Elizabeth Kendall – författare

Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend, the extraordinary ballerina Lidia (Lidochka) Ivanova.Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death in 1924, just days before they had planned to leave Russia together. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.

In 1933, George Balanchine arrived in the United States, brought by even younger sponsors who had dreamed of inventing an American ballet. He came with extraordinary skills: he had trained as a child in Russia's imperial dance academy, he had absorbed the utopian ideals of the Russian revolution, and he had spent nine years in a culturally volatile interwar Europe. But on a new continent, his career was blocked by local biases, global politics, and even his own character. His sponsors had their own ideas of what this new art should look like. A bigger-scale, European-based ballet company was crowding into the U.S. arts scene. A combination of Balanchine's loneliness and ill-health, both traceable to the revolutionary turmoil of his native city, St. Petersburg, were pushing him towards romantic obsessions with young female dancers - obsessions that seem today to border on the unethical. Balanchine Finds His America provides a close-up of this crucial time in the life of a young immigrant choreographer who would become one of the 20th century's greatest artists. It opens on Balanchine's first day in the United States and closes 13 years later, with the culture's recognition of his importance. Along the way, it sketches in the extreme politics of his time from the Great Depression to WWII, evokes the places that inspired him from New York City to Hollywood, and charts the sexuality of longing that fueled his creative life, but also threatened his and his muses' personal stability. It draws connections between Balanchine's loves and the earliest ballets he made on American soil, especially his mysterious exploration of American romance, Serenade (1933), and his even more mysterious 1946 masterwork, The Four Temperaments, that pointed the way to America's victorious postwar art of abstraction.Most of all, this book highlights the young Balanchine's tragic yet triumphant inner journey towards American-ness, and the impact of this journey on the ballet organizations he helped form and the legacy he left the world.

In 1933, George Balanchine arrived in the United States, brought by even younger sponsors who had dreamed of inventing an American ballet. He came with extraordinary skills: he had trained as a child in Russia's imperial dance academy, he had absorbed the utopian ideals of the Russian revolution, and he had spent nine years in a culturally volatile interwar Europe. But on a new continent, his career was blocked by local biases, global politics, and even his own character. His sponsors had their own ideas of what this new art should look like. A bigger-scale, European-based ballet company was crowding into the U.S. arts scene. A combination of Balanchine's loneliness and ill-health, both traceable to the revolutionary turmoil of his native city, St. Petersburg, were pushing him towards romantic obsessions with young female dancers - obsessions that seem today to border on the unethical. Balanchine Finds His America provides a close-up of this crucial time in the life of a young immigrant choreographer who would become one of the 20th century's greatest artists. It opens on Balanchine's first day in the United States and closes 13 years later, with the culture's recognition of his importance. Along the way, it sketches in the extreme politics of his time from the Great Depression to WWII, evokes the places that inspired him from New York City to Hollywood, and charts the sexuality of longing that fueled his creative life, but also threatened his and his muses' personal stability. It draws connections between Balanchine's loves and the earliest ballets he made on American soil, especially his mysterious exploration of American romance, Serenade (1933), and his even more mysterious 1946 masterwork, The Four Temperaments, that pointed the way to America's victorious postwar art of abstraction. Most of all, this book highlights the young Balanchine's tragic yet triumphant inner journey towards American-ness, and the impact of this journey on the ballet organizations he helped form and the legacy he left the world.

In 1933, George Balanchine arrived in the United States, brought by even younger sponsors who had dreamed of inventing an American ballet. He came with extraordinary skills: he had trained as a child in Russia's imperial dance academy, he had absorbed the utopian ideals of the Russian revolution, and he had spent nine years in a culturally volatile interwar Europe. But on a new continent, his career was blocked by local biases, global politics, and even his own character. His sponsors had their own ideas of what this new art should look like. A bigger-scale, European-based ballet company was crowding into the U.S. arts scene. A combination of Balanchine's loneliness and ill-health, both traceable to the revolutionary turmoil of his native city, St. Petersburg, were pushing him towards romantic obsessions with young female dancers - obsessions that seem today to border on the unethical. Balanchine Finds His America provides a close-up of this crucial time in the life of a young immigrant choreographer who would become one of the 20th century's greatest artists. It opens on Balanchine's first day in the United States and closes 13 years later, with the culture's recognition of his importance. Along the way, it sketches in the extreme politics of his time from the Great Depression to WWII, evokes the places that inspired him from New York City to Hollywood, and charts the sexuality of longing that fueled his creative life, but also threatened his and his muses' personal stability. It draws connections between Balanchine's loves and the earliest ballets he made on American soil, especially his mysterious exploration of American romance, Serenade (1933), and his even more mysterious 1946 masterwork, The Four Temperaments, that pointed the way to America's victorious postwar art of abstraction. Most of all, this book highlights the young Balanchine's tragic yet triumphant inner journey towards American-ness, and the impact of this journey on the ballet organizations he helped form and the legacy he left the world.

Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia (Lidochka) Ivanova. Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, author Elizabeth Kendall sheds new light on a crucial flash point in the history of ballet-one where politics and art meet in legendary St. Petersburg, both culture and nation struggling to reconfigure themselves in the wake of the birth of modern Russia.Drawing upon extensive archival research, Kendall weaves a fascinating tale of this crucial period in the life of the man who would ultimately go on to be the most influential choreographer in modern ballet. Abandoned by his mother on the steps of the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying the art of dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing ballet, where Balanchine met Ivanonva, the first dancer with whom he would ever compose and dance. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in life, after her tragic and mysterious death just days before she had planned to leave Russia with Balanchine and their friends in 1924. Although he would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka haunted much of his work for years to come. Part biography and part urban cultural history, Balanchine and the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture at the heart of the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.

Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova.Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine''s escape from Russia in 1924, Elizabeth Kendall''s Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia''s tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.

Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova.Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine''s escape from Russia in 1924, Elizabeth Kendall''s Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia''s tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.

Saddle shoes. Camp shorts. Girdles. Bell-bottoms. Each plays a significant role as we follow B., the wardrobe''s owner, through her buttoned-up Midwestern childhood to the freedom of miniskirts, sundresses, and New York City. We watch as B. copes with the untimely death of her mother, makes a go of glamorous magazine work, and, after the inevitable false starts and fashion missteps, finally comes into her own.Part memoir, part fashion and cultural history of the last five decades, Autobiography of a Wardrobe is an exploration of the clothes each generation has embraced and the smallest details in which we are able to seek comfort and meaning.From the Trade Paperback edition.

In this beautifully crafted book, Elizabeth Kendall tells the story of a family, of a passionate attachment between a mother and a daughter and the sudden tragedy that tears it apart. American Daughter is also a brilliant portrait of wellborn women''s lives in cities and towns in the post-World War II era, as Kendall evokes how difficult it was to become anything other than an American daughter, which meant being a dependent woman.          Occupying a coveted place in St. Louis''s privileged high society, Henry and Betty Kendall seemed to be the American dream come true: six children, a sprawling house, a legacy of higher education at Harvard and Vassar. Yet underneath lay the flawed marriage of an idealistic young woman who made her eldest daughter her best friend and turned civil rights into her salvation. Elizabeth maintained the family silence as eccentricities began to appear in her father''s behavior, along with whispers of financial difficulties. She accompanied her mother back to Vassar for a summer program on the home and family, then came into her own, away from her family, at the haven of a girls'' summer camp and at Radcliffe. From the war-torn 1940s, when young men in uniform, home on leave, went to debutante parties, through the seismic social changes of the 1960s, Kendall tells the intertwined story of her mother and herself, of their powerful bond and how both shaped their lives in response to it.     Unrelentingly honest, rich with humor and insights into families and women''s lives, American Daughter is both a poignant portrait of American life at the middle of the twentieth century, and a dual coming-of-age story of a mother and a daughter, united by commitment and love, separated by a fatal accident-and by the vastly different birthrights of their generations.From the Hardcover edition.

In this three-volume set, experts from around the world spotlight the latest research on physical and psychological disabilities, as well as the social, legal, and political issues that come to bear on those people affected. These authors teach us what the disabilities are, how common they have become, what challenges people with disabilities face, what treatments are available, and whether new promising efforts for rehabilitation are on the horizon.We also learn, in these volumes, about social actions that have advanced human rights for people with disabilities in countries around the world. Yet, we learn that in these same countries, discriminatory actions against people with disabilities continue to occur. The impact of different cultural beliefs about disability are explored and these beliefs are juxtaposed against legislative responses. In all three volumes, people with disabilities share their personal narratives about events they have faced in society. They provide rich examples of how culture, social interactions, and legislation can impact on people.

In the 1934 classic It Happened One Night, heiress Claudette Colbert races away from the altar and a conventional marriage and throws herself into a wisecracking rough-and-tumble affair with Clark Gable. The new brand of movies following in the wake of Capra's kooky masterpiece-and the women starring in them-are the focus of Kendall's The Runaway Bride, a look at the films that mirrored the climate of the Great Depression while at the same time helping Americans get through it. Kendall details the collaborations between the romantic comedy directors and the female stars, showing how such films as Alice Adams (with Katherine Hepburn), Swing Time (where Ginger Rogers enjoys "A Fine Romance" with Fred Astaire), The Awful Truth (with Irene Dunne), and The Lady Eve (wherein Barbara Stanwyck's shapely leg repeatedly trips naïve millionaire Henry Fonda) came to be, and what they said about the 1930s. Written with erudition and enthusiasm, The Runaway Bride is a trip through some of Hollywood's most memorable moments, and a key to the national issues of an era as revealed in its films.

The inspiration for the five-part Amazon Original docuseries Ted Bundy: Falling for a KillerNow in paperback, this updated, expanded edition of The Phantom Prince, Elizabeth Kendall’s 1981 memoir detailing her six-year relationship with serial killer Ted Bundy, includes a new introduction and a new afterword by the author, never-before-seen photos, and a startling new chapter from the author’s daughter, Molly, who has not previously shared her story. Bundy is one of the most notorious serial killers in American history and one of the most publicized to this day. However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. The Phantom Prince chronicles Elizabeth Kendall’s intimate relationship with Ted Bundy and its eventual unraveling. As much as has been written about Bundy, it’s remarkable to hear the perspective of people who shared their daily lives with him for years. This gripping account presents a remarkable examination of a charismatic personality that masked unimaginable darkness.

In this groundbreaking book, experts show what a difference support systems—family, friends, community and social programs—can make towards the recovery of the millions of people who suffer a traumatic brain injury each year.Health and Healing after Traumatic Brain Injury: Understanding the Power of Family, Friends, Community, and Other Support Systems stresses the importance of an integrated and systems approach to healing. This book offers a unique combination of practitioner perspectives on what works for individual patients, consumer stories and learned insights over time, as well as researcher insights from innovative programs. It provides a holistic account of the important factors in living with a brain injury that will inform and benefit health practitioners and policy makers as well as people with brain injuries and their family members and friends.The chapters explore the current best evidence and contemporary views on healing that draw on optimism, aspirational living, and meaningful partnerships. The authors focus on the emergent area of the salutogenic experience of injury—how brain injury changes and shapes lives in positive ways—and on the variables within individuals and their environments that provide a supportive influence in long-term healing.

In this groundbreaking book, experts show what a difference support systems—family, friends, community and social programs—can make towards the recovery of the millions of people who suffer a traumatic brain injury each year.Health and Healing after Traumatic Brain Injury: Understanding the Power of Family, Friends, Community, and Other Support Systems stresses the importance of an integrated and systems approach to healing. This book offers a unique combination of practitioner perspectives on what works for individual patients, consumer stories and learned insights over time, as well as researcher insights from innovative programs. It provides a holistic account of the important factors in living with a brain injury that will inform and benefit health practitioners and policy makers as well as people with brain injuries and their family members and friends.The chapters explore the current best evidence and contemporary views on healing that draw on optimism, aspirational living, and meaningful partnerships. The authors focus on the emergent area of the salutogenic experience of injury—how brain injury changes and shapes lives in positive ways—and on the variables within individuals and their environments that provide a supportive influence in long-term healing.

In this groundbreaking book, experts show what a difference support systems—family, friends, community and social programs—can make towards the recovery of the millions of people who suffer a traumatic brain injury each year.Health and Healing after Traumatic Brain Injury: Understanding the Power of Family, Friends, Community, and Other Support Systems stresses the importance of an integrated and systems approach to healing. This book offers a unique combination of practitioner perspectives on what works for individual patients, consumer stories and learned insights over time, as well as researcher insights from innovative programs. It provides a holistic account of the important factors in living with a brain injury that will inform and benefit health practitioners and policy makers as well as people with brain injuries and their family members and friends.The chapters explore the current best evidence and contemporary views on healing that draw on optimism, aspirational living, and meaningful partnerships. The authors focus on the emergent area of the salutogenic experience of injury—how brain injury changes and shapes lives in positive ways—and on the variables within individuals and their environments that provide a supportive influence in long-term healing.