Howard Kazanjian - Böcker

Roy Rogers and Dale Evans ruled the West from the silver screen as the King of Cowboys and and Queen of the West. Off screen, this husband and wife duo raised a family and lived the "Code of the West." Now, in this new biography, named for their first feature film as a pair, the Rogers family shares the inside story of these beloved Western icons, detailing their personal struggles and rise to stardom, the lives of their children, the tragedies that befell their family, and their memories of Roy and Dale and Trigger and other sidekicks on the silver screen and behind the scenes. More than sixty photographs of the couple at work and at home are included.

Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.

On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army's orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George's red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.

The Oklahoma Historical Society Outstanding Book on Oklahoma History for 2012. A riveting biography of a little-known Native-American who shaped history-complete with shootouts, romance, intrigue, and a little politics.

Colorado Territory in 1864 wasn't merely the wild west, it was a land in limbo while the Civil War raged in the east and politics swirled around its potential admission to the union. The territorial governor, John Evans, had ambitions on the national stage should statehood occur--and he was joined in those ambitions by a local pastor and erstwhile Colonel in the Colorado militia, John Chivington. The decision was made to take a hard line stance against any Native Americans who refused to settle on reservations--and in the fall of 1864, Chivington set his sights on a small band of Cheyenne under the chief Black Eagle, camped and preparing for the winter at Sand Creek.When the order to fire on the camp came on November 28, one officer refused, other soldiers in Chivington's force, however, immediately attacked the village, disregarding the American flag, and a white flag of surrender that was run up shortly after the soldiers commenced firing. In the ensuing "battle" fifteen members of the assembled militias were killed and more than 50 wounded Between 150 and 200 of Black Kettle’s Cheyenne were estimated killed, nearly all elderly men, women and children. As with many incidents in American history, the victors wrote the first version of history--turning the massacre into a heroic feat by the troops. Soon thereafter, however, Congress began an investigation into Chivington's actions and he was roundly condemned. His name still rings with infamy in Colorado and American history. Mochi’s War explores this story and its repercussions into the last part of the nineteenth Century from the perspective of a Cheyenne woman whose determination swept her into some of the most dramatic and heartbreaking moments in the conflicts that grew through the West in the aftermath of Sand Creek.

It was the golden age of baseball, and all over the country teams gathered on town fields in front of throngs of fans to compete for local glory. In Rawlins, Wyoming, residents lined up for tickets to see slugger Joseph Seng and the rest of the Wyoming Penitentiary Death Row All Stars as they took on all comers in baseball games with considerably more at stake. Teams came from Reno, Nevada; Klamath Falls, Oregon; Bodie, California; and throughout the west to take on the murderers who made up the line-up. This is a fun and wildly dramatic and suspenseful look at the game of baseball and at the thrilling events that unfolded at a prison in the wide-open Wyoming frontier in pursuit of wins on the diamond.

On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army's orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George's red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.

Was Arizona Donnie Clark, AKA Kate “Ma” Barker the mastermind behind the Barker gang terrorizing the Midwest during the early years of the great Depression? Or was she a terrible mother who urged her sons to criminal behavior for her own financial gain? Or does the truth lie somewhere in between. This lively retelling of the legend of Ma Barker and her boys is full of action, intrigue, and the answers to mysteries that have lingered for more than 70 years.

Long before the screen placed the face of Mary Pickford before the eyes of millions of Americans, this girl, born August 13, 1860 as Phoebe Anne Oakley Moses, had won the right to the title of “America’s Sweetheart.” Having grown up learning to shoot game to help support her family, Annie won first prize and met her future husband at a shooting match when she was fifteen years old. He convinced her to change her name to Annie Oakley and became her husband, manager, and number-one fan for the next fifty years.Annie quickly gained worldwide fame as an incredible crack shot, and could amaze audiences at her uncanny accuracy with nearly any rifle or pistol, whether aiming at stationary objects or shooting fast-flying targets from the cockpit of a moving airplane. Despite struggles with her health and even a long, drawn-out legal battle with media magnate William Randolph Hearst, Annie Oakley poured her energy into advocating for the U.S. military, encouraging women to engage in sport shooting, and supporting orphans.

Relive the Golden Era of the King of the Cowboys and the Queen of the WestIn the mid-twentieth century, Roy Rogers and Dale Evans ruled the West from the silver screen as the King of Cowboys and the Queen of the West. Off screen, this husband and wife duo raised a family and lived the "Code of the West." In this biography, named for their first feature film as a pair, the Rogers family shares the inside story of these beloved Western icons.

Take one well-oiled effective killing machine, add a familiar hero on the ground, in the air, and on horseback; stir in a ghastly end that’s surely impossible to escape, add action, add passion, made on a shoestring budget at breakneck speed, and you’ve got the recipe for Republic Pictures. Who, after all, cannot forget The Atomic Kid, starring Mickey Rooney, or The Untamed Heiress, with an un-Oscar-worthy performance by ingénue Judy Canova?Exploding onto the movie scene in 1935, Republic Pictures brought the pop culture of the 30s and 40s to neighborhood movie houses. Week after week kids sank into their matinee seats to soak up the Golden Age of the Republic series, to ride off into the classic American West. And they gave us visions of the future. Visions that inspire film makers today. Republic was a studio that dollar for dollar packed more movie onto the screen than the majors could believe. From sunrise on into the night over grueling six day weeks, no matter how much mayhem movie makers were called upon to produce, at Republic Pictures it was all in a day’s work. Republic Pictures was the little studio in the San Fernando Valley where movies were made family style. A core of technicians, directors, and actors worked hard at their craft as Republic released a staggering total of more than a thousand films through the late 1950s.Republic Pictures was home to John Wayne for thirty-three films. Always inventing, Republic brought a song to the West. It featured the West’s first singing cowboy. Republic brought action, adventure, and escape to neighborhood movies houses across America. And they brought it with style. Scene from westerns such as The Three Mesquiteers and the Lawless Range gave screaming kids at the bijou a white-knuckle display of expert film making. Republic Pictures became a studio where major directors could bring their personal vision to the screen. Sometimes these were projects no other studio would touch such as The Quiet Man (which brought director John Ford an Oscar) and Macbeth. Killer Bs, Cowboys, Creatures and Classics: The Story of Republic Pictures is for anyone who likes B movies magic. It is the honest account of an extraordinary production house, one whose ability to turn out films quickly boded well for its transition into television production. Not only were its sets used for such shows as Leave it to Beaver and Gilligan’s Island, stock footage from Republic’s movies was used on such shows as Gunsmoke and The Life and Legend of Wyatt Earp.

By the time Stagecoach made John Wayne a silver-screen star in 1939, the thirty-one-year-old was already a veteran of more than sixty films, having twirled six-guns and foiled cattle rustlers in B Westerns for five studios. By the 1950s he was Hollywood’s most popular actor—an Academy Award nominee destined to become an American icon. This biography reveals the story of his early life, illustrated with rare archival images.

History has a way of bestowing a more lasting immortality on important people who die at the height of their earthly achievements. Famous personalities who are cut down at the height of their fame leave people clamoring to know more about them. Books and songs are written about them. Pictorial mementoes and keepsakes are in demand. The celebrated military figure General George Armstrong Custer, whose life ended so abruptly, is no exception. Interest in him, and those associated with him, has never diminished with the passing time. Elizabeth Bacon Custer, George’s faithful wife, and more than two dozen women who lost their husbands at the Battle of Little Big Horn, fall into that category. Elizabeth Bacon Custer set the social tone at Fort Lincoln, Nebraska, where she and twenty-five other women were living when their spouses perished in June 1876. She helped the ladies deal with the difficulties of life on the Plains; how to handle frostbite, how to treat heat prostration due to the suffocating amount of clothing, how to obtain water through holes cut in the ice of lakes or rivers, and how best to entertain themselves while waiting for their husbands to return from a campaign. When a soldier left the fort, his wife never knew if he would return. Eliza Porter, wife of 1st Lieutenant Colonel I. Porter of Custer’s 7th Cavalry, described the last get-together Elizabeth Custer hosted for the officers and their families this way. “Here are those nice fellows gathered around the Custer’s table, all discussing the situation and all knowing they will never all come back. One leaves his watch and little fixings and says, ‘if one of those bullets gets me, send this to my wife waiting for me in Independence.’ One need not search any further to unearth the reason why “Boots and Saddles,” the call to battle written by Elizabeth Custer, struck terror into the hearts of Army wives. Each wondered if she would be widowed or if the role of widowhood would be forced upon her friends. After the men were assembled, they rode out proudly to the strains of “The Girl I Left Behind Me.” In order to hide their tears and anxiety from their husbands, many wives did as Elizabeth Porter did; they refused to watch the column’s ride away from the fort. They preferred to say goodbye behind closed doors. Fear and weeping were private. Nine months after the massacre at Custer’s Last Stand, Elizabeth Custer scheduled a reunion with the widows of the Little Big Horn. On June 25, 1887, the women met in Monroe, Michigan, to reflect on the events leading up to the battle, remember the loved ones that were killed, and share how they have been able to go on. The widows got together every year for more than twenty years. In between reunions they corresponded with each other, exchanged photographs, and supported one another through the difficult times. The never-before-seen materials that will be used to write the book entitled Elizabeth Custer and the Widows of the Little Big Horn will be provided by the curators of the Elizabeth Custer Library and Museum at Garryowen, Montana; an example of some of the historical materials that will be provided include letters between Elizabeth Custer and the other widows, letters to and from politicians and the widows supporting and criticizing General Custer, and agendas and pictures of the widows at the annual meetings. There have been many books written about General George Custer and a handful have been penned about Elizabeth Bacon Custer, but there have been nothing written about the widows of the Last Stand. This will be a first.

He was steely eyed, hard riding and straight shooting; a soft-spoken, tee-totaling lawman who never drew his gun...unless he meant to use it.  Among other things he was also a buffalo hunter, Indian fighter, rancher horse breeder, saloon keeper, politician…even a movie maker. His name was Bill Tilghman and of all the heroes of the Old West he was one of the last, one of the most heroic, and a legend in his own time. Tilghman is about his life and the woman who memorialized his adventures.  Tilghman began his career in Dodge City in 1878 when his friend Bat Masterson, newly elected sheriff, made him under sheriff.  Still going strong in 1924, the 70-year-old Tilghman was called out of retirement to help rid Cromwell, Oklahoma, of bootlegging gangsters.  In 1878 the bad guys rode horses; in 1924 they drove Piece-Arrows and Fords and flew airplanes.  Frontier outlaw or prohibition hoodlum, Tilghman fought them all.  In his lifetime he saw the vast herds of buffalo disappear from the great plains and Oklahoma transformed from Indian territory and outlaw haven into homesteading land and booming oil country.  Oklahoma City evolved from a collection of muddy tents and shacks into a thriving metropolis.It was a dramatic transformation and Bill Tilghman helped make it happen.  Beside him through most of that transformation was his wife, author Zoe Agnes Stratton.  Zoe not only had an up close view of the various outlaws her husband pursued, but was instrumental in preserving those daring exploits on paper.  The short stories and books she wrote about Tilghman’s life as a law enforcement agent helped make him a celebrated figure throughout the West.  Zoe recorded Marshal Tilghman’s capture of such criminals as the Doolin Gang, Cattle Annie and Little Britches, and the Jennings brothers. She also wrote of his friendship with such well-known figures as Marshal Heck Thomas, Marshal Bass Reeves, and Judge Isaac Parker.  When Bill Tilghman was gunned down in 1924 by a corrupt federal agent, Zoe had to find a way to continue on and financially support the two sons she’d had with the lawman.  She earned a living writing about each case her husband had taken on during his career.  Zoe hoped her sons, Richard and Woodie, would do better than their father had when he was young as the old frontier days were past, but Bill Tilghman’s brace of pistols remained symbolic of the family’s fate.In October 1929, nineteen-year-old Richard was killed in a crooked gambling game, along with his friend James Chitwood, a farmer.  Seventeen-year-old Woodie was arrested soon after for killing the man who shot his brother.  Woodie was arrested for manslaughter and sentenced to five years in prison.  Zoe wrote about those heartbreaking events as well.  Her body of work is recognized as some of the state’s finest historical writing.  The book Tilghman is not only the story of a man - it’s a colorful, exciting history of the last days of the Western frontier. It’s also the story of a woman, desperate to hold onto her family and honor the life of the man she loved so dearly.