Jacob D. Myers – författare

Philosophy preaches, and the pulpit preaches philosophy. As with all guilds, homiletics orients itself around a canon that constitutes its ways of being, behaving, and belonging. Part of the process of becoming a homiletician entails demonstrating one's mastery of certain concepts and texts. Doctoral research in homiletics maintains its disciplinary boundaries by requiring students to demonstrate familiarity with and understanding of those authors who have established the "proper" methods and modalities of preaching.In Preaching Philosophy, Jacob D. Myers and Sunggu A. Yang stage an intervention at this foundational pedagogical site by challenging the philosophical assumptions operative in the works of a selection of canonical characters and texts in the field of homiletics. The book arises from the conviction that critical homiletical scholarship must extend beyond those authors and texts that predominate preaching syllabi in North American seminaries and divinity schools. Furthermore, Myers and Yang argue that it is not enough to challenge another's wisdom on how to preach faithful and effective sermons. Rather, one must also discern and question the a priori assumptions undergirding said wisdom. This is precisely what Preaching Philosophy seeks to do: to trouble the philosophical assumptions presupposed by foundational figures in homiletics.Much homiletical theory prior to the 1960s arises from Kantian convictions about the limits of human rationality vis-à-vis the divine. As traditional, deductive preaching styles made way for the inductive logics constituting the New Homiletic, Heidegger and Kierkegaard came to supplant Kant's long ascendancy by shifting attention to the role of discourse in sermonic reception. Building on this foundational shift, Preaching Philosophy looks to francophone theorists from the second half of the twentieth century to intervene in how we conceptualize homiletical theories and theologies. Each chapter stages a critical encounter between a foundational homiletician and a French philosopher in hope of introducing new concepts and angles of critique into homiletical scholarship.

Few vocations share more in common with preaching than stand-up comedy. Each profession demands attention to the speaker''s bodily and facial gestures, tone and inflection, timing, and thoughtful engagement with contemporary contexts. Furthermore, both preaching and stand-up arise out of creative tension with homiletic or comedic traditions, respectively. Every time the preacher steps into the pulpit or the comedian steps onto the stage, they must measure their words and gestures against their audience''s expectations and assumptions. They participate in a kind of dance that is at once choreographed and open to improvisation. It is these and similar commonalities between preaching and stand-up comedy that this book engages.Stand-Up Preaching does not aim to help preachers tell better jokes. The focus of this book is far more expansive. Given the recent popularity of comedy specials, preachers have greater access to a broad array of emerging comics who showcase fresh comedic styles and variations on comedic traditions. Coupled with the perennial Def Comedy Jams on HBO, preachers also have ready access to the work of classic comics who have exhibited great storytelling and stage presence. This book will offer readers tools to discern what is homiletically significant in historical and contemporary stand-up routines, equipping them with fresh ways to riff off of their respective preaching traditions, and nuanced ways to engage issues of contemporary sociopolitical importance.

Through close textual engagement, theological exposition, ethical reflection, and interdisciplinary collaboration, this book presents a constructive theology of divine speech in the Acts of the Apostles and 1 Corinthians in critical conversation with contemporary issues of sociopolitical, ecclesial, and theological importance. In particular, the authors attend to pericopes in Acts and Paul that open up fresh ways of thinking about divine discourse, preaching, and advocacy in light of contemporary matters of theological and ethical import. In addition to classical modes of textual and theological analysis, the authors attend to the sociopolitical and sociolinguistic aspects of speech as they arise in these pericopes. As such, the authors are simultaneously deconstructing these texts through postcolonial and post-structural analyses to expose these texts to an alterity at work therein, an alterity that has been muted by centuries of biblical interpretation.

Bringing together the distinct but connected disciplines of theology and ethics, Stand-up Comedy, Theology, and Ethics adds to the growing field of humor and religion. Beginning by re-considering what we know about jokes and laughter, the authors propose that more attention needs to be paid to the quasi-sacramental, magical quality of jokes and the ways laughter can shift the affective states of an audience. They then turn their attention to key issues and debates within stand-up comedy. First, is the comical legitimacy or illegitimacy of comedians who employ humor ambiguously so that we are not sure at who or what they are “punching”. Second, is the phenomenon of canceling comedians for their behavior off stage. Third, is the sociopolitical possibilities of stand-up. Ultimately, the authors argue that there is theological, religious, and ethical significance to contemporary stand-up comedy.