Heather James – författare
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6 produkter
6 produkter
Del 22 - Cambridge Studies in Renaissance Literature and Culture
Shakespeare's Troy
Drama, Politics, and the Translation of Empire
Häftad, Engelska, 2007
520 kr
Skickas inom 7-10 vardagar
Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.
Del 22 - Cambridge Studies in Renaissance Literature and Culture
Shakespeare's Troy
Drama, Politics, and the Translation of Empire
Inbunden, Engelska, 1997
1 438 kr
Skickas inom 7-10 vardagar
Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.
192 kr
Skickas inom 5-8 vardagar
1 243 kr
Skickas inom 7-10 vardagar
The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.
370 kr
Skickas inom 7-10 vardagar
The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.
2 476 kr
Kommande
The essays in this edited collection extend our understanding of the challenges and opportunities that the classical world afforded Shakespeare and his contemporaries. At the same time, they encourage modern scholarship to reevaluate the significance of antiquity in early modern England. Studies of classical heritage often focus on imitation and the transmission of specific classical texts in relation to early modern ones. This volume takes a broader approach, moving away from a notion of antiquity as a series of literary sources toward a notion of antiquity as a body of concepts, formal practices, and innovations for use and adaptation in early modern prose, poetry, and drama. In varied but complementary ways, the essays in this collection interrogate Shakespeare’s engagement with the past in relation to his contemporaries as well as his classical models. The collection emphasizes questions of language, temporality, reading and writing, and performance.