Heinrich F. Plett – författare
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7 produkter
7 produkter
2 881 kr
Skickas inom 7-10 vardagar
No detailed description available for "Renaissance-Rhetorik / Renaissance Rhetoric".
2 881 kr
Skickas inom 7-10 vardagar
2 417 kr
Skickas inom 5-8 vardagar
Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.
601 kr
Skickas inom 10-15 vardagar
Del 6 - Literarische Studien / Literary Studies
«Every Bit Doth Almost Tell My Name.»
Computergestuetzte Uebersetzungsforschung Am Beispiel Von Shakespeares Sonetten Im Deutschen
Häftad, Tyska, 2002
856 kr
Tillfälligt slut
257 kr
Skickas inom 3-6 vardagar
Del 4 - International Studies in the History of Rhetoric
Enargeia in Classical Antiquity and the Early Modern Age
The Aesthetics of Evidence
Inbunden, Engelska, 2012
2 310 kr
Skickas inom 5-8 vardagar
The present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age. Their theoretical basis is the tradition of classical rhetoric with its principal representatives (Aristotle, Cicero, Quintilian) and their reception history. The ‘enargetic’ approach to the arts may be described as rhetoric of presence and display, or aesthetics of evidence and imagination. Visual imagination plays a major role in the concepts of effect in oratory, poetry, and drama of the Classical Antiquity and the Early Modern Age. Its implementations are manifested in the Second Sophistic and in the Early Modern Age, there above all in the works of William Shakespeare.