Felice Lifshitz – författare

Writing Normandy brings together eighteen articles by historian Felice Lifshitz, some of which are published here for the first time.

The articles examine the various ways in which local and regional narratives about the past were created and revised in Normandy during the central Middle Ages. These narratives are analyzed through a combination of both cultural studies and manuscript studies in order to assess how they functioned, who they benefitted, and the various contexts in which they were transmitted. The essays pay particular attention to the narratives built around venerated saints and secular rulers, and in doing so bring together narratives that have traditionally been discussed separately by scholars.

The book will appeal to scholars and students of cultural history and medieval history, as well as those interested in manuscript studies. (CS1095)

Writing Normandy brings together eighteen articles by historian Felice Lifshitz, some of which are published here for the first time.

The articles examine the various ways in which local and regional narratives about the past were created and revised in Normandy during the central Middle Ages. These narratives are analyzed through a combination of both cultural studies and manuscript studies in order to assess how they functioned, who they benefitted, and the various contexts in which they were transmitted. The essays pay particular attention to the narratives built around venerated saints and secular rulers, and in doing so bring together narratives that have traditionally been discussed separately by scholars.

The book will appeal to scholars and students of cultural history and medieval history, as well as those interested in manuscript studies. (CS1095)

This collection brings together twelve essays published between 1988 and 2014, two of which are here translated into English from (respectively) their original French or German. All the essays use gender as the main category of analysis, whether of late ancient or early medieval texts or of modern medievalist films.

The historical studies of medieval Europe emphasize the use of manuscript-level evidence, that is, actual sources from the period in question; arguably, this approach provides a more accurate understanding of the period than does work done on the basis of printed and edited sources. Furthermore, many of the manuscript-based essays specifically exploit liturgical or liturgy-adjacent materials; this is an area of research and a type of manuscript that has rarely been approached through a gendered lens. Meanwhile, the cinematic medievalism essays focus on the processes of remediation and adaptation, searching specifically for points at which filmmaking teams diverged from their sources as evidence for the main goals of the films (while also attending to production contexts and to reception).

The juxtaposition in a single collection of scholarship on medieval manuscripts and modern movies illustrates how period specialists can contribute to conversations in the field of (historical) film studies. The book will be of interest to historians of women, gender, Christian liturgy, medieval Europe, medievalism, and historical film. (CS 1110).

This collection brings together twelve essays published between 1988 and 2014, two of which are here translated into English from (respectively) their original French or German. All the essays use gender as the main category of analysis, whether of late ancient or early medieval texts or of modern medievalist films.

The historical studies of medieval Europe emphasize the use of manuscript-level evidence, that is, actual sources from the period in question; arguably, this approach provides a more accurate understanding of the period than does work done on the basis of printed and edited sources. Furthermore, many of the manuscript-based essays specifically exploit liturgical or liturgy-adjacent materials; this is an area of research and a type of manuscript that has rarely been approached through a gendered lens. Meanwhile, the cinematic medievalism essays focus on the processes of remediation and adaptation, searching specifically for points at which filmmaking teams diverged from their sources as evidence for the main goals of the films (while also attending to production contexts and to reception).

The juxtaposition in a single collection of scholarship on medieval manuscripts and modern movies illustrates how period specialists can contribute to conversations in the field of (historical) film studies. The book will be of interest to historians of women, gender, Christian liturgy, medieval Europe, medievalism, and historical film. (CS 1110).

The word "medieval" is often used in a negative way when talking about contemporary issues. Why the Middle Ages Matter refreshes our thinking about this historical era, and our own, by looking at some pressing concerns from today’s world, asking how these issues were really handled in the medieval period, and showing why the past matters now. The contributors here cover topics such as torture, marriage, sexuality, imprisonment, refugees, poverty, work, the status of women, disability, race, political leadership and end of life care. They focus on a variety of regions, from North Africa and the Middle East, through Western and Central Europe, to the British Isles.

This collection challenges many negative stereotypes of medieval people, revealing a world from which, for instance, much could be learned about looking after the spiritual needs of the dying, and about integrating prisoners into the wider community through an emphasis on reconciliation between victim and criminal. It represents a new level of engagement with issues of social justice by medievalists and provides a highly engaging way into studying the middle ages. All the essays are written so as to be accessible to students, and each is accompanied by a list of further readings.

The word "medieval" is often used in a negative way when talking about contemporary issues. Why the Middle Ages Matter refreshes our thinking about this historical era, and our own, by looking at some pressing concerns from today’s world, asking how these issues were really handled in the medieval period, and showing why the past matters now. The contributors here cover topics such as torture, marriage, sexuality, imprisonment, refugees, poverty, work, the status of women, disability, race, political leadership and end of life care. They focus on a variety of regions, from North Africa and the Middle East, through Western and Central Europe, to the British Isles.

This collection challenges many negative stereotypes of medieval people, revealing a world from which, for instance, much could be learned about looking after the spiritual needs of the dying, and about integrating prisoners into the wider community through an emphasis on reconciliation between victim and criminal. It represents a new level of engagement with issues of social justice by medievalists and provides a highly engaging way into studying the middle ages. All the essays are written so as to be accessible to students, and each is accompanied by a list of further readings.