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6 produkter

What Has Been, A Novel by Eliza Kirkham Mathews
AvJonathan Sadow,Elizabeth Neiman
Inbunden, Engelska, 2025
2 067 kr
Skickas inom 10-15 vardagar
What Has Been, originally published in 1801, is an affecting, lively, and accessible read for scholars and students of the long eighteenth century. This critical edition includes an extensive introduction, notes, and appendices. Eliza Kirkham Mathews’ portrait of a struggling female novelist connects and also distinguishes What Has Been from novels by now-canonical female authors of this period. Simultaneously, it provides a new vantage-point for assessing obscure or long-forgotten novels. This volume will be of great interest to teachers and scholars of the long-eighteenth century and Romantic era, and on such far-ranging topics as the eighteenth- and nineteenth-century novel, British Romanticism, feminism, women’s literature, the gothic, and the ‘novel of purpose’ or Jacobin/anti-Jacobin novel.
What Has Been, A Novel by Eliza Kirkham Mathews
AvElizabeth Neiman,Jonathan Sadow
E-bok
PDF, Engelska, 2025
1 150 kr
Läs direkt efter köp
What Has Been, originally published in 1801, is an affecting, lively, and accessible read for scholars and students of the long eighteenth century. This critical edition includes an extensive introduction, notes, and appendices. Eliza Kirkham Mathews’ portrait of a struggling female novelist connects and also distinguishes What Has Been from novels by now-canonical female authors of this period. Simultaneously, it provides a new vantage-point for assessing obscure or long-forgotten novels. This volume will be of great interest to teachers and scholars of the long-eighteenth century and Romantic era, and on such far-ranging topics as the eighteenth- and nineteenth-century novel, British Romanticism, feminism, women’s literature, the gothic, and the ‘novel of purpose’ or Jacobin/anti-Jacobin novel.
What Has Been, A Novel by Eliza Kirkham Mathews
AvElizabeth Neiman,Jonathan Sadow
E-bok
Engelska, 2025
1 150 kr
Läs direkt efter köp
What Has Been, originally published in 1801, is an affecting, lively, and accessible read for scholars and students of the long eighteenth century. This critical edition includes an extensive introduction, notes, and appendices. Eliza Kirkham Mathews’ portrait of a struggling female novelist connects and also distinguishes What Has Been from novels by now-canonical female authors of this period. Simultaneously, it provides a new vantage-point for assessing obscure or long-forgotten novels. This volume will be of great interest to teachers and scholars of the long-eighteenth century and Romantic era, and on such far-ranging topics as the eighteenth- and nineteenth-century novel, British Romanticism, feminism, women’s literature, the gothic, and the ‘novel of purpose’ or Jacobin/anti-Jacobin novel.
Minerva’s Gothics
The Politics and Poetics of Romantic Exchange, 1780-1820
AvElizabeth Neiman
Inbunden, Engelska, 2019
1 191 kr
Skickas inom 5-8 vardagar
Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.
Minerva's Gothics
The Politics and Poetics of Romantic Exchange, 1780-1820
AvElizabeth Neiman
E-bok
PDF, Engelska, 2019
1 204 kr
Läs direkt efter köp
Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.
Minerva’s Gothics
The Politics and Poetics of Romantic Exchange, 1780-1820
AvElizabeth Neiman
E-bok
Engelska, 2019
430 kr
Läs direkt efter köp
Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.

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Elizabeth Neiman – författare

What Has Been, A Novel by Eliza Kirkham Mathews

What Has Been, A Novel by Eliza Kirkham Mathews

What Has Been, A Novel by Eliza Kirkham Mathews

Minerva’s Gothics

Minerva's Gothics

Minerva’s Gothics

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