Erin K Wagner – författare

September, 2060: Adrian Hall, acting director of the ATF, is holding a press conference. Yes, Eli Whitaker, anti-android demagogue, remains at large, and yes, he is recruiting children into his militia — Adrian is careful not to use the word army. She is careful all the way through the conference, right up until someone asks her about her personal connection to Whitaker; about Trey Caudill, his foster son.July, 2058: Farmers Shay and Ernst, struggling after they discover their GMO crop seeds have failed, hire android employees: Sarah as hospice, and AG-15 to work the now-toxic fields. Under one roof, four lives intertwine in ways no one expects.July, 2060: Special Agent Trey Caudill is leading a raid on Eli Whitaker’s farm when an android, call sign Ora, shoots and kills a child.March, 2061: Ora sits in a room. He has been there for seven months, resisting diagnostic tests. He is drawing on the walls, scratching his artificial skin, tracing something over and over and over again with a tired metallic finger. There is nothing wrong with his circuitry, so why does Ora feel so broken? Unflinching yet understated, making expert use of its nonlinear form, Mechanize My Hands to War is at once a study of grief and an ode to the power of self-determination.

Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.

Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.

Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.