Some decades ago, Jean-Luc Nancy asked, ‘Has not everything been said on the subject of love? … Could we perhaps be exhausted?’ The question is a pertinent one; why devote yet another book to the subject? Grounding love in the realm of the concrete by querying, where does love happen?, the essays address hitherto under-researched aspects and aesthetics of love, like the love of the child, same-sex love, love of country, love for machines, controversial relationships, love of the dead, love of the past, and networks of relationships revolving around love and intimacy. Here, leading scholars suggest that changing social practices, developed in the course of the long nineteenth century, determined new spaces and places for love to happen, to unfold, develop – and break up. Thereby, the much-debated claim that romantic love is an invention of European Romanticism is challenged, asking if romantic love might not be less and other kinds of love far more romantic than at first imagined. Download these Open Access (OA) chapters for free here

This book explores the notion of home in the wake of the so-called refugee crisis, and asks how home and belonging can be rethought through the act of creative practices and collective writing with refugees and asylum seekers. Where Giorgio Agamben calls the refugee ‘the figure of our time’, this study places the question of home among those who experience its ruptures. Veering away from treating the refugee as a conceptual figure, the lived experiences and creative expressions of seeking asylum in Denmark and the United Kingdom are explored instead. The study produces a theoretical framework around home by drawing from a cross-disciplinary field of existential and political philosophy, narratology, performance studies and anthropology. Moreover, it argues that theatre studies is uniquely positioned to understand the performative and storied aspects of seeking asylum and the compromises of belonging made through the asylum process.

Some decades ago, Jean-Luc Nancy asked, ‘Has not everything been said on the subject of love? … Could we perhaps be exhausted?’ The question is a pertinent one; why devote yet another book to the subject? Grounding love in the realm of the concrete by querying, where does love happen?, the essays address hitherto under-researched aspects and aesthetics of love, like the love of the child, same-sex love, love of country, love for machines, controversial relationships, love of the dead, love of the past, and networks of relationships revolving around love and intimacy. Here, leading scholars suggest that changing social practices, developed in the course of the long nineteenth century, determined new spaces and places for love to happen, to unfold, develop – and break up. Thereby, the much-debated claim that romantic love is an invention of European Romanticism is challenged, asking if romantic love might not be less and other kinds of love far more romantic than at first imagined. Download these Open Access (OA) chapters for free here

This book explores the notion of home in the wake of the so-called refugee crisis, and asks how home and belonging can be rethought through the act of creative practices and collective writing with refugees and asylum seekers. Where Giorgio Agamben calls the refugee ‘the figure of our time’, this study places the question of home among those who experience its ruptures. Veering away from treating the refugee as a conceptual figure, the lived experiences and creative expressions of seeking asylum in Denmark and the United Kingdom are explored instead. The study produces a theoretical framework around home by drawing from a cross-disciplinary field of existential and political philosophy, narratology, performance studies and anthropology. Moreover, it argues that theatre studies is uniquely positioned to understand the performative and storied aspects of seeking asylum and the compromises of belonging made through the asylum process.