Felice Lifshitz received her PhD in History from Columbia University in 1988. For decades she taught at Florida International University in Miami, where she wrote most of the essays republished in Writing Gender, and in her 2020 collection Writing Normandy: Stories of Saints and Rulers. Since 2011 she has been Professor of Women’s and Gender Studies at the University of Alberta. Her most recent publication is "The Bear Keeper’s Daughter and the Armenian Dwarf: Cinematic Byzantinism in Post-War Europe," in What Byzantinism in İstanbul Is This! Byzantium in Popular Culture (2021), part of a larger project on medievalist historical film.

• 1 Women Missionaries: The Example of Frankish Gaul / 2 Is Mother Superior? Towards a History of Feminine Amtscharisma / 3 The Martyr, the Tomb and the Matron: Constructing the (Masculine) "Past" as a Female Power Base4 Differences, (Dis)appearances, and the Disruption of the Straight Telos: Medievalology as a History of Gender / 5 Gender and Exemplarity East of the Middle Rhine: Jesus, Mary, and the Saints in Manuscript Context / 6 Gender Trouble in Paradise: The Case of the Liturgical Virgo / 7 A Cyborg Initiation? Gender Ideology and Baptismal Liturgy in Carolingian Francia / 8 Priestly Women, Virginal Men: Litanies and their Discontents / 9 Apocryphal Acts and Legends of the Apostles as "Feminist" Narratives / 10 Destructive Dominae: Women and Vengeance in Medievalist Films11 Women: The Da Vinci Code and the Fabrication of Tradition / 12 Ethnicity, Gender, and Sexuality in Mid-Century Medievalist Film: The Example of Becket (1964)

Felice Lifshitz received her PhD in History from Columbia University in 1988. For decades she taught at Florida International University in Miami, where she wrote most of the essays republished in Writing Gender, and in her 2020 collection Writing Normandy: Stories of Saints and Rulers. Since 2011 she has been Professor of Women’s and Gender Studies at the University of Alberta. Her most recent publication is "The Bear Keeper’s Daughter and the Armenian Dwarf: Cinematic Byzantinism in Post-War Europe," in What Byzantinism in İstanbul Is This! Byzantium in Popular Culture (2021), part of a larger project on medievalist historical film.

• 1 Women Missionaries: The Example of Frankish Gaul / 2 Is Mother Superior? Towards a History of Feminine Amtscharisma / 3 The Martyr, the Tomb and the Matron: Constructing the (Masculine) "Past" as a Female Power Base4 Differences, (Dis)appearances, and the Disruption of the Straight Telos: Medievalology as a History of Gender / 5 Gender and Exemplarity East of the Middle Rhine: Jesus, Mary, and the Saints in Manuscript Context / 6 Gender Trouble in Paradise: The Case of the Liturgical Virgo / 7 A Cyborg Initiation? Gender Ideology and Baptismal Liturgy in Carolingian Francia / 8 Priestly Women, Virginal Men: Litanies and their Discontents / 9 Apocryphal Acts and Legends of the Apostles as "Feminist" Narratives / 10 Destructive Dominae: Women and Vengeance in Medievalist Films11 Women: The Da Vinci Code and the Fabrication of Tradition / 12 Ethnicity, Gender, and Sexuality in Mid-Century Medievalist Film: The Example of Becket (1964)

Felice Lifshitz received her PhD in History from Columbia University in 1988. For decades she taught at Florida International University in Miami, where she wrote most of the essays republished in Writing Gender, and in her 2020 collection Writing Normandy: Stories of Saints and Rulers. Since 2011 she has been Professor of Women’s and Gender Studies at the University of Alberta. Her most recent publication is "The Bear Keeper’s Daughter and the Armenian Dwarf: Cinematic Byzantinism in Post-War Europe," in What Byzantinism in İstanbul Is This! Byzantium in Popular Culture (2021), part of a larger project on medievalist historical film.

• 1 Women Missionaries: The Example of Frankish Gaul / 2 Is Mother Superior? Towards a History of Feminine Amtscharisma / 3 The Martyr, the Tomb and the Matron: Constructing the (Masculine) "Past" as a Female Power Base4 Differences, (Dis)appearances, and the Disruption of the Straight Telos: Medievalology as a History of Gender / 5 Gender and Exemplarity East of the Middle Rhine: Jesus, Mary, and the Saints in Manuscript Context / 6 Gender Trouble in Paradise: The Case of the Liturgical Virgo / 7 A Cyborg Initiation? Gender Ideology and Baptismal Liturgy in Carolingian Francia / 8 Priestly Women, Virginal Men: Litanies and their Discontents / 9 Apocryphal Acts and Legends of the Apostles as "Feminist" Narratives / 10 Destructive Dominae: Women and Vengeance in Medievalist Films11 Women: The Da Vinci Code and the Fabrication of Tradition / 12 Ethnicity, Gender, and Sexuality in Mid-Century Medievalist Film: The Example of Becket (1964)