Hannah Durkin – författare
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13 produkter
13 produkter
Häftad, Engelska, 2024
199 kr
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WINNER OF THE WOLFSON HISTORY PRIZE 2025 SHORTLISTED FOR THE NONFICTION CROWN AWARD 'Gripping … remarkably wide-ranging' THE TIMES This is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways. The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.
Inbunden, Engelska, 2024
266 kr
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WINNER OF THE WOLFSON HISTORY PRIZE 2025 SHORTLISTED FOR THE NONFICTION CROWN AWARD 'Gripping … remarkably wide-ranging' THE TIMES This is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways. The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.
E-bok
Engelska, 202481 kr
Läs direkt efter köp
WINNER OF THE WOLFSON HISTORY PRIZE 2025 SHORTLISTED FOR THE NONFICTION CROWN AWARD 'Gripping … remarkably wide-ranging' THE TIMES This is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways. The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.
Ljudbok
Engelska, 2024213 kr
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SHORTLISTED FOR THE NONFICTION CROWN AWARD 2024GUARDIAN: BOOKS TO LOOK OUT FOR IN 2024''GRIPPING'' THE TIMESThis is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways.The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.
Häftad, Engelska, 2025
137 kr
Skickas
WINNER OF THE WOLFSON HISTORY PRIZE 2025 SHORTLISTED FOR THE NONFICTION CROWN AWARD 'Gripping … remarkably wide-ranging' THE TIMES This is an immersive and revelatory history of the survivors of the Clotilda, the last ship of the Atlantic slave trade, whose lives diverged and intersected in profound ways. The Clotilda docked in Mobile Bay, Alabama, in July 1860 – more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. Survivors follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile – an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston – to the foundation of the quilting community of Gee’s Bend – a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography and social commentary, Survivors is a tour de force that deepens our knowledge and understanding of the Atlantic slave trade and its far-reaching influence on life today.
Inbunden, Engelska, 2024
354 kr
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Häftad, Engelska, 2026
288 kr
Skickas inom 3-6 vardagar
E-bok
Engelska, 2024248 kr
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The Last Slaves has descriptive copy which is not yet available from the Publisher.
Inbunden, Engelska, 2019
1 393 kr
Skickas inom 5-8 vardagar
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining-within significant confines-new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
E-bok
Engelska, 2019274 kr
Läs direkt efter köp
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women''s identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham''s places in cinematic and literary history.
Häftad, Engelska, 2019
338 kr
Skickas inom 5-8 vardagar
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining-within significant confines-new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
Del 14 - Liverpool Studies in International Slavery
Inside the invisible
Memorialising Slavery and Freedom in the Life and Works of Lubaina Himid
Häftad, Engelska, 2019
500 kr
Skickas inom 5-8 vardagar
Inside the Invisible provides the first examination of the work of Turner Prize-winning Black British artist and curator Professor Lubaina Himid CBE. This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. A self-appointed researcher, historian, and storyteller as well as an artist, she succeeds in seeing “inside the invisible” regarding untold narratives of Black agency and artistry by mining national archives, listening to oral stories, acknowledging art-making traditions, and revisiting autobiographical testimonies.
Del 9 - Liverpool Studies in International Slavery
Visualising Slavery
Art Across the African Diaspora
Häftad, Engelska, 2021
626 kr
Skickas inom 5-8 vardagar
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.