, and a possibility, uncolonized by others' history.

The Fourth Century tells of the quest by young Mathieu Béluse to discover the lost history of his country, Martinique. Aware that the officially recorded version he learned in school omits and distorts, he turns to a quimboiseur named Papa Longoué. This old man of the forest, a healer, seer, and storyteller, knows the oral tradition and its relation to the powers of the land and the forces of nature. He tells of the love-hate relationship between the Longoué and Béluse families, whose ancestors were brought as slaves to Martinique. Upon arrival, Longoué immediately escaped and went to live in the hills as a maroon. Béluse remained in slavery. The intense relationship that had formed between the two men in Africa continued and came to encompass the relations between their masters, or, in the case of Longoué, his would-be master, and their descendants. The Fourth Century closes the gap between the families as Papa Longoué, last of his line, conveys the history to Mathieu Béluse, who becomes his heir.

A New York Times New and Noteworthy BookÉdouard Glissant’s novels, closely tied to the theories he developed in PoÉtique de la Relation (Poetics of relation), are rich explorations of a deported and colonized people’s loss of their own history and the ever-evolving social and political effects this sense of groundlessness has caused in Martinique. In Mahagony Glissant identifies both the malaise of and the potential within Martinican society through a powerful collective narrative of geographic identity explored through multiple narrators. These characters’ lives are viewed back and forth over centuries of time and through tales of resistance, linked always by the now-ancient mahogany tree.Attempting to untangle the collective memory of Martinique, Mathieu, the contemporary narrator, creates a conscious history of these people in that place-a record that unearths the mechanics of misrepresentation to get at the fundamental, enduring truths of that history, perhaps as only the mahogany tree knows it.

‘One of the most important writers of the French Caribbean’ GuardianÉdouard Glissant’s most celebrated, scintillating philosophical work – which sets out a new poetic vision for the world‘We cry our cry of poetry. Our boats are open, and we sail them for everyone’In Poetics of Relation, Édouard Glissant turns the Caribbean of his birth into an energetic, multi-layered vision of a world in transformation. We come to see that relation in all its senses – telling, listening, connecting, and the parallel consciousness of self and surroundings – is the key to revolutionising mentalities and societies. We are not rooted, but ever-changing; we have a right to difference, wherever we are. Blending dreamlike prose with philosophical brilliance, this unique exploration of language, colonialism, slavery and freedom narrates an Antillean identity, but also that of the whole world, where ‘the poetics of Relation senses, assumes, opens, gathers, scatters, continues, and transforms.’Translated by Betsy Wing

Soleil de la Conscience (Sun of Consciousness) was Martinican philosopher Édouard Glissant’s first published work, and opened the Poétique (Poetics) strain of his oeuvre. This book-length essay, which is characterized by its exploratory, intimate character, announces Glissants concerns with créolisation (creolization), mondialité (worldliness, as against globalization), or opacité (opacity) and inscribes in this work a refusal of colonialism and of inverted exoticism. The sense of estrangement experienced by the author who arrives as a “foreigner” in a country to which he is bound by “the first page of his passport” is the author’s principal preoccupation. By positioning himself as both different and same, Glissant opens a space for the writing of a(nother) history: that of the Caribbean.

Édouard Glissant (1928-2011), poète et philosophe né en Martinique, est une référence majeure pour penser la mondialité aujourd’hui. Ses idées de créolisation et de Relation, commentées sur tous les continents et les archipels, ont bouleversé l’approche des identités et des cultures. Pendant les dix dernières années de sa vie, il s’est entretenu régulièrement avec François Noudelmann qui publie leurs discussions publiques et privées. Son inspiration philosophique, sa définition de la beauté, ses conceptions politiques sont au cœur de leurs débats. Ces entretiens offrent un apport essentiel à la compréhension de Glissant. Ils sont suivis par des articles sur des problèmes théoriques fondamentaux et sur des questions d’actualité, tels que la transmission sans universel ou les concurrences mémorielles.

Édouard Glissant (1928-2011), poète et philosophe né en Martinique, est une référence majeure pour penser la mondialité aujourd’hui. Ses idées de créolisation et de Relation, commentées sur tous les continents et les archipels, ont bouleversé l’approche des identités et des cultures. Pendant les dix dernières années de sa vie, il s’est entretenu régulièrement avec François Noudelmann qui publie leurs discussions publiques et privées. Son inspiration philosophique, sa définition de la beauté, ses conceptions politiques sont au cœur de leurs débats. Ces entretiens offrent un apport essentiel à la compréhension de Glissant. Ils sont suivis par des articles sur des problèmes théoriques fondamentaux et sur des questions d’actualité, tels que la transmission sans universel ou les concurrences mémorielles.

Dieses Notebook ist eine Hommage des Kurators Hans Ulrich Obrist an den in diesem Jahr verstorbenen französischen Schriftsteller, Dichter und Philosophen Édouard Glissant (1928–2011). Glissant, einer der bedeutendsten Autoren der französischsprachigen Karibik und Wegbereiter des postkolonialen Denkens, machte aufmerksam auf »Möglichkeiten eines globalen Austauschs, die die Kultur nicht homogenisieren, sondern eine Differenz produzieren, aus der Neues entstehen kann«. Obrist begegnete Glissant, einer Empfehlung von Alighiero Boetti folgend, schon in den Anfängen seiner Arbeit als Kurator,und las seine Bücher, bevor er ihn später auch persönlich traf. Obrist entwirft ein facettenreiches Bild des Intellektuellen, indem er einige von dessen Schlüsselkonzepten – die Kreolisierung der Welt, das »archipelische Denken«, das Museum als Archipel sowie die Utopie – ausführt – Ideen, die ihren Niederschlag auch in persönlichen Widmungen, Notizen und Zeichnungen gefunden haben, mit denen Glissant die hier in einer Auswahl reproduzierten Titelseiten seiner Bücher versehen hat.Édouard Glissant (1928–2011) war ein französischer Schriftsteller, Dichter und Philosoph.Der Kurator und Kritiker Hans Ulrich Obrist (*1968) ist Co-Director, Exhibitions and Programmes und Director of International Projects an der Serpentine Gallery, London. Sprache: Deutsch/Englisch

Dieses Notebook ist eine Hommage des Kurators Hans Ulrich Obrist an den in diesem Jahr verstorbenen französischen Schriftsteller, Dichter und Philosophen Édouard Glissant (1928 – 2011). Glissant, einer der bedeutendsten Autoren der französischsprachigen Karibik und Wegbereiter des postkolonialen Denkens, machte aufmerksam auf »Möglichkeiten eines globalen Austauschs, die die Kultur nicht homogenisieren, sondern eine Differenz produzieren, aus der Neues entstehen kann«. Obrist begegnete Glissant, einer Empfehlung von Alighiero Boetti folgend, schon in den Anfängen seiner Arbeit als Kurator,und las seine Bücher, bevor er ihn später auch persönlich traf. Obrist entwirft ein facettenreiches Bild des Intellektuellen, indem er einige von dessen Schlüsselkonzepten – die Kreolisierung der Welt, das »archipelische Denken«, das Museum als Archipel sowie die Utopie – ausführt – Ideen, die ihren Niederschlag auch in persönlichen Widmungen, Notizen und Zeichnungen gefunden haben, mit denen Glissant die hier in einer Auswahl reproduzierten Titelseiten seiner Bücher versehen hat.  Édouard Glissant (1928 – 2011) war ein französischer Schriftsteller, Dichter und Philosoph.  Der Kurator und Kritiker Hans Ulrich Obrist (*1968) ist Co-Director, Exhibitions and Programmes und Director of International Projects an der Serpentine Gallery, London.    Sprache: Deutsch/Englisch

Édouard Glissant (19282011) räknas som en av det franskspråkiga Karibiens främsta författare. Även om hans verk till stor del handlar om hemön Martinique, sträcker sig hans tankar långt utanför Antillerna och står i nära samklang med aktuell debatt inom estetik, politik, filosofi och litteratur. För hela sitt verk har Glissant tilldelats ett flertal litterära priser och många internationella konferenser har ägnats honom på olika platser i världen. I hans mäktiga diktcykel Indiorna (Les Indes, 1955) är en av utgångspunkterna den slavhandel som från Afrika gick såväl till öarna i Indiska oceanen som till den västindiska övärld som Columbus, när han upptäckte den, trodde var Indien. Översättning av Magdalena Sørensen & Catherine Delpech-Hellsten.