Gregory Forth - Böcker

Society in the Keo region of the eastern Indonesian island of Flores reveals a pervasive pairing of villages, clans, and other groups. Apart from introducing a hitherto undescribed population, this study, deriving from fieldwork conducted by the author over a period of 15 years, analyses a form of society that has occupied anthropologists since the inception of their discipline: morphological dualism, or dual organization. Drawing on a notion of encompassment inspired by Dumont's theory of 'hierarchy', the author interprets dualistic social forms as products of a continuous process of combination and a tendency to create binary wholes through the partial assimilation of junior by senior partners. While Keo exemplifies a variant of a widespread eastern Indonesian pattern of binary classification and asymmetric marriage alliance, the analysis shows how Keo morphological dualism cannot be reduced to the categories of a dual classification nor to unique or exclusive forms of reciprocity or functional complementarity. Exploring these issues through original ethnographic studies of numerous Keo domains and settlements, the book is of critical relevance not just to dualism, but to a variety of continuing concerns in contemporary social anthropology, including the concept of 'descent', the social construction of inequality, and connections between ritual practice (especially animal sacrifice), and social order.

This unusual and richly-illustrated book is the story of the relationship between the Nage people of eastern Indonesia and the birds alongside which they co-exist. Based on fieldwork carried out over a period of some fifteen years, it aims for a total view of how a human community interacts with another zoological class, giving birds a chosen place in human ideas and social practice. As well as a fascinating ornithological study of Indonesian bird life, Nage Birds offers a much-needed critique of current theoretical argument on how non-Western societies categorize and evaluate different species and modes of being.

The book examines ‘wildmen’, images of hairy humanlike creatures known to rural villagers and other local people in Southeast Asia and elsewhere. Sometimes described in considerable detail, the creatures are reported as still living or as having survived until recent times. The aim of the book is to discover the source of these representations and their status in local systems of knowledge, partly in relation to distinct categories of spiritual beings, known animals, and other human groups. It explores images of the wildman from throughout Southeast Asia, focusing in particular on the Indonesian islands, and beyond, including the Asian mainland, Africa, North America, Africa, Australia, and Oceania.The book reveals how, in Southeast Asia and elsewhere, ‘wildmen’ cannot readily be explained as imaginary constructs rooted in cultural values and social institutions, nor as simply another kind of ‘spirit’. Also critically examined is a view of such figures as fundamentally similar expressions of a pan-human mental ‘archetype’. Forth concludes that many Asian and African figures are grounded in experience or memories of anthropoid apes supplemented by encounters with ethnic others. Representations developed among European immigrants (including the North American ‘sasquatch’) are, in part, similarly traceable to an indirect knowledge of primates, informed by long-standing European representations of hairy humans that have coloured western views of non-western peoples and which may themselves originate in ancient experience of apes. At the same time, the book demonstrates how Indonesian and other Malayo-Polynesian images cannot be explained in the same way, and explores the possibility of these reflecting an ancient experience of non-sapiens hominins.

This unusual and richly-illustrated book is the story of the relationship between the Nage people of eastern Indonesia and the birds alongside which they co-exist. Based on fieldwork carried out over a period of some fifteen years, it aims for a total view of how a human community interacts with another zoological class, giving birds a chosen place in human ideas and social practice. As well as a fascinating ornithological study of Indonesian bird life, Nage Birds offers a much-needed critique of current theoretical argument on how non-Western societies categorize and evaluate different species and modes of being.

The book examines ‘wildmen’, images of hairy humanlike creatures known to rural villagers and other local people in Southeast Asia and elsewhere. Sometimes described in considerable detail, the creatures are reported as still living or as having survived until recent times. The aim of the book is to discover the source of these representations and their status in local systems of knowledge, partly in relation to distinct categories of spiritual beings, known animals, and other human groups. It explores images of the wildman from throughout Southeast Asia, focusing in particular on the Indonesian islands, and beyond, including the Asian mainland, Africa, North America, Africa, Australia, and Oceania.The book reveals how, in Southeast Asia and elsewhere, ‘wildmen’ cannot readily be explained as imaginary constructs rooted in cultural values and social institutions, nor as simply another kind of ‘spirit’. Also critically examined is a view of such figures as fundamentally similar expressions of a pan-human mental ‘archetype’. Forth concludes that many Asian and African figures are grounded in experience or memories of anthropoid apes supplemented by encounters with ethnic others. Representations developed among European immigrants (including the North American ‘sasquatch’) are, in part, similarly traceable to an indirect knowledge of primates, informed by long-standing European representations of hairy humans that have coloured western views of non-western peoples and which may themselves originate in ancient experience of apes. At the same time, the book demonstrates how Indonesian and other Malayo-Polynesian images cannot be explained in the same way, and explores the possibility of these reflecting an ancient experience of non-sapiens hominins.

The Nage people of the eastern Indonesian island of Flores refer to someone who begins something but is regularly distracted by other matters as "a dog pissing at the edge of a path." In this first comprehensive study of animal metaphors in a non-Western society, Gregory Forth focuses on how the Nage understand metaphor and use their knowledge of animals to shape specific expressions. Based on extensive field research, A Dog Pissing at the Edge of a Path explores the meaning and use of over 560 animal metaphors employed by the Nage. Investigating how closely their indigenous concept of pata péle corresponds to the Greek-derived English concept of metaphor, Forth demonstrates that the Nage people understand these figures of speech in the same way as Westerners - namely as conventional ways of speaking about people and objects, not expressions of an essential identity between their animal vehicles and human referents. Theoretically engaging with anthropology's recent ontological turn, the book considers whether metaphors reveal significant differences in conceptions of human-animal relations, the human-animal contrast, and human understanding of other humans in different parts of the world. An incredible catalogue of animal-based linguistic art and Nage verbal conventions, A Dog Pissing at the Edge of a Path illuminates essential features of metaphorical thought everywhere.

Why the Porcupine Is Not a Bird is a comprehensive analysis of knowledge of animals among the Nage people of central Flores in Indonesia. Gregory Forth sheds light on the ongoing anthropological debate surrounding the categorization of animals in small-scale non-Western societies.Forth’s detailed discussion of how the Nage people conceptualize their relationship to the animal world covers the naming and classification of animals, their symbolic and practical use, and the ecology of central Flores and its change over the years. His study reveals the empirical basis of Nage classifications, which align surprisingly well with the taxonomies of modern biologists. It also shows how the Nage employ systems of symbolic and utilitarian classification distinct from their general taxonomy. A tremendous source of ethnographic detail, Why the Porcupine Is Not a Bird is an important contribution to the fields of ethnobiology and cognitive anthropology.

Why the Porcupine Is Not a Bird is a comprehensive analysis of knowledge of animals among the Nage people of central Flores in Indonesia. Gregory Forth sheds light on the ongoing anthropological debate surrounding the categorization of animals in small-scale non-Western societies.Forth’s detailed discussion of how the Nage people conceptualize their relationship to the animal world covers the naming and classification of animals, their symbolic and practical use, and the ecology of central Flores and its change over the years. His study reveals the empirical basis of Nage classifications, which align surprisingly well with the taxonomies of modern biologists. It also shows how the Nage employ systems of symbolic and utilitarian classification distinct from their general taxonomy. A tremendous source of ethnographic detail, Why the Porcupine Is Not a Bird is an important contribution to the fields of ethnobiology and cognitive anthropology.

A remarkable investigation into the hominoids of Flores Island, their place on the evolutionary spectrum—and whether or not they still survive.While doing fieldwork on the remote Indonesian island of Flores, anthropologist Gregory Forth came across people talking about half-apelike, half-humanlike creatures that once lived in a cave on the slopes of a nearby volcano. Over the years he continued to record what locals had to say about these mystery hominoids while searching for ways to explain them as imaginary symbols of the wild or other cultural representations. Then along came the ‘hobbit’. In 2003, several skeletons of a small-statured early human species alongside stone tools and animal remains were excavated in a cave in western Flores. Named Homo floresiensis, this ancient hominin was initially believed to have lived until as recently as 12,000 years ago—possibly overlapping with the appearance of Homo sapiens on Flores. In view of this timing and the striking resemblance of floresiensis to the mystery creatures described by the islanders, Forth began to think about the creatures as possibly reflecting a real species, either now extinct but retained in ‘cultural memory’ or even still surviving. He began to investigate reports from the Lio region of the island where locals described 'ape-men' as still living. Dozens claimed to have even seen them. In Between Ape and Human, we follow Forth on the trail of this mystery hominoid, and the space they occupy in islanders’ culture as both natural creatures and as supernatural beings.  In a narrative filled with adventure, Lio culture and language, zoology and natural history, Forth comes to a startling and controversial conclusion. Unique, important, and thought-provoking, this book will appeal to anyone interested in human evolution, the survival of species (including our own) and how humans might relate to ‘not-quite-human’ animals. Between Ape and Human is essential reading for all those interested in cryptozoology, and it is the only firsthand investigation by a leading anthropologist into the possible survival of a primitive species of human into recent times—and its coexistence with modern humans.