Fintan Cullen – författare
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9 produkter
9 produkter
2 194 kr
Skickas inom 10-15 vardagar
A Shared Legacy: Essays on Irish and Scottish Art and Visual Culture brings together for the first time a unique selection of new research by leading Irish, Scottish, English and North American scholars to explore the varying ways in which the visual can operate within the context of two countries with related experiences of lost statehood yet retained nationhood. Covering a span of three centuries, this skilfully-crafted book takes the discussion of Irish and Scottish art beyond the often isolationist approach adopted in the past, dealing directly with issues of nationality in a wider context. The authors identify national concerns through a range of themes: race, class, union and assimilation or nationalism and internationalism and while many of the essays focus on paintings, sculpture, prints and watercolours, others consider a wider notion of visual culture by investigating photography, magic lantern slides and the home arts of embroidery and textiles.
3 463 kr
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This companion contains new and innovative writing on Irish art and its history, from c. 1800 to the present day.This book critically engages with Irish art in a period linked to key events in Irish history, beginning with the Acts of Union between Britain and Ireland (1800–01)) and the significant social and cultural changes that resulted. The book also provides a precedent for a focus on the significance of art in relation to other subsequent key historical events such as the early twentieth‑century struggles for independence or the role of political conflict in Northern Ireland from the late 1960s onwards and its aftermath. Key themes covered include tradition and innovation; upheavals of history; place, location, and artistic formations; Irish art and the wider world; and embodiment and identity. The book expands the critical discourse around Irish art over this period, both within Ireland and beyond, and encourages the potential for future scholarship in fields and periods not covered.This book will be of interest to scholars and students working in art history, Irish studies, and colonial studies.
797 kr
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A Shared Legacy: Essays on Irish and Scottish Art and Visual Culture brings together for the first time a unique selection of new research by leading Irish, Scottish, English and North American scholars to explore the varying ways in which the visual can operate within the context of two countries with related experiences of lost statehood yet retained nationhood. Covering a span of three centuries, this skilfully-crafted book takes the discussion of Irish and Scottish art beyond the often isolationist approach adopted in the past, dealing directly with issues of nationality in a wider context. The authors identify national concerns through a range of themes: race, class, union and assimilation or nationalism and internationalism and while many of the essays focus on paintings, sculpture, prints and watercolours, others consider a wider notion of visual culture by investigating photography, magic lantern slides and the home arts of embroidery and textiles.
637 kr
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Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
312 kr
Skickas inom 5-8 vardagar
A collection of essays by art historians, anthropologists and commentators on contemporary visual culture on the theme of 'Location'. Explores the theme of 'Location', including transatlantic exchanges and global connections, and the nature of hospitality that arises in acknowledging migration and diasporaQuestions how important location is in producing, understanding and curating art.Contributors consider such topics as site-specificity, examinations of the trans-national/trans-cultural, how images/visual forms migrate, and the repositioning of ownership
291 kr
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Leading international scholars and younger researchers address issues such as museum display, collecting, the creation of visual spectacles, institutional histories, curatorial strategies, cultural exclusion and definitions of heritage. An authoritative analysis on the way that art and the visual are displayed and presentedExplores a variety of cultural contexts and historical periodsA benchmark collection addressing specific displays and notable objects alongside the politics of spectacle and questions of audience
2 264 kr
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Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
773 kr
Skickas inom 3-6 vardagar
Sources in Irish Art 2: A Reader is an anthology of literary and critical sources for the study of visual art and Ireland. It is a completely new version of the 2000 publication, Sources in Irish Art with an additional editor, brand new texts with the historical range stretching from the seventeenth to the twenty-first centuries. Divided into four sections, Art historiography, Nationalism and identity, the Wider world, and Art and text, the sources included are taken from letters, travel diaries, antiquarian writings, art dictionaries, accounts of collections, memoirs, essays, exhibition catalogues and reviews, and government enquiries. The sources range from the letters of Jonathan Swift in the eighteenth century regarding the conservation of funerary monuments in St Patrick's Cathedral in Dublin to a 2010 essay on the impact of the sexuality of the modern Irish artist, Gerard Dillon on his practice. While many of the earlier sources refer to art produced in the colonial period, those of the twentieth and twenty-first century relate to art produced in an independent Ireland and in the newly created Northern Ireland. In recent years there has been a dramatic upsurge in research and publishing on Irish art that has produced new writings and new approaches which has furthered the rediscovery of forgotten or overlooked texts. This anthology aims to make such texts easily available to the general reader, the student or teacher. While well-known names in Irish art from Jack B. Yeats to Alice Maher feature in this anthology, the editors also offer commentary from international voices such as Gustave Courbet, Clement Greenberg, Lucy Lippard and Thomas McEvilley. The diversity and broad chronological range of texts offer unique and exceptional insights into the issues and ideas that influenced the production and responses to art in Ireland.
Del 120 - Reimagining Ireland
Ireland and the British Empire
Essays on Art and Visuality
Häftad, Engelska, 2023
574 kr
Skickas inom 5-8 vardagar
«This dazzling collection of essays draws out the complexity of Ireland’s connections with British imperialism. The volume takes an admirably wide-ranging and generous approach to Irish visual culture, showing how features such as Irish fashion, architecture, and museum display have been affected by empire. Those interested in Irish art, in Irish culture, and in the legacies of imperialism more generally will find this book insightful, illuminating, and provocative.»(James Moran, Professor of English, University of Nottingham) «Ranging across a broad chronological span, this stimulating collection’s focus on the role of the British empire within Irish art and visuality is much-needed. This book will be invaluable not just for scholars of Irish culture, but for the study of the crucial significance of the visual in the historical formation of empire more generally.»(Fionna Barber, Reader in Art History, Manchester Metropolitan University)This collection of essays discusses how the British empire resonates in a huge array of visual culture in Ireland from the late eighteenth century to the middle of the twentieth. The book is about the way empire has pervaded and continues to pervade Irish art and visual culture. The collection of essays expands the analysis of things visual in terms of Ireland and the British empire to include a broad range of cultural matter: art exhibitions, museums and their displays, architecture, photography, illustrated books, fashion, public and private performances and entertainments, as well as paintings, sculpture, prints and book illustration. The essays only touch on some of the issues that need to be discussed in relation to Ireland and the visual culture of imperialism, but it is hoped that this volume will spark others to investigate the topic and thus greatly expand Irish visual historiography.