Eleonora Sasso is Associate Professor in English at the "G. d'Annunzio" University of Chieti-Pescara, Italy.

• Acknowledgements List of Contributors Prologue by Jorge Díaz-Cintas (UCL – Director of CenTras)IntroductionPart INeutralising, Downplaying and Subverting Minorities in AVT1. Addressing the No-Dialect Policy in the TV Series My Brilliant Friend Flavia Cavaliere2. Downplaying Sicilianisms and Sicily in the British and American English Subtitles of the Italian TV Series Il commissario MontalbanoCristiano Furiassi3. Mediation and Subversion in The Club: Translating the Minorities of TurkeyAysun KiranPart IIDubbing, Subtitling and Fansubbing Minority Cultures in Animanted Movies and Anime 4. “¡Bienvenidos a todos! Who’s ready for some música?”. Minority Cultures, L3s and the Realms of Ethnolinguistic Diversity in Dialogues, Songs and Visual Elements in American Animated Films and their Italian Dubbed VersionSilvia Monti5. “There’s more beyond the reef”: Translation of Culture-Bound References in the Lithuanian Dubbing of Moana (2016)Jurgita Astrauskien Astrauskienė, and Danguolė Satkauskaitė6. Exploring Anime Translation Practices and Reception in the Arab World: A Comparative Analysis of Official Dubbing and Fan Subtitling of Detective ConanAli Imad Abdulazeez SaeediPart IIICode-switching, Multilingualism, and Heteroglossia Fostering AVT Minorities 7. Audiovisual Translation and Canadian Inuit Minorities: Arnait Video Productions as A Minority Within MinoritiesEleonora Sasso8. Multilingualism as Resistance in Catalan CinemaAlice Kilpatrick9. One Hundred Nazi Scalps: Bakhtinian Heteroglossia and Postmodern Identities in Tarantino’s Inglourious Basterds and its Greek Subtitles Kelly PasmatziPart IVSubtitling Minorities and Minoritised Languages in Documentaries 10. Creating a Sardinian Subtitle Corpus for the Public DomainAdrià Martín-Mor, and Flavia Eva Floris11. The Multiple Issues of the Chinese Subtitles in Bamboo Theatre, a Documentary in CantoneseTeresa WangPart VInclusion, Visibility and Accessibility of Minorities in AVT12. Expressing Non-binary Identities in Audio-visual Translation: A Comparative Analysis of English, Italian, and Hungarian Non-binary Uses in And Just Like ThatTimea Kovács13. Claiming Visibility: Audiovisual Translation and Multimodal Representation of the Hollywood Chinese American SuperheroDora Renna14. Sign Languages in AV Products: Accessible to Whom?Angela SileoConclusionIndex

Eleonora Sasso is Associate Professor in English at the "G. d'Annunzio" University of Chieti-Pescara, Italy.

• Acknowledgements List of Contributors Prologue by Jorge Díaz-Cintas (UCL – Director of CenTras)IntroductionPart INeutralising, Downplaying and Subverting Minorities in AVT1. Addressing the No-Dialect Policy in the TV Series My Brilliant Friend Flavia Cavaliere2. Downplaying Sicilianisms and Sicily in the British and American English Subtitles of the Italian TV Series Il commissario MontalbanoCristiano Furiassi3. Mediation and Subversion in The Club: Translating the Minorities of TurkeyAysun KiranPart IIDubbing, Subtitling and Fansubbing Minority Cultures in Animanted Movies and Anime 4. “¡Bienvenidos a todos! Who’s ready for some música?”. Minority Cultures, L3s and the Realms of Ethnolinguistic Diversity in Dialogues, Songs and Visual Elements in American Animated Films and their Italian Dubbed VersionSilvia Monti5. “There’s more beyond the reef”: Translation of Culture-Bound References in the Lithuanian Dubbing of Moana (2016)Jurgita Astrauskien Astrauskienė, and Danguolė Satkauskaitė6. Exploring Anime Translation Practices and Reception in the Arab World: A Comparative Analysis of Official Dubbing and Fan Subtitling of Detective ConanAli Imad Abdulazeez SaeediPart IIICode-switching, Multilingualism, and Heteroglossia Fostering AVT Minorities 7. Audiovisual Translation and Canadian Inuit Minorities: Arnait Video Productions as A Minority Within MinoritiesEleonora Sasso8. Multilingualism as Resistance in Catalan CinemaAlice Kilpatrick9. One Hundred Nazi Scalps: Bakhtinian Heteroglossia and Postmodern Identities in Tarantino’s Inglourious Basterds and its Greek Subtitles Kelly PasmatziPart IVSubtitling Minorities and Minoritised Languages in Documentaries 10. Creating a Sardinian Subtitle Corpus for the Public DomainAdrià Martín-Mor, and Flavia Eva Floris11. The Multiple Issues of the Chinese Subtitles in Bamboo Theatre, a Documentary in CantoneseTeresa WangPart VInclusion, Visibility and Accessibility of Minorities in AVT12. Expressing Non-binary Identities in Audio-visual Translation: A Comparative Analysis of English, Italian, and Hungarian Non-binary Uses in And Just Like ThatTimea Kovács13. Claiming Visibility: Audiovisual Translation and Multimodal Representation of the Hollywood Chinese American SuperheroDora Renna14. Sign Languages in AV Products: Accessible to Whom?Angela SileoConclusionIndex

Eleonora Sasso is Associate Professor in English at the "G. d'Annunzio" University of Chieti-Pescara, Italy.

• Acknowledgements List of Contributors Prologue by Jorge Díaz-Cintas (UCL – Director of CenTras)IntroductionPart INeutralising, Downplaying and Subverting Minorities in AVT1. Addressing the No-Dialect Policy in the TV Series My Brilliant Friend Flavia Cavaliere2. Downplaying Sicilianisms and Sicily in the British and American English Subtitles of the Italian TV Series Il commissario MontalbanoCristiano Furiassi3. Mediation and Subversion in The Club: Translating the Minorities of TurkeyAysun KiranPart IIDubbing, Subtitling and Fansubbing Minority Cultures in Animanted Movies and Anime 4. “¡Bienvenidos a todos! Who’s ready for some música?”. Minority Cultures, L3s and the Realms of Ethnolinguistic Diversity in Dialogues, Songs and Visual Elements in American Animated Films and their Italian Dubbed VersionSilvia Monti5. “There’s more beyond the reef”: Translation of Culture-Bound References in the Lithuanian Dubbing of Moana (2016)Jurgita Astrauskien Astrauskienė, and Danguolė Satkauskaitė6. Exploring Anime Translation Practices and Reception in the Arab World: A Comparative Analysis of Official Dubbing and Fan Subtitling of Detective ConanAli Imad Abdulazeez SaeediPart IIICode-switching, Multilingualism, and Heteroglossia Fostering AVT Minorities 7. Audiovisual Translation and Canadian Inuit Minorities: Arnait Video Productions as A Minority Within MinoritiesEleonora Sasso8. Multilingualism as Resistance in Catalan CinemaAlice Kilpatrick9. One Hundred Nazi Scalps: Bakhtinian Heteroglossia and Postmodern Identities in Tarantino’s Inglourious Basterds and its Greek Subtitles Kelly PasmatziPart IVSubtitling Minorities and Minoritised Languages in Documentaries 10. Creating a Sardinian Subtitle Corpus for the Public DomainAdrià Martín-Mor, and Flavia Eva Floris11. The Multiple Issues of the Chinese Subtitles in Bamboo Theatre, a Documentary in CantoneseTeresa WangPart VInclusion, Visibility and Accessibility of Minorities in AVT12. Expressing Non-binary Identities in Audio-visual Translation: A Comparative Analysis of English, Italian, and Hungarian Non-binary Uses in And Just Like ThatTimea Kovács13. Claiming Visibility: Audiovisual Translation and Multimodal Representation of the Hollywood Chinese American SuperheroDora Renna14. Sign Languages in AV Products: Accessible to Whom?Angela SileoConclusionIndex