James Mallinson – författare

'An indispensable companion for all interested in yoga, both scholars and practitioners' Professor Alexis G. J. S. SandersonDespite yoga's huge global popularity, relatively little of its roots is known among practitioners. This compendium includes a wide range of texts from different schools of yoga, languages and eras: among others, key passages from the early Upanisads and the Mahabharata, and from the Tantric, Buddhist and Jaina traditions, with many pieces in scholarly translation for the first time. Covering yoga's varying definitions, its most important practices, such as posture, breath control, sensory withdrawal and meditation, as well as models of the esoteric and physical bodies, Roots of Yoga is a unique and essential source of knowledge.Translated and Edited with an Introduction by James Mallinson and Mark Singleton

'An indispensable companion for all interested in yoga, both scholars and practitioners' Professor Alexis G. J. S. SandersonDespite yoga's huge global popularity, relatively little of its roots is known among practitioners. This compendium includes a wide range of texts from different schools of yoga, languages and eras: among others, key passages from the early Upanisads and the Mahabharata, and from the Tantric, Buddhist and Jaina traditions, with many pieces in scholarly translation for the first time. Covering yoga's varying definitions, its most important practices, such as posture, breath control, sensory withdrawal and meditation, as well as models of the esoteric and physical bodies, Roots of Yoga is a unique and essential source of knowledge.Translated and Edited with an Introduction by James Mallinson and Mark Singleton

Describing one of the most important practices of hathayoga (khecarimudra), the Khecarividya of Adinatha is presented here to an English-speaking readership for the first time. The author, James Mallinson, draws on thirty Sanskrit works, as well as original fieldwork amongst yogins in India who use the practice, to demonstrate how earlier tantric yogic techniques developed and mutated into the practices of hathayoga. Accompanied by an introduction and an extensively annotated translation, the work sheds light on the development of hathayoga and its practices.

Describing one of the most important practices of hathayoga (khecarimudra), the Khecarividya of Adinatha is presented here to an English-speaking readership for the first time. The author, James Mallinson, draws on thirty Sanskrit works, as well as original fieldwork amongst yogins in India who use the practice, to demonstrate how earlier tantric yogic techniques developed and mutated into the practices of hathayoga. Accompanied by an introduction and an extensively annotated translation, the work sheds light on the development of hathayoga and its practices.

Budha·svamin tells the epic tale of the youthful exploits of prince Naravahanadatta. The reader is taken from royal palaces to flying sorcerers' mountain fastnesses via courtesans' bedrooms and merchant ships. A fast and witty narrative which provides a fascinating insight into ancient India.Budha·svamin's The Emperor of the Sorcerers is a racy telling of the celebrated lost Indian narrative cycle The Long Story, framed by Nara·váhana·datta's magical adventures on his quest to become Emperor of the Sorcerers. It is indeed a great story, as its Sanskrit title declares. Epic in scope and scale, it has everything that a great story should: adventure, romance, suspense, intrigue, tragedy and comedy. Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

Volume Two continues this fast-paced tale of mystery and sorcery up to canto 28. Nara·váhana·datta's epic quest to become the human emperor of the sorcerers leads him and his companions to win yet more wives. Unfortunately, the surviving manuscripts of the text break off while he is in pursuit of his sixth wife. The primary narrative is punctuated by diverting subplots.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

Sanskrit Messenger poems evoke the pain of separated sweethearts through the formula of an estranged lover pleading with a messenger to take a message to his or her beloved. The plea includes a lyrical description of the route the messenger will take and the message itself. The first was the Cloud Messenger, composed by Sanskrit's finest poet, Kali·dasa, in the fifth century CE. This inspired the next, the Wind Messenger, composed in praise of King Lákshmana·sena of Gauda (Bengal) in the twelfth century by Dhoyi, one of his court poets. Numerous more followed, including the third in the CSL selection, the sixteenth-century Swan Messenger, composed in Bengal by Rupa Go·svamin, a devotee of Krishna.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

This affordable, authoritative edition of the Shiva Samhita contains a new introduction, the original Sanskrit, a new English translation, nine full-page photographs, and an index. It includes beautiful teachings found nowhere else. This is the first edition of this classic Yoga text to meet both high academic and literary standards, the first to be based on a truly critical study of the Sanskrit manuscripts. It's for people who practice Yoga, and for anyone with an interest in health and fitness, philosophy, religion, spirituality, mysticism, or meditation. From the IntroductionComposed over five centuries ago, the Shiva Samhita is one of the most celebrated root texts of Hatha Yoga. It includes beautiful teachings found nowhere else. This edition contains the original Sanskrit, properly edited and printed for the first time, and a new, accurate translation thereof. It also features photographs of the asanas and mudras described therein. "e;James Mallinson has just produced the most reliable Sanskrit edition and English translation of the Shiva Samhita available. I praise his painstaking and learned work, which is well complemented by a crisp, informative, no-nonsense introduction. The accuracy and readability of this book make it of great interest to anyone working on Yoga and related disciplines."e;--Elizabeth De Michelis, Oxford University, Author of A History of Modern YogaTable of Contents:IntroductionThe Vital PrincipleKnowledgePracticeMudrasMeditationContributorsIndex

This affordable, definitive edition of the Gheranda Samhita contains a new introduction, the original Sanskrit, a new English translation, and 39 full-page photographs. It's the most encyclopedic of the classic Yoga texts and teaches a unique sevenfold path to perfection of the person. This is the first edition to meet high academic, literary, and production standards. It's for people who practice Yoga and for anyone with an interest in health and fitness, philosophy, religion, spirituality, mysticism, or meditation. From the IntroductionThe book you are about to read, a manual of Yoga taught by Gheranda to Chanda, is the most encyclopedic of all the root texts of Hatha Yoga. At the beginning of the book, Chanda asks Gheranda to tell him about the Yoga of the body, which is the cause of knowledge of the Ultimate Reality. Gheranda assents and the book is thus called the Gheranda Samhita, or "e;The Collection [of Verses] of Gheranda."e;It sets itself apart from other books on Hatha Yoga in two notable ways. Firstly, it calls its Yoga "e;ghata Yoga"e; or "e;ghatastha Yoga"e; and not Hatha Yoga. The usual meaning of ghata is "e;pot,"e; but here it refers to the body, or rather the person, since the techniques taught by Gheranda work on both the body and the mind. Secondly, it is unique in teaching a sevenfold path to perfection of the person. Table of Contents:IntroductionPurificationAsanasMudrasPratyaharaPranayamaDhyanaSamadhi