Eleonora Sasso – författare

This collection explores the range of approaches and frameworks used in the study of minority languages and cultures in audiovisual translation (AVT), encouraging interdisciplinary conversations toward fostering linguistic diversity on screen.The volume is organized around five parts, looking at examples from across the Americas, Europe, the Middle East, and China as well as issues around sign languages in AVT. Chapters explore innovative strategies in subtitling, dubbing, and fansubbing to address non-standard varieties, ethnolinguistic diversities, and multilingualism, among other key themes, across different forms of media. The volume also looks ahead to how the study and practice of AVT might be re-envisioned in relation to minority languages, societies, and cultures in the future.This book will be of interest to scholars in translation studies, audiovisual translation, media accessibility, and media studies.

The Pre-Raphaelites and Orientalism' redefines the task of interpreting the East in the late nineteenth century. It takes as a starting point Edward Said's 'Orientalism' (1978) in order to investigate the latent and manifest traces of the East in Pre-Raphaelite literature and culture. As Eleonora Sasso demonstrates, the Pre-Raphaelites and their associates appeared to be the most eligible representatives of a profoundly conservative manifestation of the Orient, of its mystic aura, criminal underworld, and feminine sensuality, or to put it into Arabic terms, of its aja'ib (marvels), mutalibun (treasure-hunters) and hur al-ayn (femmes fatales). By combining together Western and Oriental modes of art, this study fills a gap in Pre-Raphaelite and Oriental studies.

Investigates the latent and manifest traces of the East in Pre-Raphaelite literature and cultureThe Pre-Raphaelites and Orientalism: Language and Cognition in Remediations of the East redefines the task of interpreting the East in the late nineteenth century. Weaving together literary, linguistic and cognitive analyses of Pre-Raphaelite paintings, illustrations and writings, socio-cultural investigations of the Orient, and rhetorical considerations about Arabian forms of writing, the terms of critical debate surrounding the East are redefined. It takes as a starting point Edward Said’s Orientalism (1978) in order to investigate the latent and manifest traces of the East in Pre-Raphaelite literature and culture. As the book demonstrates, the Pre-Raphaelites and their associates appeared to be the most eligible representatives of a profoundly conservative manifestation of the Orient, of its mystic aura, criminal underworld, and feminine sensuality, or to put it into Arabic terms, of its aja’ib (marvels), mutalibun (treasure-hunters) and hur al-ayn (femmes fatales). Key Features:Looks at how selected examples of Pre-Raphaelite writings acted as major vehicles for raising awareness of cultural diversityRedefines the task of interpreting the East in the late nineteenth century taking as a starting point Edward Said’s Orientalism (1978)By investigating the pervasive influence of The Arabian Nights on Pre-Raphaelite texts, this study aims at bringing together Western and Eastern forms of writing;Outlines the reasons why the writings by John Ruskin, D.G. Rossetti, Christina Rossetti, William Morris, Algernon Swinburne, Aubrey Beardsley, and Ford Madox Ford play such a prominent role in the Oriental debate

Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested ‘[t]here were, perhaps, as many Orientalisms as Orientalists’. By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for.