heather ahtone - Böcker

Even ardent fans of Andy Warhol (1928–1987) may be surprised to learn that the artist created a significant body of western work. In fact, Warhol was drawn to the lore and lure of the American West throughout his life. He was heavily influenced by the mythology and iconography of the American West, conveyed primarily through film and television, and revealed at various points in his life by toys, clothing, and travel. His lifelong fascination with the West culminated with his 1986 series Cowboys and Indians, a print portfolio that represents an important milestone in the artist’s late career and a shift in the conception of contemporary western American art. One of the last major projects Warhol completed prior to his death, Cowboys and Indians received very little critical or public attention at the time of its release and remains one of the most understudied aspects of the artist’s career.  Warhol and the West explores for the first time the range of western imagery Warhol produced. New scholarship examines how Warhol’s western work merges the artist’s ubiquitous portrayal of celebrities with his interest in cowboys, American Indians, and other western motifs. His work in the western genre is immediately recognizable, impressive, daring, inspirational, and sometimes confrontational. This body of work furthers our understanding of how the American West infiltrates the public’s imagination through contemporary art and popular culture.  The major traveling exhibition includes more than 100 objects and works of art including source materials revealing Warhol’s process. The accompanying catalogue will feature essays by heather ahtone of the American Indian Cultural Center and Museum (AICCM) in Oklahoma City, Faith Brower of the Tacoma Art Museum, and Seth Hopkins of the Booth Western American Art Museum, as well as 12 additional contributors: Tony Abeyta, Sonny Assu, Gregg Deal, Lara M. Evans, Michael R. Grauer,  Frank Buffalo Hyde, Thomas S. Kalin, Gloria Lomahaftewa, Daryn A. Melvin, Andrew Patrick Nelson, Chelsea Weathers, and Rebecca West.  Published in association with Tacoma Art Museum.  Exhibition dates:Booth Western Art Museum, Cartersville, GA: August 25–December 31, 2019National Cowboy & Western Heritage Museum, Oklahoma City, OK: January 31–May 10, 2020Tacoma Art Museum, Tacoma, WA: Summer 2020

A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today’s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—that share the common thread of the land.This beautifully illustrated book features both well-known and emerging artists, from G. Peter Jemison (Seneca Nation of Indians, Heron Clan) and Kay WalkingStick (Cherokee Nation of Oklahoma/European descent) to Eric-Paul Riege (Diné) and Rose B. Simpson (Pueblo of Santa Clara, New Mexico). Smith brings her personal perspective to the Native American experience and Indigenous connections to the land. In her essay, heather ahtone examines the history and practices of landscape art, shedding light on how it is both a tool for self-expression and a means to understanding the natural world. Celebrated poet and memoirist Joy Harjo pays homage to the land in her poem “Once the World Was Perfect.” Shana Bushyhead Condill discusses the themes and practices that distinguish these artworks.The Land Carries Our Ancestors: Contemporary Art by Native Americans shares new perspectives on these visionary and provocative artists while offering a timely celebration of contemporary Indigenous art.Published in association with the National Gallery of Art, Washington, DCExhibition ScheduleNational Gallery of Art, Washington, DCSeptember 22, 2023–January 15, 2024New Britain Museum of American Art, New Britain, ConnecticutApril 18–September 15, 2024

Crow’s Shadow Institute of the Arts at 25 explores the first twenty-five years of a remarkable nonprofit printmaking and traditional arts studio based on the Confederated Tribes of the Umatilla Indian Reservation in eastern Oregon, the only such center located on a reservation community in the United States. Art historian Prudence Roberts, drawing from conversations with CSIA founder, the artist James Lavadour, narrates the institute’s history from its beginnings through the establishment of a professional quality printmaking program and an international reputation. Native American art scholar heather ahtone and curator Rebecca Dobkins trace the development of indigenous printmaking in North America, further contextualizing this story. Over sixty color plates will illustrate selected work from the dozens of artists, indigenous and non-indigenous, who have completed residencies at CSIA since its founding, including luminaries of contemporary Native American art Rick Bartow, Joe Feddersen, Jeffrey Gibson, Edgar Heap of Birds, James Lavadour, Lillian Pitt, Wendy Red Star, and Marie Watt.