Gladys M. Francis – författare
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2 produkter
2 produkter
Del 146 - Yale French Studies
Yale French Studies, Number 146
Fabienne Kanor in Transgression
Häftad, Engelska, 2025
851 kr
Skickas inom 5-8 vardagar
A collection of interdisciplinary critical essays examining the political and aesthetic practices of Martinican French author, filmmaker, and journalist Fabienne Kanor In this volume of Yale French Studies, editor Gladys M. Francis assembles the first collection of essays focused on the work of award-winning author, filmmaker, and journalist Fabienne Kanor. The volume examines the transgressive aesthetics of Kanor’s films, literature, performances, and journalism through critical essays, film illustrations, personal travel and working notes, original photos, and a heretofore unpublished essay by Kanor herself. Broken into three sections, the volume first analyzes Kanor’s central aesthetic—the painful corporeal experiences through which her Black characters push limitations and transform themselves—then turns to her critical and contemporary construction of feminism and concludes with her signature trope: embodied movement across the West, Africa, and the Americas. The collection demonstrates Kanor’s feminist politics and explores how her artistic productions disrupt traditional phallocentric, imperialist discourse and commemoration and offer challenging aesthetics and representations of the Black body, trauma, migration, (neo-)colonization, gender, and sexual minorities. In a moving coda, Kanor’s original essay asks readers to reach into their invisible and untold history, to recover themselves and manifest the power of their individual and collective memory.
1 405 kr
Skickas inom 10-15 vardagar
Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.