Elizabeth Partridge - Böcker

The Golden Gate Bridge, beloved landmark and symbol of San Francisco, finally gets a gorgeous picture book that tells the thrilling story of how it was built! Written by National Book Award finalist and Sibert Medal winner Elizabeth Partridge.Across a treacherous strait where deep ocean waters rip back and forth with the tides, and during the depths of the Great Depression, daring teams of engineers and builders set out to make something many thought impossible.Begun in 1933 and officially opened on May 27, 1937, the Golden Gate Bridge and its awe-inspiring and groundbreaking construction are truly a testament to the power of hope and perseverance. Told from the point of view of the lighthouse keeper’s kids, who watch in fascination as the trucks and crews arrive and steel towers coated in heavy red paint begin to rise above the tempestuous water, Golden Gate shares a thrilling visual perspective on each stage of the breathtaking project.Young readers can look and learn as each turn of the page reveals dazzling, color-soaked artwork paired with text that blends factual details into the narrators’ keen observations. By the final spread, where fireworks explode in celebration over the mighty bridge, the tale is complete—not only of an astonishing feat of engineering but of the potential of human ingenuity to defy the odds and make the impossible possible.

Winner of the Robert F. Sibert Informational Book MedalWinner of the BolognaRagazzi Award for PhotographyNamed a Best Book of the Year by Booklist, Kirkus Reviews, School Library Journal, New York Public Library, Chicago Public Library, and others. ★ “This arresting work brings history to vivid life.” —Kirkus Reviews, starred review★ “[An] exquisitely crafted, fiercely provocative work of nonfiction.” —BCCB, starred review“Ingeniously designed.” —The New York TimesThis important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographers—Dorothea Lange, Toyo Miyatake, and Ansel Adams—along with firsthand accounts of this grave moment in history.Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.AWARENESS OF AMERICAN HISTORY: This impactful book engages with an underrepresented topic in American history, and highlights important and timely themes like primary sources, censorship, and visual literacy.SUBSTANTIAL BACKMATTER: Featuring eighteen pages of backmatter, including an Author's and Illustrator's Note, footnotes, photo credits, biographies of each photographer, and more.

Winner of the Robert F. Sibert Informational Book MedalWinner of the BolognaRagazzi Award for PhotographyNamed a Best Book of the Year by Booklist, Kirkus Reviews, School Library Journal, New York Public Library, Chicago Public Library, and others. ★ “This arresting work brings history to vivid life.” —Kirkus Reviews,starred review★ “[An] exquisitely crafted, fiercely provocative work of nonfiction.” —BCCB,starred review“Ingeniously designed.” —The New York TimesThis important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographers—Dorothea Lange, Toyo Miyatake, and Ansel Adams—along with firsthand accounts of this grave moment in history.Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.