Erin Henriksen – författare
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3 produkter
3 produkter
E-bok
Engelska, 20171 083 kr
Läs direkt efter köp
The second of two volumes of ''Fiction of unknown or questionable authorship, 1641-1700,'' this volume presents in facsimile two seventeenth-century novels, Alcander and Philocrates: Or, The Pleasures and Disquietudes of Marriage. A Novel. Written by a Young Lady (1696) and Peppa, or The Reward of Constant Love a novel: done out of French: with several songs set to musick for two voices / by a young-gentlewoman (1689). The first of these is an original, unattributed work written in English; the second is a translation from the French for which there is some evidence of a female translator. An original introduction to the volume provides information about the content of each novel; what the authors have discovered about each work''s publication and authorship; and the physical copies of the seventeenth century books from which the facsimiles are taken.
E-bok
PDF, Engelska, 20171 083 kr
Läs direkt efter köp
The second of two volumes of ''Fiction of unknown or questionable authorship, 1641-1700,'' this volume presents in facsimile two seventeenth-century novels, Alcander and Philocrates: Or, The Pleasures and Disquietudes of Marriage. A Novel. Written by a Young Lady (1696) and Peppa, or The Reward of Constant Love a novel: done out of French: with several songs set to musick for two voices / by a young-gentlewoman (1689). The first of these is an original, unattributed work written in English; the second is a translation from the French for which there is some evidence of a female translator. An original introduction to the volume provides information about the content of each novel; what the authors have discovered about each work''s publication and authorship; and the physical copies of the seventeenth century books from which the facsimiles are taken.
Del 145 - Studies in the History of Christian Traditions
Milton and the Reformation Aesthetics of the Passion
Inbunden, Engelska, 2009
2 464 kr
Skickas inom 5-8 vardagar
Scholarship on Milton's view of God the Father and the Son has focused on the author's theological beliefs. For Milton, these are equally artistic questions, and to address them this study considers the precedents in Christian art that provide models for portraying the divine within a reformed context. Milton's revision of the passion tradition in his short poems of 1645 and his later epic poems substitutes a living, obedient and subservient Son in place of late medieval representations of the crucifixion. His alternative passion unfolds through a poetic vocabulary of fragmentation, omission, and restoration, drawing on iconoclasm as an artistic strategy. This study addresses the long-standing question about Milton's avoidance of the crucifixion and contributes to the broader study of his reformed poetics.