Alan Rice – författare

Explore the in-hospital evolution of social work with HIV/AIDS patients!A History of AIDS Social Work in Hospitals: A Daring Response to an Epidemic presents first-hand historical perspectives from frontline hospital social workers who cared for HIV/AIDS patients during the epidemic’s beginning in the early 1980s. Contributors recount personal and clinical experiences with patients, families, significant others, bureaucracies, and systems during a time of fear, challenge, and extreme caution. Their experiences illustrate the transformation of social work as the development of new programs and treatments increased the lifespan of HIV/AIDS patients.A History of AIDS Social Work in Hospitals portrays the nature of human suffering and teaches how clients deal with adversity and overcome devastating obstacles. At the same time this book, which, while nonfiction, reads like a novel, opens a window into the world of social work providers working with an illness once considered taboo (and now referred to as simply chronic). A History of AIDS Social Work in Hospitals provides you with an easy-to-understand medical overview of adult and pediatric infectious diseases that often accompany HIV/AIDS and examines: the evolution of social work with hospitalized patients during the first twenty years of the pandemic the important roles of social workers in New York, San Francisco, Philadelphia, and South Carolina challenges that resulted from improved medications and longer life expectancy the status of current HIV/AIDS care programs the development of HIV/AIDS case management in emergency room settings the benefits of developing custody planning programs for HIV-infected families the challenges of working with perinatally infected adolescentsWith case studies and thoughtful analysis of the history of city, state, and national case management responses to the AIDS crisis, A History of AIDS Social Work in Hospitals is a valuable book for educators, students, historians, beginning mental health practitioners, social workers, case managers, substance abuse counselors, and anyone interested in stories of human courage. Make it part of your collection today!

*Broad-based survey of trans-Atlantic black culture*Newest book in the popular Black Atlantic seriesRadical Narratives of the Black Atlantic is a multi-faceted and interdisciplinary take on trans-Atlantic black culture. Alan Rice engages fully with Paul Gilroy's paradigm of the Black Atlantic through examination of a broad array of cultural genres including music, dance, folklore and oral literature, fine art, material culture, film and literature. The aspects of black culture under discussion range from black British gravesites to sea shanties, from the novels of Toni Morrison to the paintings of the Zanzibar born black British artist Lubaina Himid and from King Kong to the travels of Frederick Douglass and Paul Robeson. The book places such figures as the African American traveller and Barbary slave narrator Robert Adams and the West Indian slave narrator Mary Prince in a Black Atlantic context that explicates them fully. A chapter on the Titanic disaster shows how diasporan Africans composed oral poems about the disaster to criticise the discriminatory practices of its owners and racial imperialism.Overall, the book argues for the crucial importance of Black Atlantic cultures in the formation of our modern world. Moreover, it argues that looking at Black culture and history through a national lens is distorting and reductive.

In this multi-faceted and interdisciplinary take on trans-Atlantic black culture, the author engages fully with Paul Gilroy's paradigm of the Black Atlantic through examination of a broad array of cultural genres including music, dance, folklore and oral literature, fine art, material culture, film and literature. The aspects of black culture under discussion range from black British gravesites to sea shanties, from the novels of Toni Morrison to the paintings of the Zanzibar born black British artist Lubaina Himid and from King Kong to the travels of Frederick Douglass and Paul Robeson. The book places such figures as the African American traveller and Barbary slave narrator Robert Adams and the West Indian slave narrator Mary Prince in a Black Atlantic context that explicates them fully. A chapter on the Titanic disaster shows how diasporan Africans composed oral poems about the disaster to criticise the discriminatory practices of its owners and racial imperialism. Overall, the book argues for the crucial importance of Black Atlantic cultures in the formation of our modern world.Moreover, it argues that looking at Black culture and history through a national lens is distorting and reductive.

Bringing together intersectional perspectives across disciplines such as the humanities, arts and social sciences, this book explores borders and crossings in relation to environmental damage and injustice in the context of the climate crisis.Focusing on historical and contemporary borders and barriers, both physical, ideological, and ontological, this book examines their crossings, transformations, expansions, and reconfigurations in the post-COVID era of climate crisis. It explores the power of nationalist ideas that promote borders and the ways activists and artists work to challenge and break them down, looking at case studies such as the partition line in Cyprus and right wing extremism.Focusing particularly on the way in which climate change literally alters the physical geography of borders, it looks at the representation of environmental crises, borders, barriers, and walls in literature, theatre, and other cultural and artistic expressions by writers as diverse as Franz Kafka, FastHorse, Rafeef Ziadah, and Claudia Rankine.

Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.

Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.

Inside the Invisible provides the first examination of the work of Turner Prize-winning Black British artist and curator Professor Lubaina Himid CBE. This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. A self-appointed researcher, historian, and storyteller as well as an artist, she succeeds in seeing “inside the invisible” regarding untold narratives of Black agency and artistry by mining national archives, listening to oral stories, acknowledging art-making traditions, and revisiting autobiographical testimonies.